Audience Quotes
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In the theater, I could envision myself as wonderful because of the audience response to my lines.
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The art audience is very receptive to what I do. It's a mutual influence.
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I'm always aware of the camera and it feels like that's the audience.
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Certain audiences get the double meaning and some of the references and ironies, but there's definitely been shows where I feel like I'm not doing it well enough for it to come across as anything other than "oh, she's hot and she's dancing."
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For me, the most exciting thing is to create good magic that's entertaining for an audience, and it would be lovely if a magician was fooled as well.
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As an actor, you hope to find roles that are challenging to you as an artist. Then if you are truly blessed, you will find that it also carries a message that you can impart to your audience.
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I love the rehearsal process in the theatre, and the visceral sense of contact and communication with a live audience.
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The feeling you get from playing to a good audience is hard to describe without sounding as though you are talking silly. But reaction is important. You might feel in yourself that you're doing it ok but it's when you get the live reaction that you know you're doing it right.
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I think the audience likes to be entertained.
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The audience is not your boss. They are your collaborators and when you collaborate with someone you don't have to listen to everything they think or say.
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Is it possible to do something that that makes an audience uncomfortable, challenges them, makes them see things they're not used to? Here in these films [Salome the play and Salomaybe], I have the opportunity to say something about how I feel about things.
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One of the things that EBONY magazine has done for years, decades is perspective. They knew what our audience was, they know who we are, so that's what I hope to do with this show.
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When I watch a film, I watch only as an audience and only later I might analyse it.
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If I'm able to catch the screening, there's a point in the film where, like clockwork, a portion of the audience gets really emotional and begins to cry. And that's very difficult to make happen.
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Also expressionistic filmmaking - making the audience feel like they were inside the characters' heads. And so we create all these different types of techniques to put the audience there.
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I'd love to go back and do theater. There's nothing like that instant response and the connection to a live audience.
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Shared world has done some world building and brings (in the case of FR and SW) a big audience. With your own work, you're more creatively free. In a way, the shared world stuff has a high floor but a ceiling.
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Don't try to be just like some other singer hitting it big - find your own style and be honest in your performances. And never underestimate your audience.
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I'm a firm believer that character is highly overrated. Character is a trick that we do with the audience's collusion.
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There's no better way to learn something than to learn it in front of an audience. Your terror drives you.
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That's the kind of movie that I like to make, where there is an invented reality and the audience is going to go someplace where hopefully they've never been before. The details, that's what the world is made of.
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In any big spectacular, it's really difficult to have enough voices to cover all the vocal parts. To give the audience the complete experience they're expecting, there is some reinforcement, some playback that everybody's hearing. Sometimes it's background vocals, but sometimes it will be actually vocal tracks. It's so hard to ensure, with no safety net ... you're not gonna get another shot at it, you have to have stability. I think it's very naïve of a lot of people to think that when you see someone open their mouth, they're really singing.
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Now we have an audience that is so very eclectic. Big, tremendous fans.
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I take no notice of the trends. It has never concerned me at all. My job is to deal with what I want to deal with and reach an audience by doing so.
