Audience Quotes
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All Internet comedy is niche comedy. If you do an Internet video about Halo, every Halo fan will send it to every other Halo fan. But if you did an episode of a network comedy that parodied Halo, most of your audience wouldn't even get it.
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If I'm doing a concert, and I'm having a problem with the audience... I just play a Bob Marley song, and I'm good for the rest of the night.
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I believe in divine inspiration and things like that and I really relish a good, attentive, participating audience.
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Clearly the success of the Netflix model, releasing the entire season of 'House of Cards' at once, proved one thing: The audience wants the control. They want the freedom. If they want to binge as they've been doing on 'House of Cards' and lots of other shows, we should let them binge.
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I’ve read his book. I know he says the problem’s me and professes to be bemused by my antipathy towards him, and it’s true that I came out of rehab without that safety valve of drink and drugs, no ‘off’ button. I was more assertive than before. But he was behaving like the life of a rock star was the worst kind of life there was, and in my opinion he was taking it out on the group, the management, the technicians, and now the audience, and there was one person – one, me – who wasn’t prepared to let him get away with it.
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The men loved jokes, though they had heard each one before. Jack's manner was persuasive; few of them had seen the old stories so well delivered. Jack himeself laughed a little, but he was able to see the effect his performance had on his audience. The noise of their laughter roared like the sea in his ears. He wanted it louder and louder; he wanted them to drown out the war with their laughter. If the could should loud enough, they might bring the world back to its senses; they might laugh loud enough to raise the dead.
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The Angels shows are really intense. We play for a couple hours at a time. They're very theatrical and full of audience interaction and emotion. I've seen a lot of people crying and stuff. It's a little bit like church, but it's very secular.
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Speaking about myself, I've been pleasantly surprised that my older plays are still being performed. Most important is that they still have something to say to today's audience, in particular the young people who enjoy my plays. That's the best I could hope for, that the plays aren't single-use products of one era.
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I'm conflicted with theater in the city because you want to reach a diverse audience, and that audience doesn't typically go to the theater.
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His administration apparently means to define itself as a television program instead of a government...I don't know if it can please both its sponsors and its intended audience.
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Being in the audience actually looks like quite a lot of fun.
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I feel the most connected to my art when it comes from my real life and hopefully the audience feels that.
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Over the years, I've been trying to build a relationship with an audience. I've tried to maintain as much of a low profile as I could so that those characters would emerge and their relationship with audiences would be protected.
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I don't think actors should ever expect to get a role, because the disappointment is too great. You've got to think of things as an opportunity. An audition's an opportunity to have an audience.
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I realized the only thing I owed my audience was my own judgment and my own best effort.
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I've always thought of the audience. I just want to entertain the audience. That's what it's about: what's good for the movie, what's best for the movie, what's best for the audience.
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You can act truthfully or you can lie. You can reveal things about yourself or you can hide. Therefore, the audience recognizes something about themselves or they don't -- You hope they don't leave the theatre thinking that was nice...now where's the cab?'
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I need the gays at the shows. If I don't have the gays, I just go nuts, because they always know every word and they're the best core audience you can have.
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I have found that children are the most open-minded of all my audiences. They are not set in their ways. They are open to ideas.
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I think that's a powerful thing, to be able to engage your audience and let them put some of themselves into the music.
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Our basic audience begins with creaking elderly types of twenty-three and above.
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Will not stop being Victor Manuelle and I will find a balance between keeping the audience animated and trying to keep being me.
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We're quite excited, because the audience went absolutely bananas. We did Paris (for the last DVD), and we thought we'd do Milan since we work there a lot, and it worked out really well.
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Interviewing people, I don't miss that at all. I do miss kibitzing with the audience because after every show I would spend half an hour to 40 minutes talking to people.
