Audience Quotes
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You'd be surprised how young 25-year-old girls can sound when they want to scream. It isn't that young an audience, and it really frustrates me when I read the word "prepubescent" in my reviews. Even the ones that started following me with Wham! are in their late teens by now.
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It was nerve-racking to begin with but once I started and the audience accepted it I relaxed. It has been surreal.
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The accidents are things that audiences always remember most, I've found on my own movies. The things that they like the most are the things that were just by accident. So you have to create a situation where nothing but accidents can happen the entire time.
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When the kids are laughing in the audience, I tear up, I'm so happy I did a nice thing.
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As a matter of fact, I constantly tell audiences all over the world that the single greatest icon of American culture from the publication of "To Kill A Mockingbird" was that novel so that if we say, what conversation can we have that would lead us on a road of tolerance, and teachers have decided that if you're going to teach values in a school in America, the answer that American teachers at all kinds of schools have come up with, just let Harper Lee teach "To Kill A Mockingbird." And then all the teacher has to do is stand back and guide the discussion.
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The young people look great on television. They’re youthful and have a lot of zip and energy, but when you see them live, they can only do about 20 minutes because they haven’t got the training to hold an audience for an hour and a half or so.
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Overall I think the show went well, kudos to Miss Jeanie It was well rounded. From artwork to singing, to spoken word to short films, I think it definitely stimulated the audience's senses.
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Also expressionistic filmmaking - making the audience feel like they were inside the characters' heads. And so we create all these different types of techniques to put the audience there.
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People ask 'How does doing a film compare to doing an ad?' Well, when you're doing a commercial you don't have to sell tickets. You have a captured audience. Which is actually completely rare and great; it gives you a lot of freedom. When you make a film, you have to do advertisements for the film.
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It's the band that really counts and not our egos. Egos probably destroyed more bands than anything else did, and that's something we want to avoid at all costs. We want to give the audience something real, something spectacular, and if it would be about egos, it would hardly be worth their time.
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When the audience leaves, I'd like them to feel positive when they go.
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When I'm on stage, my interaction with the audience is something that really makes me come alive. It's a feeling like no other. The energy of the crowd fuels something new inside.
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An actor without an audience is rehearsing.
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The films I like to watch are when they make it relatable to human audiences.
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I've learned over the years that you're going to be most successful at the things you're most excited to do. Every artist has a special set of tools. When you really use those tools, and you make yourself feel really good about the product you create, I think you'll find an audience for it. I've been very fortunate in that respect.
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Everybody has they're own audience you know what I'm saying. I write rhymes and make music for the people that I fell wanna hear my music. They write rhymes and make music for the people they feel wanna hear they're music.
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I felt like I was seeing it with the audience it was made for,
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Onstage, I don't feel any glory from people clapping in the audience, but when they're pushing me to do something new that feels good.
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It's much more fun to share and laugh at the bad times and the frustrations. I find you get a much deeper connection with the audience that way.
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I knew the exuberance of playing before an admiring audience and hearing my secret voice.
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I've always been the audience that I wanted to reach, so I write for myself.
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It's easier to find a new audience than to write a new speech.
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In my case, I take part in performance-oriented music and believe it is my call to show the audience something that both their eyes and ears can enjoy.
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I'm just not made for that kind of live audience where you don't create a fourth wall.
