Audience Quotes
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I've done a lot of pilots, and they're all so expositional. In the beginning, I think that it is important to make sure that the audience is invested in us.
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I am quite short, but that never comes across when I'm onstage in front of people. When I get offstage and greet an audience afterwards, their first reaction is to comment on my height because it seems like a very drastic difference.
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I've always thought of, of a relationship with an actor to an audience as a marriage, you know. And a story, you know. And there are ups and downs, and you work through them, and you work with them.
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I'm not nervous coming back to my old audience. I'm looking forward to it. That's really what I do; that's my day job.
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I came from the Groundlings Theatre in L.A., and there, you're guaranteed to at least try something out in front of an audience. At 'SNL,' only the best stuff gets picked, and it's taught me a very defined language of comedy. You learn the structure of a joke, which is not something I was very good at beforehand.
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Sometimes I feel like I'm a preacher as well, 'cause I can really get into an audience.
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I don't just make music for one audience.
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When I make a film - I direct my own film, I write my own script - that's what I want to hear from the audience. 'Oh, thank you, Jackie!'
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Remember, science fiction's always been the kind of first level alert to think about things to come. It's easier for an audience to take warnings from sci-fi without feeling that we're preaching to them. Every science fiction movie I have ever seen, any one that's worth its weight in celluloid, warns us about things that ultimately come true.
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With wrestling, you can't describe how that connection with an audience happens. I can't teach anybody how that happens. The bad things that have happened to me in WWE have made that connection stronger.
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As a playwright, you are a torturer of actors and of the audience as well. You inflict things on people.
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I'm not performing anymore. I reveal myself to the audience. I reveal myself. That's the show now.
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An artist should write for himself & not for an audience. If the audience likes it, great. If not, they can keep away.
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Hopefully everybody in the audience thinks, 'That's cool. I could do that.' I don't like the thought that they say, 'I saw the Beastie Boys last night, and they're mega-stars.' I'm a lot happier when the kids who come backstage or to the hotel try to give us tapes of what they've done instead of just getting an autograph.
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I don't any longer make any quality judgement between theater and cinema. They are different experiences for the audience, and they also are for the actors - although they have a lot in common.
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An audience is the perfect thing to unleash venom and hate on. It doesn't necessarily mean you hate everyone in the audience but when you've got a so-called adoring mass in front of you, it's a perfect target for that kind of disgust. Sometimes you find yourself in a position where you're venting your disgust on an audience and a lot of them keep coming back 'cos they actually like that aspect. In a way that diffuses the feeling and you don't gel the same release.
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For me, when I get to the venue and have the people and the audience, my performance boosts up. I skate at a much higher level. I'm one of those people that feel like I can feed off the energy and be better. I love to perform.
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I just feed off the energy of the audience.
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There've been periods where I had to convince the audience or win them over.
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The play was a great success, but audience was a dismal failure.
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I'm very proud of my team, and the way they stood behind me - and I'm very happy to show my female fans in that audience, and even my gay fans in that audience.
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The parallels between a stage and a book are compelling. You, like all authors, create 'characters' in a 'setting' who speak 'dialogue' encased in 'scenes.' Most importantly, you - like the playwright - have an 'audience.'
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I have this whole new audience now.
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I've never not appeared in front of a live audience for any longer period than a month or two.
