Audience Quotes
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Speaking about myself, I've been pleasantly surprised that my older plays are still being performed. Most important is that they still have something to say to today's audience, in particular the young people who enjoy my plays. That's the best I could hope for, that the plays aren't single-use products of one era.
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You see, 30 years ago I didn't have near the audience I have now. My tapes on the cults have reached a circulation of 15 million. those are not my figures but the figures of the people who distribute them.
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I never heard nobody in my audience call me any kind of names.
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Without courage, honor, compassion, pity, love and sacrifice, as William Faulkner pointed out, we know not of love, but lust. We debase our audience. But we can ennoble and enrich our viewers and ourselves in our journey through this good time, this precious time, this great and wonderful experience we call life.
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I think that for me, as far as audience expectations and how you manage your anxiety, it helps to keep things in perspective.
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There is a kind of invisible thread between the actor and the audience, and when it's there it's stunning, and there is nothing to match that.
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It's often the case with successful TV shows that they kind of inadvertently live on past their prime. It's best to leave the audience wanting more.
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An audience is in many respects no more than a mob under loose control.
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I like working solo and it was a lot of fun joking around with the audience, saying things. I'm only just learning how to do certain things.
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That set it for me that it was possible to capture an audience
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I'm trying to make records where people don't feel cheated. Nashville has been guilty of insulting the Country Music audience for years and years.
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I'm conflicted with theater in the city because you want to reach a diverse audience, and that audience doesn't typically go to the theater.
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I do that in whatever language of the country I'm in, because the audience appreciate it.
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I'm committed to the show as long as I feel that we're moving forward. And I'm committed to the show as long as an audience will allow me to do it. I think they'll be very clear in the end, as will you all, when (the show) is no longer effective.
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When you can assume that your audience holds the same beliefs you do, you can relax and use more normal means of talking to it; when you have to assume that it does not, then you have to make your vision apparent by shock -- to the hard of hearing you shout, and for the almost-blind you draw large and startling figures.
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I always wanted to live the lives of different people, portray characters that are different from me. But I could have done that in front of a mirror, also, I didn't need to do films for that. At the end of the day, it's this fame, recognition, popularity, the love and appreciation you get from your audience that drives you.
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There can be no revival when Mr. Amen and Mr. Wet-Eyes are not found in the audience.
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I think there are two ways to depict a family. One is what it's really like, and one is what the audience would like it to be. Between you and me, I think the second one is what I would prefer.
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It's just what I'm born to do, I'm born to entertain people. I could do it for thirty-thousand people or three people, it's just what I know how to do. My soul objective only is for me to have the audience say 'when's the next time I can see him?' That's what I do.
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The chemistry of a pair on screen is known only when the audience reacts to it.
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I grew up on the side of the stage. I never had a fear of an audience. I never felt like they were separated from us. We were all in the living room, and it happens to be a big living room. I continue to operate on that assumption.
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On the stage, you have to find truth, even if you have to lose the audience.
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I'm not precious about anything. The effort it took to get something means nothing to me in post.And it means nothing to the audience. I'll chop limbs off. I'll put an arm where a leg should be. I'll do anything.
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It's much easier for me to do an impression of someone real, because you and the audience begin with a baseline understanding of this person's life. And then if you subvert that in any way, it's a little comedy surprise.
