Audience Quotes
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My aim is to communicate with the last man in the audience. Art minus communication is meaningless. The term 'abhinaya' is not just facial expressions. It means drawing the spectator to an idea. Look at the modern advertisements. It's contemporary abhinaya. But one who creates should know what has to be completely and what has to be suggestively portrayed. That is ethical aesthetics. The Natyasastra says a production must be such that a family should be able to watch it together.
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We pay based upon on ratings. As the audience grows, we pay more per ad.
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I don't really think that audiences are that much different. I think that a fan is the same whether you are from here or from Japan - you come to a show because you like the music. I don't really see much of a difference anywhere.
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In my case, I take part in performance-oriented music and believe it is my call to show the audience something that both their eyes and ears can enjoy.
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My father, good or bad, mistakes or no, had a direct line from his heart to the music to the people, to the audience. He played with logic and his own inner truth.
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I've never seen a performer create electricity with an audience like James Brown. He's got everybody in his hands and whatever he wants to do with them, he does it. It's amazing. I've always thought he was underrated.
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I like to work around identification for the audience, and when there's a grown-up or a moral figure or something like that, people tend to go there.
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Patrick thought we should try to put an audience in front of one of the workshops, basically in front of the class and see how the performers rose to having an audience there, because he said, "You know, it's a really interesting test, because sometimes it gets even funnier."
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When I was younger, all I cared about was what people thought of me and my films. Now I care less about catering, hand-serving, hand-feeding the audience. I've gotten to the point now in my life where I'm serving myself.
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The accidents are things that audiences always remember most, I've found on my own movies. The things that they like the most are the things that were just by accident. So you have to create a situation where nothing but accidents can happen the entire time.
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Once the cameras rolling or the audience is in the seats, I'm on. I can't help it. I go into a trance.
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When I miss a week in practice, my audience knows it. When I miss a day, I know it.
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There were times in my career ... when I felt like a trapeze artist doing dangerous somersaults without a net underneath. When you execute those somersaults flawlessly, the audience feels the same sense of triumph the performer does.
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Where I think that 3D will fall apart is going to be as audiences now get treated to incredibly artistic utilizations of space. I think the films that are just sort of done as 3D transfer type films, the audience will perceive the difference in that.
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You don't leave the film alone. You have a new audience, and you have a new medium. Why would you leave it alone? Film is not an antique. It's not a relic. It's not a Leonardo da Vinci. I don't want someone painting over a da Vinci or Rembrandt. But these movies aren't that.
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This is what we had hoped for when multiplexes were created. This is in response to audience demand for more diverse choices.
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I feel that a picture that stays with you is made up of a hundred or more hidden things. They’re things that the audience is not conscious of, but that accumulate.
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I prefer playing with a band. It's good to do both, but for me it's quite exciting when I hear my songs completely transformed with the band behind me. You can really get into it more, and so can the audience.
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We try to connect with the audience as much as we can. We feel the energy from the audience, and it gives us so much joy and inspiration.
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I've learned over the years that you're going to be most successful at the things you're most excited to do. Every artist has a special set of tools. When you really use those tools, and you make yourself feel really good about the product you create, I think you'll find an audience for it. I've been very fortunate in that respect.
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When I was first starting out, I drove myself around the country in my Honda Civic, playing anywhere that would have me. This is a chance to strip the songs down to their roots and let the audience hear them the way I write them.
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Usually with this genre the first thing that happens is a good fight sequence to show that you're in good hands. So we broke that rule. I think a lot of that comes from the western audience.
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I think the U.K. is an amazing place and has been extremely good to me. Some of my favorite and most-listened-to bands are from England. I have met many good people there and have been in front of some of the most loyal audiences I have ever encountered.
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Well if I was going to describe my audience, it's going to take longer than you'd ever expect, hundreds of years in fact, because there's many of them, all over the world.
