Audience Quotes
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I think that for me, as far as audience expectations and how you manage your anxiety, it helps to keep things in perspective.
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I don't quite know how to put it into words, but I feel for the audience that I have; I know them.
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In film, you can't go into analytical explorations because the audience will reject that.
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I have to grow with my audience.
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Those of you who speak only English, applaud [audience applause]. Those of you who speak only Spanish, applaud [audience applause]. [In mock incredulity] Then how do you know what I just said?
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If my books appear to a reader to be oversimplified, then you shouldn't read them: You're not the audience!
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I don't believe in elitism. I don't think the audience is this dumb person lower than me. I am the audience.
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Until I got 'Full Metal Jacket,' I was doing Off-Off-Broadway plays with three people in the audience.
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In today's environment, the audience expects to be more directly connected to news providers than it did historically and I think that's a good thing, ... We all felt strongly that letting people know that we are willing to engage in a healthy dialogue about what we do we think will enhance our reputation and give us a competitive advantage.
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Supporting and headlining are both such valuable experiences; I’m really grateful for any experience to play in front of people. The thing about supporting is that you get to play in front of a larger audience and you kind of get to see how crowd that doesn’t necessarily know you reacts to your set.
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I have this group of friends that I'll send my scripts to before I send them to a large audience.
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I think audiences deserve the benefit of the doubt. I prefer to be surprised by them rather then just assume they'll react negatively to any new idea.
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People ask me how far I've come. And I tell them twelve feet: from the audience to the stage.
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As a film actor, you don't often get that opportunity to meet with your audience and take your applause on stage.
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It's just what I'm born to do, I'm born to entertain people. I could do it for thirty-thousand people or three people, it's just what I know how to do. My soul objective only is for me to have the audience say 'when's the next time I can see him?' That's what I do.
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I've done a lot of pilots, and they're all so expositional. In the beginning, I think that it is important to make sure that the audience is invested in us.
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There've been periods where I had to convince the audience or win them over.
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Many audiences all over the world will answer positively from their own experience that they have seen the face of the invisible through an experience on the stage that transcended their experience in life. They will maintain that Oedipus or Berenice or Hamlet or The Three Sisters performed with beauty and with love fires the spirit and gives them a reminder that daily drabness is not necessarily all.
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A Kiss concert experience is like sex or anything else that's done with more that one person. It's the give and take that makes it so great. When the audience takes it to the next level, we can kick it up another notch.
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I always wanted to live the lives of different people, portray characters that are different from me. But I could have done that in front of a mirror, also, I didn't need to do films for that. At the end of the day, it's this fame, recognition, popularity, the love and appreciation you get from your audience that drives you.
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On the stage, you have to find truth, even if you have to lose the audience.
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If you just did a horror tone throughout an entire movie you almost, as an audience, can get a little bit used to it. But if you're laughing one minute and, you know, somebody's doing something quite horrific the next minute, it's a little more shocking.
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Anytime you get an audience that's paying attention, you enjoy it more.
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My ultimate aim would be to captivate an audience, even just for a second.
