Audience Quotes
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I've developed an audience over the years and I don't want to loose them.
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I'd love to go back and do theater. There's nothing like that instant response and the connection to a live audience.
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In any big spectacular, it's really difficult to have enough voices to cover all the vocal parts. To give the audience the complete experience they're expecting, there is some reinforcement, some playback that everybody's hearing. Sometimes it's background vocals, but sometimes it will be actually vocal tracks. It's so hard to ensure, with no safety net ... you're not gonna get another shot at it, you have to have stability. I think it's very naïve of a lot of people to think that when you see someone open their mouth, they're really singing.
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We have an architect in the audience who designed one of clubhouses at one of the golf courses. It's a beautiful facility. It immediately was put to use. And Donald Trump wouldn't pay what the man needed to be paid.
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I'm a firm believer that character is highly overrated. Character is a trick that we do with the audience's collusion.
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When you play a smaller, more intimate venue, you can have real conversations with your audience, take risks, and stay current. You can also change the set list, on how the day feels or how the audience reacts. When you do arena shows, every arena looks and feels the same. You can't see who is in the room.
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I am just glad that I can take the music to the people who want to hear it. I love my audiences. I am deeply indebted to them for giving me the chance to sing my concerts, make records, and do what I love. Whatever people call it, it is great to have a voice!
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One of the things that EBONY magazine has done for years, decades is perspective. They knew what our audience was, they know who we are, so that's what I hope to do with this show.
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The virtue of dress rehearsals is that they are a free show for a select group of artists and friends of the author, and where for one unique evening the audience is almost expurgated of idiots.
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There's no better way to learn something than to learn it in front of an audience. Your terror drives you.
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I dislike The Exorcist, and I found it a warning sign of the dangers in a furious cinematic talent putting the audience through it (a Hitchcock phrase) without purpose, or without the nagging moral anxiety that activated Hitch. You see, I don't think William Friedkin believes in the Devil, or cares about him. I think he found exorcism a pretext for a gross-out and he calculated there was an audience for it, or a crowd ready to be challenged. Maybe I'm too much of an atheist to stand religion being so thrashed.
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To sway an audience, you must watch them as you speak.
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The art audience is very receptive to what I do. It's a mutual influence.
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If I have ideas, I want to put them in the movie. It's not a minimalist approach at all but I feel like it's for the audience. It's about seeing how much texture we can give it and seeing how many things are there for people to latch on to... I just want to do it the way I want and I feel like it won't be helpful for me if I start worrying about that. I just have to follow my instincts. Everyone is going to respond differently to it and everybody's right - that's their point of view. That's how the story intersects with their lives.
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When I watch a film, I watch only as an audience and only later I might analyse it.
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When I'm onstage, I'm more in the audience in my head than I am on the stage.
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As an actor, you hope to find roles that are challenging to you as an artist. Then if you are truly blessed, you will find that it also carries a message that you can impart to your audience.
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You know, we’re not on stage, we’re not doing a play, so we don’t have a relationship with the audience but going through that process and also just hearing how much people love the film, you feel like you do have a relationship with the audience.
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A lot of my research time is spent daydreaming - telling an imaginary admiring audience of laymen how to understand some difficult scientific idea.
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You can try to reach an audience, but you just write what comes out of you and you just hope that it is accepted. You do not write specifically to a generation.
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I think the audience likes to be entertained.
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I love the rehearsal process in the theatre, and the visceral sense of contact and communication with a live audience.
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Don't try to be just like some other singer hitting it big - find your own style and be honest in your performances. And never underestimate your audience.
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Even though L.A Confidential box-office was a fraction of, say, Titanic or the Grinch movie, it finds its audience and will continue doing so for who knows how long, because of the basic thing we love about movies, which is storytelling and performances.
