Audience Quotes
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My reaction to 3D is subtly. Things don't come out at you, but rather you - The audience come into the film.
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I've done a lot of pilots, and they're all so expositional. In the beginning, I think that it is important to make sure that the audience is invested in us.
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As a solo artist, I just felt cemented in front of the mike stand. There was very little time to play with the audience and be a band member.
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I think the audience was aware that even when it was farcical, there was the sense that at some level this was about real experience.
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Phish and Dave Matthews really know their audiences and really treat them well.
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I am a teacher at heart. My goal is to inspire and energize audiences with ideas and possibilities that will challenge them to expand their perceptions of teaching and learning and dare to consider our professional future with optimism and excitement.
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The thing is when you're... well-enough known, you get asked to speak places, and they don't really think about whether or not you're qualified. They just want somebody that will be a drawing card for the audience. So it's up to you to decide whether or not it's foolish to get up and speak to these people.
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For me, when I get to the venue and have the people and the audience, my performance boosts up. I skate at a much higher level. I'm one of those people that feel like I can feed off the energy and be better. I love to perform.
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You have a certain objectivity, as a member of the audience, and you can come away maybe being provoked into a certain discourse or a certain arena of questioning, regarding how you would deal with things that your character has to deal with. Whereas when you're doing a film, once you start asking, "What would I do?," you're getting the distance greater between yourself and the character, or you're bringing the character to you, which I think is self-serving, in the wrong way. The idea is to bring yourself to the character.
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The mere fact of knowing that a great audience waits on your labor is enough to shake all your nerves to pieces.
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I don't categorize myself. I don't think I'm perceived as a female act by my audience. My fans include just as many men as women.
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The lecturer should give the audience full reason to believe that all his powers have been exerted for their pleasure and instruction.
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When you stand up acoustic in front of an audience, you really are a man without any clothes on. And that can be fun - it depends how much of an exhibitionist you are, I suppose. I quite enjoy it.
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Whatever happens, my audience mustn't know whether I am spoofing or being serious; and likewise I mustn't know either. I am in a constant interrogation; when does the deep and philosophically valid Dali begin, and where does the looney and preposterous Dali end?
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Im attracted to things that are challenging and fun and interesting, and it certainly seems that audiences enjoy them as well.
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I like working on stage because there's something very immediate about it, that interaction with an audience where you immediately hear their reaction, or feel them, whether they're with you.
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I've never had any idea that what I like would resonate with the audience, and I'm pleasantly surprised when it does.
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I've always assumed from the beginning that I had relatively few contemporaries among my readership. Not that I was consciously writing for a younger audience but that what I was doing interested a younger audience, or at least threatened them less.
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Privacy is relational. It depends on the audience. You don't want your employer to know you're job hunting. You don't spill all about your love life to your mom or your kids. You don't tell trade secrets to your rivals.
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Every night I try to look at the audience and treat every audience differently. It's almost like it's a single entity or a person. I always try to treat it like a conversation and allow it to happen naturally in the same way that you would engage in conversation.
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I do have a large audience overseas, and I want to continue to be an international artist.
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I've always thought that jazz needs to be heard by a wider audience in Puerto Rico. I want to put together a series of free concerts in the small towns - one with Miles Davis music, another with bebop, maybe Duke Ellington. I want younger people to see what is possible.
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Usually, when we're performing 'What About Your Friends' or 'Waterfalls' comes on, they all know the dance. It's like a sea of TLC dancers in the audience! It's so beautiful to see. I just love it so much.
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The men loved jokes, though they had heard each one before. Jack's manner was persuasive; few of them had seen the old stories so well delivered. Jack himeself laughed a little, but he was able to see the effect his performance had on his audience. The noise of their laughter roared like the sea in his ears. He wanted it louder and louder; he wanted them to drown out the war with their laughter. If the could should loud enough, they might bring the world back to its senses; they might laugh loud enough to raise the dead.
