Audience Quotes
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A sign now of success with a certain audience when you do a short comedy piece, anywhere, is that it gets on YouTube and gets around. It's always something you're thinking about unconsciously.
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Only super fans and close personal friends ever heard this stuff, but it's long past time that I share them with a wider audience. I still think "Beer Barrel Polka" would make a great Meat Puppets cover.
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This system is a monster, ... In this decade, I believe we are going to double our audience.
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I believe in divine inspiration and things like that and I really relish a good, attentive, participating audience.
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I feel the most connected to my art when it comes from my real life and hopefully the audience feels that.
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I realized the only thing I owed my audience was my own judgment and my own best effort.
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Pantelion and Televisa can reach my core fan base better than anyone, and with the distribution expertise and brand recognition of Lionsgate, I know we can build on the crossover audience that we began to reach with 'Instructions.'
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Interviewing people, I don't miss that at all. I do miss kibitzing with the audience because after every show I would spend half an hour to 40 minutes talking to people.
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Speaking about myself, I've been pleasantly surprised that my older plays are still being performed. Most important is that they still have something to say to today's audience, in particular the young people who enjoy my plays. That's the best I could hope for, that the plays aren't single-use products of one era.
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All Internet comedy is niche comedy. If you do an Internet video about Halo, every Halo fan will send it to every other Halo fan. But if you did an episode of a network comedy that parodied Halo, most of your audience wouldn't even get it.
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Clearly the success of the Netflix model, releasing the entire season of 'House of Cards' at once, proved one thing: The audience wants the control. They want the freedom. If they want to binge as they've been doing on 'House of Cards' and lots of other shows, we should let them binge.
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The Angels shows are really intense. We play for a couple hours at a time. They're very theatrical and full of audience interaction and emotion. I've seen a lot of people crying and stuff. It's a little bit like church, but it's very secular.
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Being in the audience actually looks like quite a lot of fun.
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I think that's a powerful thing, to be able to engage your audience and let them put some of themselves into the music.
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Anyone with a internet connection and an idea can develop an audience
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I need the gays at the shows. If I don't have the gays, I just go nuts, because they always know every word and they're the best core audience you can have.
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I've always thought of the audience. I just want to entertain the audience. That's what it's about: what's good for the movie, what's best for the movie, what's best for the audience.
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I have found that children are the most open-minded of all my audiences. They are not set in their ways. They are open to ideas.
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I don't think actors should ever expect to get a role, because the disappointment is too great. You've got to think of things as an opportunity. An audition's an opportunity to have an audience.
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If I'm doing a concert, and I'm having a problem with the audience... I just play a Bob Marley song, and I'm good for the rest of the night.
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Half the audience gets where I'm coming from and half the audience is like, "Wait a minute. What does that mean?"
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One of the awful things about writing when you are a Christian is that for you the ultimate reality is the Incarnation, the present reality is the Incarnation, and nobody believes in the Incarnation; that is, nobody in your audience. My audience are the people who think God is dead. At least these are the people I am conscious of writing for.
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You can act truthfully or you can lie. You can reveal things about yourself or you can hide. Therefore, the audience recognizes something about themselves or they don't -- You hope they don't leave the theatre thinking that was nice...now where's the cab?'
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My films play only in Bengal, and my audience is the educated middle class in the cities and small towns. They also play in Bombay, Madras and Delhi where there is a Bengali population.
