Audience Quotes
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I've never tried to reach a certain demographic of an audience or try to say: OK, now I'm going to do this type of film to transition myself into more adult roles. Or a romantic hero. Or whatever it may be.
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The matinee audiences are different because they're mostly kids, a great percentage kids. So they respond to everything differently, but I understand what they do respond to.
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That'll be up to an audience when they start to feel that someone else should come in and do it. Personally, I'm hoping that's a long way off.
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I have the ability to sing with emotion and feeling, but if you say I sound like Billie Holiday, that's cool. Let's look at who Billie was: she was this person, this singer, this beautiful diva who could move the audience with the slightest gesture of her hand.
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Instinct taught me 20 years ago to pace a song or a concert performance. That translates into pacing a story, pleasing a reading audience.
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I do an improv show on Sunday where we have a class, and then afterwards we go and do a live performance in front of an audience.
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Oftentimes, when we think of 3D, we think of things coming out of the screen, but actually, you've got this zero, this negative space, what they call the negative space, which is the scene, what's being filmed in the positive space of the audience. As you can have things come out, you can have all of this depth.
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To stop for years and then discover that the audience is getting smaller and smaller would be demoralizing.
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You have to know the rules, otherwise you have no tools to communicate to the audience, but to keep it fresh you have to break some. I don't choose genres as the element, but the material itself is the element, then I'll decide what genre I need. That's just how I work.
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I am not doctor who and I can't turn back time. I once said the audience was all punks and little girls, now they are old punks and old little girls. I don't mind the fans being maturer, if there are younger fans that's good too.
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Instagram is the perfect place to reach your audience because the playing field is leveled if you can create engaging/amazing/compelling content that people want to follow. Remember that there's more than just showing product. Show the woman who designed it. Write about your muses.
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I think that's what makes a good rapper. Somebody who wants to push themselves and their audience further.
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Constantly risking absurdity and death whenever he performs above the heads of his audience, the poet, like an acrobat, climbs on rhyme to a high wire of his own making.
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I've always said about 50% of what happens at a concert has to do with the audience. If you play for a dead audience you're gonna stink. If we play for a great crowd we're much better. You want 'em to make noise. It's kinda like sex, if they don't make noise, you ain't doin' it right.
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Empowerment comes from precision, precision, precision; from language that harpoons the exact meaning, the nuance, for the intended audience.
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I wish I would tell our audience that we don't hate them without sounding cheesy.
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It's much more fun to share and laugh at the bad times and the frustrations. I find you get a much deeper connection with the audience that way.
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Somebody has to wear the black hat and give the audience someone to shake their fists at. They want someone to hate. And if that's what you want to pay me to do, I'm happy to do it!
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I'm the first to poke fun at myself when it comes to the hair. I even ask the audience 'hands up who had big hair in the 80s?'.
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There are three things we need to do for a band. We need to make a great record; we need to get the record played; and we need to find an audience for the live shows.
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The good and wonderful thing about my whole career is that I've always felt that the audience, if I do it well, will track wherever I go, whether it's President or a lawyer or bad guy or good. All I have to do is execute the material enough where they buy into it. I've had the great luxury of the audiences accepting that.
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I love high concept movies, but they can only work if the source of inspiration is really human - if they're driven by pain and strong emotions. Once you connect the audience with that, then I swear you can take them on the craziest journey, and they'll come along.
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We are a band that stylistically crosses a lot of barriers and generational gaps. The heavier portion of the band, the modern music elements, the visual part of the band appeal to a younger audience. For an older audience, we have chops and great songs that are reminiscent of the things that were great about rock and roll when they enjoyed it. We're the kind of band that can cross those lines.
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The BBC were not playing the music that was happening on the street so we did an independent production because we knew we had an audience. Then we licensed the album to EMI.
