Audience Quotes
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Jack Bauer is fooling his audience, but he's not fooling me.
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I like playing at public schools. I like when there's more of a diverse audience. I'll play wherever people want to hear my music, and I'll be glad and grateful for the opportunity, but I'd rather not play for a bunch of white privileged kids. I'm not meaning that in a disrespectful way; you go where people want to hear your music. So if that's where people want to hear me play, I'm glad to play for them. But I'd rather play for an audience where half of them were not into it than one where all of them were pretending to be into it, for fear of being uncultured.
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Shared world has done some world building and brings (in the case of FR and SW) a big audience. With your own work, you're more creatively free. In a way, the shared world stuff has a high floor but a ceiling.
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The young people look great on television. They’re youthful and have a lot of zip and energy, but when you see them live, they can only do about 20 minutes because they haven’t got the training to hold an audience for an hour and a half or so.
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I never wanted to do something grotesque. I never wanted to shock. I wanted my audience to be happy, to be kind.
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The weakness of cable news is that it chases its audience around. Your audience wants fast-paced, popular news. It needs real news. Cable news changes its stripes based on audience reaction. Viewers are reacting well to breaking news? You probably do more breaking news than you need to. The struggle is building something so that people will come to you, as opposed to constantly changing what you are because you're unsure of where the audience is.
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Now I can broadcast to an audience of several million people on the 'Today' programme. I can talk about the day's news. But on radio, believe it or not, we have notes and scripts. And while we might ad lib the odd wryly amusing asides, they come at the frequency of a suburban bus. About one every 90 minutes.
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Usually with this genre the first thing that happens is a good fight sequence to show that you're in good hands. So we broke that rule. I think a lot of that comes from the western audience.
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We Paramore are very different people at home, but the people that we are on-stage is just a side of us that our crowd and the audience that comes to our shows brings out of us. Different people bring different sides out of each other, and for sure our fans bring out the most hyper and ridiculous side of us because we get so psyched to see everyone when we're on stage.
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You don't leave the film alone. You have a new audience, and you have a new medium. Why would you leave it alone? Film is not an antique. It's not a relic. It's not a Leonardo da Vinci. I don't want someone painting over a da Vinci or Rembrandt. But these movies aren't that.
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The best thing about a platform like YouTube is that it helps musicians all around the world to reach such a vast audience.
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I think the audience likes to be entertained.
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I take no notice of the trends. It has never concerned me at all. My job is to deal with what I want to deal with and reach an audience by doing so.
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There were times in my career ... when I felt like a trapeze artist doing dangerous somersaults without a net underneath. When you execute those somersaults flawlessly, the audience feels the same sense of triumph the performer does.
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There's an audience for all kinds of great art.
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Patrick thought we should try to put an audience in front of one of the workshops, basically in front of the class and see how the performers rose to having an audience there, because he said, "You know, it's a really interesting test, because sometimes it gets even funnier."
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If you can handle a nightclub audience successfully, you can handle anything
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I like to work around identification for the audience, and when there's a grown-up or a moral figure or something like that, people tend to go there.
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The only difficulty is that I'm playing to two audiences, and it's too bad the noise detracts from the show, because it's a great show. I've seen my own self out there, and it's a very good musical show. Sometimes the show gets lost in the hysteria and sometimes it doesn't.
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I'm a firm believer that character is highly overrated. Character is a trick that we do with the audience's collusion.
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At the end of the day, a "jump scare" scares the audience for the moment. Slow burn horror ideas scare people forever.
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It might be an idea for all literary critics to read the books they analyse aloud - it certainly helps to fix them in the mind, while providing a readymade seminar with your audience.
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I've developed an audience over the years and I don't want to loose them.
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It is stupid to think the audience is a bunch of fools who can be manipulated by long titles and NRI romances.
