Audience Quotes
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To look in the eyes of audiences and see the kind of naughty glee that they got with being on the inside, the audience becomes your co-conspirators.
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I do a lot of talking, playing with the audience, but I don't really know what that's going to be. Somebody kind of feeds me cold. He gives me these kind of cold games that I play with the audience or quizzes that I do with them.
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Success means being heard and don't stand there and tell me that you are indifferent to being heard. You may write for the joy of it, but the act of writing is not complete in itself. It has to end in its audience.
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I knew the exuberance of playing before an admiring audience and hearing my secret voice.
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For me, stand-up comedy is a conversation between me and the audience. I have to keep them listening. When I'm making jokes about cake for twenty minutes, I have to make sure my audience is interested and following where I'm going.
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I will not do festivals. The thought of an audience that big frightens the life out of me.
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One of the things that EBONY magazine has done for years, decades is perspective. They knew what our audience was, they know who we are, so that's what I hope to do with this show.
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I think kids, in general as an audience, are the way forward because they're not sort of sullied by intellectual expectation or this or that. It's a very pure kind of response to the work.
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With Patreon, it feels like I have an audience now who really appreciates everything that I want to do and who are quite flexible and curious about it.
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I think that's what makes a good rapper. Somebody who wants to push themselves and their audience further.
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In my career, I've often played the protagonist or the hero of the movie, and there are so many rules inherent to that role. The audience needs to stay with you, identify with you and like you. When you play the bad guy, those rules go out the window. There's so much freedom there.
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I'm just not made for that kind of live audience where you don't create a fourth wall.
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I'm always aware of the camera and it feels like that's the audience.
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I was so afraid to even read a paper in front of my classmates. It is very funny because at that point my teachers would never have believed that I could speak in front of an audience of over 2,000 people.
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Improvisation is just writing in front of an audience.
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The accidents are things that audiences always remember most, I've found on my own movies. The things that they like the most are the things that were just by accident. So you have to create a situation where nothing but accidents can happen the entire time.
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The audience doesn't care that most of happened. They just want a good movie.
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Is it possible to do something that that makes an audience uncomfortable, challenges them, makes them see things they're not used to? Here in these films [Salome the play and Salomaybe], I have the opportunity to say something about how I feel about things.
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I don't have a favorite genre. I love to work and live vicariously through every character. It's all about trying to bring the character to life and get the story across in a way that resonates with the audience. It's always interesting and challenging in a gratifying and unique way.
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Half the audience gets where I'm coming from and half the audience is like, "Wait a minute. What does that mean?"
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There is no 'one-size-fits-all' way to build an audience.
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That's the kind of movie that I like to make, where there is an invented reality and the audience is going to go someplace where hopefully they've never been before. The details, that's what the world is made of.
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If we're going to keep ourselves interested, we can't play for the reviewer and we can't just play for the audience. In the end, you have to just play for yourself.
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I'm not one of those kind of people who does the observational 'Hey, don't you hate it when you're at the grocery store and the line's long and the cash register starts taking too long.' I don't really do that kind of stuff. I'm heavy on persona, and I do a lot of interacting with the audience.
