Audience Quotes
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We are a band that stylistically crosses a lot of barriers and generational gaps. The heavier portion of the band, the modern music elements, the visual part of the band appeal to a younger audience. For an older audience, we have chops and great songs that are reminiscent of the things that were great about rock and roll when they enjoyed it. We're the kind of band that can cross those lines.
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All Internet comedy is niche comedy. If you do an Internet video about Halo, every Halo fan will send it to every other Halo fan. But if you did an episode of a network comedy that parodied Halo, most of your audience wouldn't even get it.
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When you stand up acoustic in front of an audience, you really are a man without any clothes on. And that can be fun - it depends how much of an exhibitionist you are, I suppose. I quite enjoy it.
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The accidents are things that audiences always remember most, I've found on my own movies. The things that they like the most are the things that were just by accident. So you have to create a situation where nothing but accidents can happen the entire time.
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Also expressionistic filmmaking - making the audience feel like they were inside the characters' heads. And so we create all these different types of techniques to put the audience there.
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One of the things that EBONY magazine has done for years, decades is perspective. They knew what our audience was, they know who we are, so that's what I hope to do with this show.
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I think kids, in general as an audience, are the way forward because they're not sort of sullied by intellectual expectation or this or that. It's a very pure kind of response to the work.
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I think that's what makes a good rapper. Somebody who wants to push themselves and their audience further.
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To look in the eyes of audiences and see the kind of naughty glee that they got with being on the inside, the audience becomes your co-conspirators.
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With Patreon, it feels like I have an audience now who really appreciates everything that I want to do and who are quite flexible and curious about it.
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I will not do festivals. The thought of an audience that big frightens the life out of me.
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I knew the exuberance of playing before an admiring audience and hearing my secret voice.
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Audiences grew to like this duality of feeling, where youre both championing a character and youre revolted by them.
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I'm always aware of the camera and it feels like that's the audience.
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Games are advancing in terms of storytelling and trying to create a character, and its a brand new audience for me.
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We pay based upon on ratings. As the audience grows, we pay more per ad.
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The only difficulty is that I'm playing to two audiences, and it's too bad the noise detracts from the show, because it's a great show. I've seen my own self out there, and it's a very good musical show. Sometimes the show gets lost in the hysteria and sometimes it doesn't.
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The audience doesn't care that most of happened. They just want a good movie.
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I'm just not made for that kind of live audience where you don't create a fourth wall.
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Is it possible to do something that that makes an audience uncomfortable, challenges them, makes them see things they're not used to? Here in these films [Salome the play and Salomaybe], I have the opportunity to say something about how I feel about things.
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Improvisation is just writing in front of an audience.
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If we're going to keep ourselves interested, we can't play for the reviewer and we can't just play for the audience. In the end, you have to just play for yourself.
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I was so afraid to even read a paper in front of my classmates. It is very funny because at that point my teachers would never have believed that I could speak in front of an audience of over 2,000 people.
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I just saw the movie for the first time in its entirely last night. It's really cool when you're in with an audience that's so tuned in and plugged in to what's going on.
