Audience Quotes
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I'm dragging the audience to hell with me
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Speaking about myself, I've been pleasantly surprised that my older plays are still being performed. Most important is that they still have something to say to today's audience, in particular the young people who enjoy my plays. That's the best I could hope for, that the plays aren't single-use products of one era.
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It's just what I'm born to do, I'm born to entertain people. I could do it for thirty-thousand people or three people, it's just what I know how to do. My soul objective only is for me to have the audience say 'when's the next time I can see him?' That's what I do.
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On the stage, you have to find truth, even if you have to lose the audience.
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Look for the contradictions in every character, especially in your heroes and villains. No one should be what they first seem to be. Surprise the audience.
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The chemistry of a pair on screen is known only when the audience reacts to it.
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Many audiences all over the world will answer positively from their own experience that they have seen the face of the invisible through an experience on the stage that transcended their experience in life. They will maintain that Oedipus or Berenice or Hamlet or The Three Sisters performed with beauty and with love fires the spirit and gives them a reminder that daily drabness is not necessarily all.
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I think the way the audience takes the Indian film-star is a little different from the way the audience takes the Western star there. We are considered like demi-gods here, and the reason is not because we are better or good, but because there is no other mode of entertainment in India.
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It's much easier for me to do an impression of someone real, because you and the audience begin with a baseline understanding of this person's life. And then if you subvert that in any way, it's a little comedy surprise.
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I'm trying to make records where people don't feel cheated. Nashville has been guilty of insulting the Country Music audience for years and years.
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I like working solo and it was a lot of fun joking around with the audience, saying things. I'm only just learning how to do certain things.
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It's often the case with successful TV shows that they kind of inadvertently live on past their prime. It's best to leave the audience wanting more.
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The audience is the barometer of the truth.
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Giving free advice is a sad waste of effort. In the first place, no man will act upon it unless he is already inclined to do so. Secondly, when a man lays his case before you, the idea that he is asking your advice is a polite fabrication. He merely is suggesting that he is doing so, while as a fact his real object is to acquaint you with his personal activity. He wants to talk to somebody, being a natural gossip or gadder, and he plays upon your propensity for "giving advice" in order to get an audience.
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I think there are two ways to depict a family. One is what it's really like, and one is what the audience would like it to be. Between you and me, I think the second one is what I would prefer.
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Being in the audience actually looks like quite a lot of fun.
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People ask me how far I've come. And I tell them twelve feet: from the audience to the stage.
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I always want to be a member in the audience, and I want to hear it from their point of view and see it from their point of view so I can know if it's good. But that's just my issues, not a real problem.
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I think you just have to be yourself instead of catering your sound to a specific audience, make the music you want to make, and the audience will find you.
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When you can assume that your audience holds the same beliefs you do, you can relax and use more normal means of talking to it; when you have to assume that it does not, then you have to make your vision apparent by shock -- to the hard of hearing you shout, and for the almost-blind you draw large and startling figures.
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Without courage, honor, compassion, pity, love and sacrifice, as William Faulkner pointed out, we know not of love, but lust. We debase our audience. But we can ennoble and enrich our viewers and ourselves in our journey through this good time, this precious time, this great and wonderful experience we call life.
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Every night I try to look at the audience and treat every audience differently. It's almost like it's a single entity or a person. I always try to treat it like a conversation and allow it to happen naturally in the same way that you would engage in conversation.
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I like a film that makes the audience feel like they are in the middle of life as it is moving, and in a way, they are catching up. They are thrown into things.
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I'm not precious about anything. The effort it took to get something means nothing to me in post.And it means nothing to the audience. I'll chop limbs off. I'll put an arm where a leg should be. I'll do anything.
