Audience Quotes
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Those of you who speak only English, applaud [audience applause]. Those of you who speak only Spanish, applaud [audience applause]. [In mock incredulity] Then how do you know what I just said?
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In film, you can't go into analytical explorations because the audience will reject that.
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As a playwright, you are a torturer of actors and of the audience as well. You inflict things on people.
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I think that for me, as far as audience expectations and how you manage your anxiety, it helps to keep things in perspective.
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I don't quite know how to put it into words, but I feel for the audience that I have; I know them.
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I don't believe in elitism. I don't think the audience is this dumb person lower than me. I am the audience.
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If my books appear to a reader to be oversimplified, then you shouldn't read them: You're not the audience!
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I have to grow with my audience.
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Until I got 'Full Metal Jacket,' I was doing Off-Off-Broadway plays with three people in the audience.
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In today's environment, the audience expects to be more directly connected to news providers than it did historically and I think that's a good thing, ... We all felt strongly that letting people know that we are willing to engage in a healthy dialogue about what we do we think will enhance our reputation and give us a competitive advantage.
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I have this group of friends that I'll send my scripts to before I send them to a large audience.
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I think audiences deserve the benefit of the doubt. I prefer to be surprised by them rather then just assume they'll react negatively to any new idea.
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People ask me how far I've come. And I tell them twelve feet: from the audience to the stage.
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It's just what I'm born to do, I'm born to entertain people. I could do it for thirty-thousand people or three people, it's just what I know how to do. My soul objective only is for me to have the audience say 'when's the next time I can see him?' That's what I do.
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As a film actor, you don't often get that opportunity to meet with your audience and take your applause on stage.
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Many audiences all over the world will answer positively from their own experience that they have seen the face of the invisible through an experience on the stage that transcended their experience in life. They will maintain that Oedipus or Berenice or Hamlet or The Three Sisters performed with beauty and with love fires the spirit and gives them a reminder that daily drabness is not necessarily all.
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I've done a lot of pilots, and they're all so expositional. In the beginning, I think that it is important to make sure that the audience is invested in us.
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A Kiss concert experience is like sex or anything else that's done with more that one person. It's the give and take that makes it so great. When the audience takes it to the next level, we can kick it up another notch.
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There've been periods where I had to convince the audience or win them over.
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If you just did a horror tone throughout an entire movie you almost, as an audience, can get a little bit used to it. But if you're laughing one minute and, you know, somebody's doing something quite horrific the next minute, it's a little more shocking.
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I always wanted to live the lives of different people, portray characters that are different from me. But I could have done that in front of a mirror, also, I didn't need to do films for that. At the end of the day, it's this fame, recognition, popularity, the love and appreciation you get from your audience that drives you.
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On the stage, you have to find truth, even if you have to lose the audience.
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Anytime you get an audience that's paying attention, you enjoy it more.
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Educators shouldn't be afraid of cliches. You know why? Because kids don't know most of them! They're a new audience. And they're inspired by cliches.
