Audience Quotes
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The first impression a speaker makes on his audience is by his appearance and demeanor. Well-groomed or not? Self-Confident or not? Nervous or not? Paper-shuffler or not? All this and more before he says a word. The next impression is how the speaker talks. Forceful or not? Correct diction or not? Too much use of hands? Walking around? If so, too much? Any distracting mannerisms such as always shoving his spectacles back up his nose? Speaks too loud? Too soft? “Talks down” to the audience?The next impression is about what he says—the content of his talk. Are the thoughts well-organized? Or is he just “winging it?
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Well if I was going to describe my audience, it's going to take longer than you'd ever expect, hundreds of years in fact, because there's many of them, all over the world.
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I want to get my own show because 'Today' will eventually get tired of me, or the audience will get tired of me.
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In my opinion, understanding who your target audience is, and what they want, and writing to them (and only them!) is the most important component of being successful as an author.
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When the kids are laughing in the audience, I tear up, I'm so happy I did a nice thing.
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Certain audiences get the double meaning and some of the references and ironies, but there's definitely been shows where I feel like I'm not doing it well enough for it to come across as anything other than "oh, she's hot and she's dancing."
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The best thing about a platform like YouTube is that it helps musicians all around the world to reach such a vast audience.
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We Paramore are very different people at home, but the people that we are on-stage is just a side of us that our crowd and the audience that comes to our shows brings out of us. Different people bring different sides out of each other, and for sure our fans bring out the most hyper and ridiculous side of us because we get so psyched to see everyone when we're on stage.
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The audience perked up the more. American conservatives were a combative tribe who didn’t speak of liberals as their “friends,” but here Reagan did. His tone was serious, but it wasn’t angry, the way Goldwater’s often was. Reagan criticized Democratic leaders, but he didn’t criticize Democrats. He condemned the direction the American government was going, but he professed confidence in the American people.
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The films I like to watch are when they make it relatable to human audiences.
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This is what we had hoped for when multiplexes were created. This is in response to audience demand for more diverse choices.
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When the audience leaves, I'd like them to feel positive when they go.
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Also expressionistic filmmaking - making the audience feel like they were inside the characters' heads. And so we create all these different types of techniques to put the audience there.
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The great thing about playing a character that's similar to the audience, or similar to you, is that you get to have the same reaction that you would actually have to whatever's going on.
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The feeling you get from playing to a good audience is hard to describe without sounding as though you are talking silly. But reaction is important. You might feel in yourself that you're doing it ok but it's when you get the live reaction that you know you're doing it right.
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Honestly, happy. This happened for a reason. By having to answer that question in front of a national audience, God was testing my character and faith. I'm glad I stayed true to myself.
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I've developed an audience over the years and I don't want to loose them.
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I looked in the audience. There were no strangers. Everybody was singing and cheering and hugging. That was a beautiful picture to look at.
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If I think of the audience too much, then I'm going to start catering to them...and it turns into entertainment. And I've got time for entertainment; I'm just not at all that interested in doing it myself. I'd rather go for some pretty raw expression.
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That is definitely a misunderstanding between me and a part of my audience. To be honest, I am often unsettled by the responses some people have had to my movies, and that includes many people who like them.
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Still,[...] in all forms of comics the sequential artist relies upon the tacit cooperation of the reader. This cooperation is based upon the convention of reading and the common cognitive disciplines. Indeed, it is this very voluntary cooperation, so unique to comics, that underlies the contract between artist and audience.
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I dislike The Exorcist, and I found it a warning sign of the dangers in a furious cinematic talent putting the audience through it (a Hitchcock phrase) without purpose, or without the nagging moral anxiety that activated Hitch. You see, I don't think William Friedkin believes in the Devil, or cares about him. I think he found exorcism a pretext for a gross-out and he calculated there was an audience for it, or a crowd ready to be challenged. Maybe I'm too much of an atheist to stand religion being so thrashed.
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I'd love to go back and do theater. There's nothing like that instant response and the connection to a live audience.
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The art audience is very receptive to what I do. It's a mutual influence.