Audience Quotes
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Now we have an audience that is so very eclectic. Big, tremendous fans.
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A lot of my research time is spent daydreaming - telling an imaginary admiring audience of laymen how to understand some difficult scientific idea.
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For me, the most exciting thing is to create good magic that's entertaining for an audience, and it would be lovely if a magician was fooled as well.
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I like to work around identification for the audience, and when there's a grown-up or a moral figure or something like that, people tend to go there.
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If I don't practise for one day, I know it; if I don't practise for two days, the critics knows it; if I don't practise for three days, the audience knows it.
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I've been lucky. I've had this history of having an appeal to more than one type of audience.
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With an audience it's now, there are no editors around. It's just me and the audience and it's what I like best.
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The virtue of dress rehearsals is that they are a free show for a select group of artists and friends of the author, and where for one unique evening the audience is almost expurgated of idiots.
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Don't make music for some vast, unseen audience or market or ratings share or even for something as tangible as money. Though it's crucial to make a living, that shouldn't be your inspiration. Do it for yourself.
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That's the hard thing - getting started. You get started for a long time until you finally get to this point where people call you an icon or whatever they call you. It's nice. Suddenly the audience is with you more and they help you along and it's not so much that you have to do everything.
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The audience is not your boss. They are your collaborators and when you collaborate with someone you don't have to listen to everything they think or say.
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My father, good or bad, mistakes or no, had a direct line from his heart to the music to the people, to the audience. He played with logic and his own inner truth.
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I feel that a picture that stays with you is made up of a hundred or more hidden things. They’re things that the audience is not conscious of, but that accumulate.
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Any audience that gets a laugh out of me gets it while I'm facing them.
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I have a weird life because I live on songwriting royalties, which are a strange income. Sometimes it rains, sometimes it doesn't. ... I want to grow up with my audience. I don't expect to be getting through to the younger pop crowd. I learned that from Paul Simon. ... When you blame yourself, you learn from it. If you blame someone else, you don't learn nothing, cause hey, it's not your fault, it's his fault, over there. ... People have told me songs I've written have changed their life. That's remarkable. That keeps your faith.
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You must find a way to express your ideas and compel your audience to react through the idea itself, and then figuring out what the best representative of that idea may be, and bringing it to life.
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I had a show that people thought used a laugh track. It wasn't; it was the real audience going crazy after everything that resembled a joke, that they could technically call a joke.
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Let me guess,” Eli said, his voice that low, even timbre, as always. “Drinking from kegs also falls under outdoor activity.” I just looked at him, standing there in jeans and the same blue hoodie he’d had on the first time I met him. Maybe it was the embarrassment, which had been bad enough before I had an audience, but I was instantly annoyed. I said, “Are we outside?” He glanced round, as if needing to confirm this. “Nope.” “Then no.” I turned my attention back to the keg.
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When I'm onstage, I'm more in the audience in my head than I am on the stage.
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I make it a rule never to weigh or measure a fish I've caught, but simply to estimate its dimensions as accurately as possible, and then, when telling about it, to improve these figures by roughly a fifth, or twenty percent. I do this mainly because most people believe all fishermen exaggerate by at least twenty percent, and so I allow for the discounting my audience is almost certain to apply.
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If you can't get your core audience to watch the show, it's very hard to then pull in enough people outside of your fan base to your network. The networks are just so branded now; USA can't really do a dark despairing drama and FX can't do a blue-sky show. People watch the networks they watch.
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Honestly I think it was gradual from the first time I came. It's been a gradual thing as far as audience and response wise. I feel like I was conditioned for this type of impact.
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When you're a performer, of course you want an audience, but it's very, very different from courting fame.
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You can try to reach an audience, but you just write what comes out of you and you just hope that it is accepted. You do not write specifically to a generation.