Audience Quotes
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Where I think that 3D will fall apart is going to be as audiences now get treated to incredibly artistic utilizations of space. I think the films that are just sort of done as 3D transfer type films, the audience will perceive the difference in that.
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Half the audience gets where I'm coming from and half the audience is like, "Wait a minute. What does that mean?"
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In the theater, I could envision myself as wonderful because of the audience response to my lines.
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It doesn't matter if a critic pans or praises my movies, I am only concerned about that one audience member and what their experience is.
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I knew the exuberance of playing before an admiring audience and hearing my secret voice.
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In fact, many musicians are the happiest when the artist and audience re-interpret or re-imagine the content of the songs.
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You know, we’re not on stage, we’re not doing a play, so we don’t have a relationship with the audience but going through that process and also just hearing how much people love the film, you feel like you do have a relationship with the audience.
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I believe in divine inspiration and things like that and I really relish a good, attentive, participating audience.
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I don't know where Blair got his numbers, but the CBI (Confederation of British Industry) where I talked this morning had a sell-out audience and they turned away as many people as were in the audience who wanted to hear about Internet commerce, ... That doesn't sound like an apathetic audience.
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We were hoping that the audience was going to be happy about it and not like, 'What they are doing?' ... So when we got a good response, we were really excited. This is my favorite year so far.
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For me, stand-up comedy is a conversation between me and the audience. I have to keep them listening. When I'm making jokes about cake for twenty minutes, I have to make sure my audience is interested and following where I'm going.
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I am not doctor who and I can't turn back time. I once said the audience was all punks and little girls, now they are old punks and old little girls. I don't mind the fans being maturer, if there are younger fans that's good too.
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I think kids, in general as an audience, are the way forward because they're not sort of sullied by intellectual expectation or this or that. It's a very pure kind of response to the work.
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The Japanese seem to be a loyal audience.
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Normally classical music is set up so you have professionals on a stage and a bunch of audience - it's us versus them. You spend your entire time as an audience member looking at the back of the conductor so you're already aware of a certain kind of hierarchy when you are there: there are people who can do it, who are on stage, and you aren't on stage so you can't do it. There's also a conductor who is telling the people who are onstage exactly what to do and when to do it and so you know that person is more important than the people on stage.
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Our basic audience begins with creaking elderly types of twenty-three and above.
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I reached the stage where I was afraid to wiggle my leg, but then I thought 'why shouldn't I?' It's what I do and now I know how to turn an audience on again.
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That's really what keeps me playing live - appreciation. And I guess I've made a lot of wiggle room for myself to try different things and discover what I'm doing, and the audience accepts it.
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This is what we had hoped for when multiplexes were created. This is in response to audience demand for more diverse choices.
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I'm working for myself; what else have I got to work for? How can you work for an audience? What do you imagine an audience would want? I have got nobody to excite except myself, so I am always surprised if anyone likes my work sometimes. I suppose I'm very lucky, of course, to be able to earn my living by something that really absorbs me to try to do, if that is what you call luck.
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It's interesting, but in the last five or six years, the audiences are dressing better.
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I want to get my own show because 'Today' will eventually get tired of me, or the audience will get tired of me.
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In my career, I've often played the protagonist or the hero of the movie, and there are so many rules inherent to that role. The audience needs to stay with you, identify with you and like you. When you play the bad guy, those rules go out the window. There's so much freedom there.
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I'm always trying to get those interviews that are impossible to get, because they are the ones that are most interesting to the audience.
