Audience Quotes
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I consider music to be a service and I am trying to serve the music, the musicians and the audience the best I can at every moment.
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You look out into the audience and you see so much joy on people's faces. You make eye contact with people who are almost crying because they can't believe they're seeing the Rumours five back again, they can't believe their eyes. It's almost like a family reunion on stage, there's no angst, there's no animosity, there's just tremendous amount of friendship.
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It was nerve-racking to begin with but once I started and the audience accepted it I relaxed. It has been surreal.
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If I'm able to catch the screening, there's a point in the film where, like clockwork, a portion of the audience gets really emotional and begins to cry. And that's very difficult to make happen.
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I felt like I was seeing it with the audience it was made for,
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Shared world has done some world building and brings (in the case of FR and SW) a big audience. With your own work, you're more creatively free. In a way, the shared world stuff has a high floor but a ceiling.
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I'm the first to poke fun at myself when it comes to the hair. I even ask the audience 'hands up who had big hair in the 80s?'.
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Once the cameras rolling or the audience is in the seats, I'm on. I can't help it. I go into a trance.
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To sway an audience, you must watch them as you speak.
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You don't leave the film alone. You have a new audience, and you have a new medium. Why would you leave it alone? Film is not an antique. It's not a relic. It's not a Leonardo da Vinci. I don't want someone painting over a da Vinci or Rembrandt. But these movies aren't that.
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You can't just reprise the news. You have to have journalism that makes a point and you have to be in sync with your audience.
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The audience perked up the more. American conservatives were a combative tribe who didn’t speak of liberals as their “friends,” but here Reagan did. His tone was serious, but it wasn’t angry, the way Goldwater’s often was. Reagan criticized Democratic leaders, but he didn’t criticize Democrats. He condemned the direction the American government was going, but he professed confidence in the American people.
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Don't try to be just like some other singer hitting it big - find your own style and be honest in your performances. And never underestimate your audience.
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It's a world now where you don't necessarily have to be on the radio or be on the TV to be a star. Your audience can find you and find the music.
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I love hearing my audience breathe.
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When I miss a week in practice, my audience knows it. When I miss a day, I know it.
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Everybody has they're own audience you know what I'm saying. I write rhymes and make music for the people that I fell wanna hear my music. They write rhymes and make music for the people they feel wanna hear they're music.
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Usually with this genre the first thing that happens is a good fight sequence to show that you're in good hands. So we broke that rule. I think a lot of that comes from the western audience.
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I do not write for an audience.
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When playing any song in front of an audience, you're watching them experience it, and it changes. In a lot of ways, it's almost like the music is just the background buzz to what's happening between you and the audience in the room.
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As an actor, you should always keep your trump card hidden from your audience. I want the audience to keep expecting more and more from me. I want to do 'different' work - good and memorable roles - so that audience appreciate me more. That's why I love to surprise my audience with something they never expect me to do.
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I never wanted to do something grotesque. I never wanted to shock. I wanted my audience to be happy, to be kind.
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I love the rehearsal process in the theatre, and the visceral sense of contact and communication with a live audience.
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I worked on it [ Too Much Tuna] for a little bit downtown and it was a great experience. I couldn't believe how enthusiastic the audience was for it. It was just extraordinary. It felt like you were at a rock concert, which was just unusual for shows at Cherry Lane, which are usually intimate plays about big ideas, you know.
