Audience Quotes
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We have a rock audience, classical audience, metal, pop - everything. We unite them all.
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Get into "the state:" Conquer fear by stopping thinking about yourself and instead, focusing 100 percent on how you can best serve your audience.
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You can't just reprise the news. You have to have journalism that makes a point and you have to be in sync with your audience.
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I'm almost mentally incapable of drawing a distinction between art I make for the masses, or my clients, and that I make for myself. It all flows from what gets me off, ultimately. It's my viewpoint, and I don't particularly care if it gets seen by gallery patrons, magazine readers, internet audiences, or my friends, as long as it gets seen.
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I'm just not made for that kind of live audience where you don't create a fourth wall.
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I'm working for myself; what else have I got to work for? How can you work for an audience? What do you imagine an audience would want? I have got nobody to excite except myself, so I am always surprised if anyone likes my work sometimes. I suppose I'm very lucky, of course, to be able to earn my living by something that really absorbs me to try to do, if that is what you call luck.
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I wish I would tell our audience that we don't hate them without sounding cheesy.
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The audience is your first collaborator with the material. If that makes sense.
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Performing live in front of an audience is such a matter of will - all of those things you can do just fine in your basement, suddenly you have to do them in front of hundreds or thousands of people, and it becomes a different matter entirely.
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You're always having to live more to fuel something new. It's an obligation to yourself and to the audience. The personal baggage that comes with being a known actor just adds to that struggle.
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Still,[...] in all forms of comics the sequential artist relies upon the tacit cooperation of the reader. This cooperation is based upon the convention of reading and the common cognitive disciplines. Indeed, it is this very voluntary cooperation, so unique to comics, that underlies the contract between artist and audience.
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I'm always trying to get those interviews that are impossible to get, because they are the ones that are most interesting to the audience.
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I really think a good host is just a connector. I'm more traffic cop than star. My job is to get people on and off the program, and hopefully keep the audience entertained.
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Patrick thought we should try to put an audience in front of one of the workshops, basically in front of the class and see how the performers rose to having an audience there, because he said, "You know, it's a really interesting test, because sometimes it gets even funnier."
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I never wanted to do something grotesque. I never wanted to shock. I wanted my audience to be happy, to be kind.
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For me it’s a way of reaching more audience and at the end of the day; that’s what it’s all about. I just want to sing and be heard, that’s what I love. With the House project for instance, I am going out to South Africa next month. I have a pretty cool following over there and it’s been brilliant.
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I consider music to be a service and I am trying to serve the music, the musicians and the audience the best I can at every moment.
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I fell in love with the classical crossover genre when I was on AGT. I found out that I could use the microphone to establish a deeper intimacy with the audience. I did not portray an opera character; I was my true self. I would sing a four-to-five minute piece for the audience and then I could talk to them and say "Hi" to them! I would not need to act out scenes where my character was dying from tuberculosis or killing somebody else on stage, I could have a nice conversation with them.
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I believe in divine inspiration and things like that and I really relish a good, attentive, participating audience.
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When I perform, it's very personal. I'm sharing things I like, inviting the audience into my room.
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I've set aside a nice chunk of my advertising revenue each month for giveaways, like a KitchenAid mixer. I like buying them for the audience, because without the audience I wouldn't have the blog or the revenue in the first place.
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Instinct taught me 20 years ago to pace a song or a concert performance. That translates into pacing a story, pleasing a reading audience.
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I feel the most connected to my art when it comes from my real life and hopefully the audience feels that.
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As an actor, you hope to find roles that are challenging to you as an artist. Then if you are truly blessed, you will find that it also carries a message that you can impart to your audience.
