Audience Quotes
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I have this whole new audience now.
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If we're going to reach a broader audience, we have to stop thinking about that audience strictly in terms of teenage boys or even teenage girls. We need to think about things that are relevant to normal humans and not just the geeks we used to be.
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The parallels between a stage and a book are compelling. You, like all authors, create 'characters' in a 'setting' who speak 'dialogue' encased in 'scenes.' Most importantly, you - like the playwright - have an 'audience.'
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We have been fortunate enough to do something that has always been out of the mainstream and yet have an audience for what we do.
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In today's environment, the audience expects to be more directly connected to news providers than it did historically and I think that's a good thing, ... We all felt strongly that letting people know that we are willing to engage in a healthy dialogue about what we do we think will enhance our reputation and give us a competitive advantage.
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Cary Grant was wonderful to work with on stage. He would move downstage, so that as he looked at me the audience had to look at me, too. He knew a lot about the theater and how to move around. He was very secure.
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My ultimate aim would be to captivate an audience, even just for a second.
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I don't really write for an audience. I just write what the subject seems to me to require.
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There is a kind of invisible thread between the actor and the audience, and when it's there it's stunning, and there is nothing to match that.
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Educators shouldn't be afraid of cliches. You know why? Because kids don't know most of them! They're a new audience. And they're inspired by cliches.
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I request the audience to not mix cinema with politics.
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The potential audience seems to be dwindling in the states. I was kind of embarrassed for the band because of the size of the audience.
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Box gap is not a thing. If you need to back up to a mirror and bend over to find out how you look, you are playing to the wrong audience.
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When I sing, I pick out people in the audience and pinpoint on them. So if you feel that I am singing just for you, you may be right!
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Supporting and headlining are both such valuable experiences; I’m really grateful for any experience to play in front of people. The thing about supporting is that you get to play in front of a larger audience and you kind of get to see how crowd that doesn’t necessarily know you reacts to your set.
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You see, 30 years ago I didn't have near the audience I have now. My tapes on the cults have reached a circulation of 15 million. those are not my figures but the figures of the people who distribute them.
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I always wanted to live the lives of different people, portray characters that are different from me. But I could have done that in front of a mirror, also, I didn't need to do films for that. At the end of the day, it's this fame, recognition, popularity, the love and appreciation you get from your audience that drives you.
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Until I got 'Full Metal Jacket,' I was doing Off-Off-Broadway plays with three people in the audience.
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Look for the contradictions in every character, especially in your heroes and villains. No one should be what they first seem to be. Surprise the audience.
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That set it for me that it was possible to capture an audience
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Speaking about myself, I've been pleasantly surprised that my older plays are still being performed. Most important is that they still have something to say to today's audience, in particular the young people who enjoy my plays. That's the best I could hope for, that the plays aren't single-use products of one era.
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I think that for me, as far as audience expectations and how you manage your anxiety, it helps to keep things in perspective.
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If my books appear to a reader to be oversimplified, then you shouldn't read them: You're not the audience!
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Those of you who speak only English, applaud [audience applause]. Those of you who speak only Spanish, applaud [audience applause]. [In mock incredulity] Then how do you know what I just said?
