Audience Quotes
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I presently have no plans to sing in English and cross over with US fans but I have plans to reach my Latino audience first with a different style of music.
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If I have ideas, I want to put them in the movie. It's not a minimalist approach at all but I feel like it's for the audience. It's about seeing how much texture we can give it and seeing how many things are there for people to latch on to... I just want to do it the way I want and I feel like it won't be helpful for me if I start worrying about that. I just have to follow my instincts. Everyone is going to respond differently to it and everybody's right - that's their point of view. That's how the story intersects with their lives.
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I really like writing from real-life experiences. Audiences seem to prefer the stuff I couldn't have made up.
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If you create a good story that has a lot of story value I think audiences like that. It's why they stick with the same TV show over and over.
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It doesn't matter if a critic pans or praises my movies, I am only concerned about that one audience member and what their experience is.
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If the people in the audience are talking, you're being ignored. If the people are gazing at you, you've got something they want to hear.
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When a population becomes distracted by trivia, when cultural life is redefined as a perpetual round of entertainments, when serious public conversation becomes a form of baby-talk, when, in short, a people become an audience, and their public business a vaudeville act, then a nation finds itself at risk; culture-death is a clear possibility.
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The stage is like an addiction. Since singing and dancing had been my dreams all this time, I fall even more into those charms every time I’m on stage. These days I get the urge to make the audience go crazy.
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I think you can do a comedy show on just about every subject under the sun as long as it relates to the audience.
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The audience responds and you can see it start. The next step is trying to figure out another way to get (an act) into town.
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The metal press has a certain type of audience, and I think most of them support the magazines' negative focus on me.
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You'd be surprised how young 25-year-old girls can sound when they want to scream. It isn't that young an audience, and it really frustrates me when I read the word "prepubescent" in my reviews. Even the ones that started following me with Wham! are in their late teens by now.
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It's not like we set out to antagonize the audience in any way. We're just presenting our music; it's really much more innocent.
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I need the gays at the shows. If I don't have the gays, I just go nuts, because they always know every word and they're the best core audience you can have.
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Each artist attracts his own different set of fans. And G3 over the years has created it's own audience as well... they know it's something unusual and special that they're not going to get anywhere else ... young and old, both sexes, all come out. They all look at each other like, Wow, what are those people over there ? ... They're surprised at their own diversity.
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Sometimes the only way you can get an audience is at an audition.
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Whatever happens, my audience mustn't know whether I am spoofing or being serious; and likewise I mustn't know either. I am in a constant interrogation; when does the deep and philosophically valid Dali begin, and where does the looney and preposterous Dali end?
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Applause that comes thundering with such force you might think the audience merely suffers the music as an excuse for its ovations.
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When I'm on stage, my interaction with the audience is something that really makes me come alive. It's a feeling like no other. The energy of the crowd fuels something new inside.
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I do have a large audience overseas, and I want to continue to be an international artist.
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I have no interest in making music solely for a white audience. If that's what our audience is, I don't really feel responsible for that.
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Well if I was going to describe my audience, it's going to take longer than you'd ever expect, hundreds of years in fact, because there's many of them, all over the world.
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When there are tiers of meaning in an ad it intrigues the audience and they look for it again and again.
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One of the great things about the film being so unusual and provocative is the filmmaker to me doesn't seem to have a definite opinion on the rights or wrongs or the immorality of behaviors and systems, he just presents a set of very unusual circumstances and asked the audience to partake in the judging of what feels right or wrong or what feels natural and unnatural.
