Audience Quotes
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Video marketing is the most effective way for you to get someone's attention and engage them for a substantial period of time. Keeping someone engaged is the best and quickest way to gain their trust. Gaining trust is the only way to convert your audience into happy, long-term clients/customers/subscribers.
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I feel that a picture that stays with you is made up of a hundred or more hidden things. They’re things that the audience is not conscious of, but that accumulate.
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TV can reach broad audiences, mass audiences, niche audiences; it can be local, regional, national; it can be spots, sponsorship, interactive. It can be anything you want it to be. I tend to think of TV as the Swiss Army knife of media, it's got something for everybody.
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With an audience it's now, there are no editors around. It's just me and the audience and it's what I like best.
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In the first week of the showings of the The Matrix Revolutions, The Godfather and The Godfather Part II played on cable television. I started watching, and I was held; I wanted to go through the process again. Can anyone credit that 30 years from now there will be an audience for the three parts of The Matrix, anywhere? Even if Keanu Reeves is our president by then?
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The audience will only truly respect you when they have no idea what is going on.
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I always point people to the article '1,000 True Fans' by Kevin Kelly. If you choose your thousand ideal customers or readers properly and find the single author blog that targets that audience, you never have to do any more marketing. You're done. That is a lesson that very few product developers and marketers have learned, and it's unfortunate.
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In fact, I learned on the Bill Maher show that I can survive the audience booing at me, the guests hating me, Sarah Silverman mocking me, that I can survive. That's a lesson right there for people on the right.
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I'm a firm believer that character is highly overrated. Character is a trick that we do with the audience's collusion.
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I'm still learning about music. The best way to learn is to listen to the audience. When you listen to the audience, they will tell you what they like. I wish these big corporations, instead of telling the audience what they should have, would listen.
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Many times, I like to read the script before I even know who they want me to play, so I can read it and really enjoy it as an audience member. I think that's given me the ability to ferret out the really special scripts from all the rest.
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If I think of the audience too much, then I'm going to start catering to them...and it turns into entertainment. And I've got time for entertainment; I'm just not at all that interested in doing it myself. I'd rather go for some pretty raw expression.
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In my case, I take part in performance-oriented music and believe it is my call to show the audience something that both their eyes and ears can enjoy.
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When I'm in the audience of Broadway shows, I feel like I'm in the presence of something really special with artists working at the height of their craft and doing the best work that they possibly can.
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Five hours after presenting a ...lecture on cancer before an audience of about 400 in L.A., the windshield was shot out of my car on the road back to San Francisco. The next night the glass window in the tailgate the back window was shot out 300 miles removed from the first shooting...The late Arthur T. Harris, MD, was threatened by two men with assassination if he continued to use Laetrile.
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I don't disrespect the audience. I only sing very well-written, intelligent songs.
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At the end of the day, a "jump scare" scares the audience for the moment. Slow burn horror ideas scare people forever.
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For me it’s a way of reaching more audience and at the end of the day; that’s what it’s all about. I just want to sing and be heard, that’s what I love. With the House project for instance, I am going out to South Africa next month. I have a pretty cool following over there and it’s been brilliant.
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The world is full of bands and bullshit, and if I'm doing a stupid art project like rock 'n' roll then I want to spare my audience as much as possible.
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Whatever one may say about the perils of workshops, they help writers internalize an awareness of audience.
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There are some who speak well and write badly. For the place and the audience warm them, and draw from their minds more than they think of without that warmth.
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It might be an idea for all literary critics to read the books they analyse aloud - it certainly helps to fix them in the mind, while providing a readymade seminar with your audience.
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The least responsive audience I can ever remember playing to.
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It's always good to go from a heavy song to a softer one. It helps having the attention of the audience for the whole show - three hours of the same songs for the whole show is boring.
