Audience Quotes
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I'm afraid I don't look at reviews or anything like that, but you get an immediate sense from the audience that they've had a lovely evening.
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Only super fans and close personal friends ever heard this stuff, but it's long past time that I share them with a wider audience. I still think "Beer Barrel Polka" would make a great Meat Puppets cover.
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I remember feeling the temperature change the first time the curtain came up, the difference between the audience temperature and the stage temperature. I'll never forget it.
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We've told people - every audience, every night - that we're definitely going back to do an album.
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I think you can do a comedy show on just about every subject under the sun as long as it relates to the audience.
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Audience don’t matter where they are from. They all come to see us. But I have to say that the Eastern audience is always extremely polite.
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I still get very scared when I step in front of a live audience.
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Whatever happens, my audience mustn't know whether I am spoofing or being serious; and likewise I mustn't know either. I am in a constant interrogation; when does the deep and philosophically valid Dali begin, and where does the looney and preposterous Dali end?
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You would give up your career if you lost your voice for good, or if the impresarios stopped calling, or the audiences stopped coming. But as long as those things are there, I don't plan to stop. There is nothing that makes me feel better than to be with my public.
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Sometimes the only way you can get an audience is at an audition.
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Obviously the Internet has become something of a leveler; it was once a luxury to be able to reach a mass audience, and now anybody can do it, to some extent.
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I ultimately have faith though, that good films will find their audience.
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The thing is when you're... well-enough known, you get asked to speak places, and they don't really think about whether or not you're qualified. They just want somebody that will be a drawing card for the audience. So it's up to you to decide whether or not it's foolish to get up and speak to these people.
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I've always assumed from the beginning that I had relatively few contemporaries among my readership. Not that I was consciously writing for a younger audience but that what I was doing interested a younger audience, or at least threatened them less.
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Clearly the success of the Netflix model, releasing the entire season of 'House of Cards' at once, proved one thing: The audience wants the control. They want the freedom. If they want to binge as they've been doing on 'House of Cards' and lots of other shows, we should let them binge.
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The audience responds and you can see it start. The next step is trying to figure out another way to get (an act) into town.
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The theater audience is the ultimate teacher, instructing the actor on the degree to which he has executed both the author's and the director's intent.
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Applause that comes thundering with such force you might think the audience merely suffers the music as an excuse for its ovations.
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I have a fan-base that apparently like you know, people...it's not that they look up to but you have certain figures that, you know, you'd like to be more like and people really love Bella and I do too but I'm not her...I don't think anybody expects me to try to just for the rest of my career appease an audience that once liked "Twilight", you know what I mean?
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Each artist attracts his own different set of fans. And G3 over the years has created it's own audience as well... they know it's something unusual and special that they're not going to get anywhere else ... young and old, both sexes, all come out. They all look at each other like, Wow, what are those people over there ? ... They're surprised at their own diversity.
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Over the years, I've been trying to build a relationship with an audience. I've tried to maintain as much of a low profile as I could so that those characters would emerge and their relationship with audiences would be protected.
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Audiences can be leery of sequels; the studios make a hit, they see dollar signs, and they make a cheap rip-off.
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I think the notion of traditional anchor is fading away - the all-knowing, all-seeing person who speaks from on high. I don't think the audience really buys that anymore. As a viewer, I know I don't buy it.
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Neuroscientists are finding that what passes as a typical presentation is usually the worst way to engage your audience.
