Audience Quotes
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I've done a lot of pilots, and they're all so expositional. In the beginning, I think that it is important to make sure that the audience is invested in us.
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Whatever your style or subject matter, in the end, film-making is about searching for authenticity - that is what the audience will divine.
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It's just what I'm born to do, I'm born to entertain people. I could do it for thirty-thousand people or three people, it's just what I know how to do. My soul objective only is for me to have the audience say 'when's the next time I can see him?' That's what I do.
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I'm not nervous coming back to my old audience. I'm looking forward to it. That's really what I do; that's my day job.
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An audience is the perfect thing to unleash venom and hate on. It doesn't necessarily mean you hate everyone in the audience but when you've got a so-called adoring mass in front of you, it's a perfect target for that kind of disgust. Sometimes you find yourself in a position where you're venting your disgust on an audience and a lot of them keep coming back 'cos they actually like that aspect. In a way that diffuses the feeling and you don't gel the same release.
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I don't really write for an audience. I just write what the subject seems to me to require.
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Who doesn't love a 'Lifetime' movie? I think that they know their audience so well.
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There is a kind of invisible thread between the actor and the audience, and when it's there it's stunning, and there is nothing to match that.
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There've been periods where I had to convince the audience or win them over.
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We have been fortunate enough to do something that has always been out of the mainstream and yet have an audience for what we do.
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When I make a film - I direct my own film, I write my own script - that's what I want to hear from the audience. 'Oh, thank you, Jackie!'
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If my books appear to a reader to be oversimplified, then you shouldn't read them: You're not the audience!
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In today's environment, the audience expects to be more directly connected to news providers than it did historically and I think that's a good thing, ... We all felt strongly that letting people know that we are willing to engage in a healthy dialogue about what we do we think will enhance our reputation and give us a competitive advantage.
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Supporting and headlining are both such valuable experiences; I’m really grateful for any experience to play in front of people. The thing about supporting is that you get to play in front of a larger audience and you kind of get to see how crowd that doesn’t necessarily know you reacts to your set.
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Those of you who speak only English, applaud [audience applause]. Those of you who speak only Spanish, applaud [audience applause]. [In mock incredulity] Then how do you know what I just said?
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The audience has always been my best director.
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I like making money like anybody else, and I'm paid well, but I think there is a point at which you can out-price your audience or your base.
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An artist should write for himself & not for an audience. If the audience likes it, great. If not, they can keep away.
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I just feed off the energy of the audience.
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Educators shouldn't be afraid of cliches. You know why? Because kids don't know most of them! They're a new audience. And they're inspired by cliches.
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Many audiences all over the world will answer positively from their own experience that they have seen the face of the invisible through an experience on the stage that transcended their experience in life. They will maintain that Oedipus or Berenice or Hamlet or The Three Sisters performed with beauty and with love fires the spirit and gives them a reminder that daily drabness is not necessarily all.
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That set it for me that it was possible to capture an audience
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As a playwright, you are a torturer of actors and of the audience as well. You inflict things on people.
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I think that for me, as far as audience expectations and how you manage your anxiety, it helps to keep things in perspective.
