Audience Quotes
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I need the gays at the shows. If I don't have the gays, I just go nuts, because they always know every word and they're the best core audience you can have.
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I have a fan-base that apparently like you know, people...it's not that they look up to but you have certain figures that, you know, you'd like to be more like and people really love Bella and I do too but I'm not her...I don't think anybody expects me to try to just for the rest of my career appease an audience that once liked "Twilight", you know what I mean?
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One of the awful things about writing when you are a Christian is that for you the ultimate reality is the Incarnation, the present reality is the Incarnation, and nobody believes in the Incarnation; that is, nobody in your audience. My audience are the people who think God is dead. At least these are the people I am conscious of writing for.
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Whatever happens, my audience mustn't know whether I am spoofing or being serious; and likewise I mustn't know either. I am in a constant interrogation; when does the deep and philosophically valid Dali begin, and where does the looney and preposterous Dali end?
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I presently have no plans to sing in English and cross over with US fans but I have plans to reach my Latino audience first with a different style of music.
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I think the audience was aware that even when it was farcical, there was the sense that at some level this was about real experience.
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I love Twitter. Twitter for me is twofold. I can use it to get out important information about charity stuff and where Im going to be, and I can get feedback from the audience which I love.
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The thing is when you're... well-enough known, you get asked to speak places, and they don't really think about whether or not you're qualified. They just want somebody that will be a drawing card for the audience. So it's up to you to decide whether or not it's foolish to get up and speak to these people.
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Clearly the success of the Netflix model, releasing the entire season of 'House of Cards' at once, proved one thing: The audience wants the control. They want the freedom. If they want to binge as they've been doing on 'House of Cards' and lots of other shows, we should let them binge.
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Audiences can be leery of sequels; the studios make a hit, they see dollar signs, and they make a cheap rip-off.
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Each artist attracts his own different set of fans. And G3 over the years has created it's own audience as well... they know it's something unusual and special that they're not going to get anywhere else ... young and old, both sexes, all come out. They all look at each other like, Wow, what are those people over there ? ... They're surprised at their own diversity.
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I had to learn that a good actor, like an iceberg, reveals only a small part of his ability on the surface. You suggest; you don't serve on a platter. You hold back. You don't expose it all to view. That's the way to put the audience's imagination to work.
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The audience responds and you can see it start. The next step is trying to figure out another way to get (an act) into town.
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I remember feeling the temperature change the first time the curtain came up, the difference between the audience temperature and the stage temperature. I'll never forget it.
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Podiobooks rules. It's still the best way I know to find an audience for longer works in any genre.
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When both a speaker and an audience are confused, the speech is profound.
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Applause that comes thundering with such force you might think the audience merely suffers the music as an excuse for its ovations.
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I'm still a fanboy geek. I always will be. In many ways, if my work still resonates with the audience, it's because I'm still writing from the point of view of the fan, so I'm geeked out constantly.
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It was great fun. We had gone on tour in between the sessions and reconnected with the audience and got a lot of energy back from them, a lot of positive energy.
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No matter how big the audience is going to be. I'm interested in doing things that are fun.
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But I think we're also just talking about the literacy of the audience. The visual literacy of the audience. They've seen so many images now, especially here in the States. There's so much to look at, to watch. So the visual storytelling literacy is harder to impress.
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I hear actresses talking about this all the time - this idea that you sit in meetings and the studio says, "Well, you can't do that because the audience won't like that. They won't root for you. It's not sympathetic." I think that we've been served this one dish for so long that we believe that it's all that audiences want, but when we test them or throw something out there that has some truth to it, they seem to always respond.
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When you stand up acoustic in front of an audience, you really are a man without any clothes on. And that can be fun - it depends how much of an exhibitionist you are, I suppose. I quite enjoy it.
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You would give up your career if you lost your voice for good, or if the impresarios stopped calling, or the audiences stopped coming. But as long as those things are there, I don't plan to stop. There is nothing that makes me feel better than to be with my public.
