Audience Quotes
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Interviewing people, I don't miss that at all. I do miss kibitzing with the audience because after every show I would spend half an hour to 40 minutes talking to people.
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Improvisation is just writing in front of an audience.
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The art of movies is to allow the audience to suspend their disbelief. They need to use their imaginations.
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Audiences grew to like this duality of feeling, where youre both championing a character and youre revolted by them.
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The Angels shows are really intense. We play for a couple hours at a time. They're very theatrical and full of audience interaction and emotion. I've seen a lot of people crying and stuff. It's a little bit like church, but it's very secular.
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We're charlatans in a way, we're magic people. Part of the behind the scenes stuff is to loosen you up, to make you feel that you are experiencing this. This is my style, I did it in Looking for Richard, too. And I figure, if I can weave it into the actual play and get the audience interested, like the robes going up and down, they'll pay attention long enough to consume it.
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I knew the exuberance of playing before an admiring audience and hearing my secret voice.
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Abortion is a hard thing for Hollywood to deal with because it is so controversial and you don't want to alienate half your audience by sending one message or the other.
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Games are advancing in terms of storytelling and trying to create a character, and its a brand new audience for me.
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This system is a monster, ... In this decade, I believe we are going to double our audience.
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I do a lot of talking, playing with the audience, but I don't really know what that's going to be. Somebody kind of feeds me cold. He gives me these kind of cold games that I play with the audience or quizzes that I do with them.
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All Internet comedy is niche comedy. If you do an Internet video about Halo, every Halo fan will send it to every other Halo fan. But if you did an episode of a network comedy that parodied Halo, most of your audience wouldn't even get it.
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I've never done anything half-heartedly; it's a disservice to me and the audience if I do it half-heartedly.
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I think kids, in general as an audience, are the way forward because they're not sort of sullied by intellectual expectation or this or that. It's a very pure kind of response to the work.
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When a population becomes distracted by trivia, when cultural life is redefined as a perpetual round of entertainments, when serious public conversation becomes a form of baby-talk, when, in short, a people become an audience, and their public business a vaudeville act, then a nation finds itself at risk; culture-death is a clear possibility.
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With Patreon, it feels like I have an audience now who really appreciates everything that I want to do and who are quite flexible and curious about it.
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Empowerment comes from precision, precision, precision; from language that harpoons the exact meaning, the nuance, for the intended audience.
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In my career, I've often played the protagonist or the hero of the movie, and there are so many rules inherent to that role. The audience needs to stay with you, identify with you and like you. When you play the bad guy, those rules go out the window. There's so much freedom there.
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You'd be surprised how young 25-year-old girls can sound when they want to scream. It isn't that young an audience, and it really frustrates me when I read the word "prepubescent" in my reviews. Even the ones that started following me with Wham! are in their late teens by now.
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I'm always trying to get those interviews that are impossible to get, because they are the ones that are most interesting to the audience.
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I remember going onstage on Broadway in this Leigh Bowery thing for a track like "Ich Bin Kunst." I've got breasts, this latex dripping down on my head, and I come out in a box. I just remember the audience looking really horrified because Rosie O'Donnell was trying to sell the show as sort of Pippin and Annie. She was saying it's a family show.
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In fact, many musicians are the happiest when the artist and audience re-interpret or re-imagine the content of the songs.
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I like European movies because it seems those audiences are a little more patient. Those movies are always slower, where over here, the studio system freaks out if something doesn't happen every five minutes or if anything is confusing.
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MTV was completely unaware of it. It was not my intention that it go as far as it did. I apologize to anyone offended - including the audience, MTV, CBS and the NFL.
