Audience Quotes
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Everybody has they're own audience you know what I'm saying. I write rhymes and make music for the people that I fell wanna hear my music. They write rhymes and make music for the people they feel wanna hear they're music.
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I like playing at public schools. I like when there's more of a diverse audience. I'll play wherever people want to hear my music, and I'll be glad and grateful for the opportunity, but I'd rather not play for a bunch of white privileged kids. I'm not meaning that in a disrespectful way; you go where people want to hear your music. So if that's where people want to hear me play, I'm glad to play for them. But I'd rather play for an audience where half of them were not into it than one where all of them were pretending to be into it, for fear of being uncultured.
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I love hearing my audience breathe.
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It might be an idea for all literary critics to read the books they analyse aloud - it certainly helps to fix them in the mind, while providing a readymade seminar with your audience.
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You're always having to live more to fuel something new. It's an obligation to yourself and to the audience. The personal baggage that comes with being a known actor just adds to that struggle.
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I worked on it [ Too Much Tuna] for a little bit downtown and it was a great experience. I couldn't believe how enthusiastic the audience was for it. It was just extraordinary. It felt like you were at a rock concert, which was just unusual for shows at Cherry Lane, which are usually intimate plays about big ideas, you know.
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To me, as an audience member, movies always come to a screeching halt when they get to their action scenes. They always feel like they drag on to me.
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I never wanted to do something grotesque. I never wanted to shock. I wanted my audience to be happy, to be kind.
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When I was younger, all I cared about was what people thought of me and my films. Now I care less about catering, hand-serving, hand-feeding the audience. I've gotten to the point now in my life where I'm serving myself.
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I like to work around identification for the audience, and when there's a grown-up or a moral figure or something like that, people tend to go there.
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I love to entertain an audience.
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If you can handle a nightclub audience successfully, you can handle anything
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When I miss a week in practice, my audience knows it. When I miss a day, I know it.
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People like my films. They understand me through my films; it's like a connection that has been established between all my work and myself and the audience and the viewer.
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I think the U.K. is an amazing place and has been extremely good to me. Some of my favorite and most-listened-to bands are from England. I have met many good people there and have been in front of some of the most loyal audiences I have ever encountered.
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The only difficulty is that I'm playing to two audiences, and it's too bad the noise detracts from the show, because it's a great show. I've seen my own self out there, and it's a very good musical show. Sometimes the show gets lost in the hysteria and sometimes it doesn't.
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I'm a firm believer that character is highly overrated. Character is a trick that we do with the audience's collusion.
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You have to know the rules, otherwise you have no tools to communicate to the audience, but to keep it fresh you have to break some. I don't choose genres as the element, but the material itself is the element, then I'll decide what genre I need. That's just how I work.
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At the end of the day, a "jump scare" scares the audience for the moment. Slow burn horror ideas scare people forever.
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The best way to get your audience larger and more consistent is to be more divisive and more radical and criticize those who cater to or kowtow to other forces.
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You don't leave the film alone. You have a new audience, and you have a new medium. Why would you leave it alone? Film is not an antique. It's not a relic. It's not a Leonardo da Vinci. I don't want someone painting over a da Vinci or Rembrandt. But these movies aren't that.
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We Paramore are very different people at home, but the people that we are on-stage is just a side of us that our crowd and the audience that comes to our shows brings out of us. Different people bring different sides out of each other, and for sure our fans bring out the most hyper and ridiculous side of us because we get so psyched to see everyone when we're on stage.
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You can't just reprise the news. You have to have journalism that makes a point and you have to be in sync with your audience.
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When the kids are laughing in the audience, I tear up, I'm so happy I did a nice thing.
