Audience Quotes
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Occasionally I'll just pull out a rifle and shoot one of my audience members. So far there have been no complaints filed.
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The accidents are things that audiences always remember most, I've found on my own movies. The things that they like the most are the things that were just by accident. So you have to create a situation where nothing but accidents can happen the entire time.
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I try to address my audiences intelligently. The man in the street counts, but sometimes he forgets that he counts.
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Empowerment comes from precision, precision, precision; from language that harpoons the exact meaning, the nuance, for the intended audience.
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I wish I would tell our audience that we don't hate them without sounding cheesy.
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Obviously the Internet has become something of a leveler; it was once a luxury to be able to reach a mass audience, and now anybody can do it, to some extent.
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The young people look great on television. They’re youthful and have a lot of zip and energy, but when you see them live, they can only do about 20 minutes because they haven’t got the training to hold an audience for an hour and a half or so.
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For better or worse, I've become the person the Adams Estate has entrusted to guide Dirk Gently into new mediums and to new audiences. I take that responsibility pretty seriously, which is, I'm guessing, where Ilias's comment about me being a "hands-on collaborator" (code for control freak) comment comes from.
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Usually with this genre the first thing that happens is a good fight sequence to show that you're in good hands. So we broke that rule. I think a lot of that comes from the western audience.
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I love hearing my audience breathe.
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As a matter of fact, I constantly tell audiences all over the world that the single greatest icon of American culture from the publication of "To Kill A Mockingbird" was that novel so that if we say, what conversation can we have that would lead us on a road of tolerance, and teachers have decided that if you're going to teach values in a school in America, the answer that American teachers at all kinds of schools have come up with, just let Harper Lee teach "To Kill A Mockingbird." And then all the teacher has to do is stand back and guide the discussion.
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When the audience leaves, I'd like them to feel positive when they go.
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People ask 'How does doing a film compare to doing an ad?' Well, when you're doing a commercial you don't have to sell tickets. You have a captured audience. Which is actually completely rare and great; it gives you a lot of freedom. When you make a film, you have to do advertisements for the film.
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It doesn't matter if a critic pans or praises my movies, I am only concerned about that one audience member and what their experience is.
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Onstage, I don't feel any glory from people clapping in the audience, but when they're pushing me to do something new that feels good.
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When playing any song in front of an audience, you're watching them experience it, and it changes. In a lot of ways, it's almost like the music is just the background buzz to what's happening between you and the audience in the room.
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I knew the exuberance of playing before an admiring audience and hearing my secret voice.
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I have the ability to sing with emotion and feeling, but if you say I sound like Billie Holiday, that's cool. Let's look at who Billie was: she was this person, this singer, this beautiful diva who could move the audience with the slightest gesture of her hand.
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Even today when I rehearse, I give it everything that I've got. If I'm in a performance and the lights go out, I glow in the dark. When you're working before an audience, you have to make them feel like they can touch you. That's the dancer within, reaching out.
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There's no better way to learn something than to learn it in front of an audience. Your terror drives you.
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You just went up and started playing, the audience got into it, and it was just a great high experience. That's what I kind of invented with "Mas Tequila" in Cabo.
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The stage is like an addiction. Since singing and dancing had been my dreams all this time, I fall even more into those charms every time I’m on stage. These days I get the urge to make the audience go crazy.
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I don't have a favorite genre. I love to work and live vicariously through every character. It's all about trying to bring the character to life and get the story across in a way that resonates with the audience. It's always interesting and challenging in a gratifying and unique way.
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The theater is a communal experience, and whatever the emotional connection between an audience member and the actors onstage, it ripples through the whole audience. Part of the fun of the play is being a part of that audience.