Audience Quotes
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Patrick thought we should try to put an audience in front of one of the workshops, basically in front of the class and see how the performers rose to having an audience there, because he said, "You know, it's a really interesting test, because sometimes it gets even funnier."
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Instinct taught me 20 years ago to pace a song or a concert performance. That translates into pacing a story, pleasing a reading audience.
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Having a personality now is a good thing, and bowling has grabbed a different audience than we've had for a lot of years.
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There are three things we need to do for a band. We need to make a great record; we need to get the record played; and we need to find an audience for the live shows.
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When you perform with a live audience, the audience comes back to you, so that you and the audience are giving to each other, in a sense. It's an extraordinary thing. It's wild turf up there.
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Not only do you want to leave the audience wanting more, you want to leave yourself wanting more.
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As an actor, you hope to find roles that are challenging to you as an artist. Then if you are truly blessed, you will find that it also carries a message that you can impart to your audience.
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Honestly I think it was gradual from the first time I came. It's been a gradual thing as far as audience and response wise. I feel like I was conditioned for this type of impact.
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I really like intimate venues because it feels like everyone in the audience is in on all our inside jokes. We could say things and people will catch them. That couldn't happen at a festival because nobody would catch it. I also like that in a smaller space people can be talking to each other and listening to the music; they don't have to be watching you the whole time.
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When I perform, it's very personal. I'm sharing things I like, inviting the audience into my room.
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I'd rather lose the small part of the audience that is going to be insulted because a documentary shouldn't have music than the big part of the audience that kind of gives itself over to the scene.
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If I think of the audience too much, then I'm going to start catering to them...and it turns into entertainment. And I've got time for entertainment; I'm just not at all that interested in doing it myself. I'd rather go for some pretty raw expression.
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I feel the most connected to my art when it comes from my real life and hopefully the audience feels that.
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Usually the audience has no idea that the censored version of whatever movie they're watching isn't the original.
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When scoring a film, empathy is the key. And it is just as important to use music to express the actors' emotions as it is to move the audience.
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I love to entertain an audience.
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People like my films. They understand me through my films; it's like a connection that has been established between all my work and myself and the audience and the viewer.
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When I was first starting out, I drove myself around the country in my Honda Civic, playing anywhere that would have me. This is a chance to strip the songs down to their roots and let the audience hear them the way I write them.
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I'm the first to poke fun at myself when it comes to the hair. I even ask the audience 'hands up who had big hair in the 80s?'.
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You don't leave the film alone. You have a new audience, and you have a new medium. Why would you leave it alone? Film is not an antique. It's not a relic. It's not a Leonardo da Vinci. I don't want someone painting over a da Vinci or Rembrandt. But these movies aren't that.
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It was nerve-racking to begin with but once I started and the audience accepted it I relaxed. It has been surreal.
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I consider music to be a service and I am trying to serve the music, the musicians and the audience the best I can at every moment.
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I've developed an audience over the years and I don't want to loose them.
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I'm a firm believer that character is highly overrated. Character is a trick that we do with the audience's collusion.
