Audience Quotes
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I don’t think I have really imprinted on the audience as any kind of character, including a serious or calm one. So I want to play a similar character one more time, but one where I can really make an impact, before moving on to try different roles.
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Don't make music for some vast, unseen audience or market or ratings share or even for something as tangible as money. Though it's crucial to make a living, that shouldn't be your inspiration. Do it for yourself.
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Whatever one may say about the perils of workshops, they help writers internalize an awareness of audience.
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I firmly believe lyrics have to breathe and give the audience's ear a chance to understand what's going on. Particularly in the theater, where you have costume, story, acting, orchestra.
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I had a show that people thought used a laugh track. It wasn't; it was the real audience going crazy after everything that resembled a joke, that they could technically call a joke.
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Shared world has done some world building and brings (in the case of FR and SW) a big audience. With your own work, you're more creatively free. In a way, the shared world stuff has a high floor but a ceiling.
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Any authentic work of art must start an argument between the artist and his audience.
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If you can handle a nightclub audience successfully, you can handle anything
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Practice for an audience, not yourself.
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When you're in a play, you never really have a sense of what an audience is experiencing. The experience of doing a play is so different from the experience of seeing it.
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Try to find the right balance of keeping things exciting and treating your audience with respect, and also treating yourself as an artist with respect.
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Usually the audience has no idea that the censored version of whatever movie they're watching isn't the original.
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I've been lucky. I've had this history of having an appeal to more than one type of audience.
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There's an audience for all kinds of great art.
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I don't think of writing my poems for China or for the world. I mainly think of a small audience of friends and people I know. I am writing for that small group. They are not necessarily going to be able to read it, but that's what I have in mind when I write.
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When I'm in the audience of Broadway shows, I feel like I'm in the presence of something really special with artists working at the height of their craft and doing the best work that they possibly can.
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It is good to be different, because difference is great; that's what this music is based on. But lose that energy between the audience and the players, and you have nothing.
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Five hours after presenting a ...lecture on cancer before an audience of about 400 in L.A., the windshield was shot out of my car on the road back to San Francisco. The next night the glass window in the tailgate the back window was shot out 300 miles removed from the first shooting...The late Arthur T. Harris, MD, was threatened by two men with assassination if he continued to use Laetrile.
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That's the hard thing - getting started. You get started for a long time until you finally get to this point where people call you an icon or whatever they call you. It's nice. Suddenly the audience is with you more and they help you along and it's not so much that you have to do everything.
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The best way to get your audience larger and more consistent is to be more divisive and more radical and criticize those who cater to or kowtow to other forces.
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I think what's exciting about doing it as found footage - if we all are being honest, found footage gets a little bit of a bad rap sometimes, but I think that there's a lot of potential in the medium in taking it seriously and in treating the audience with respect and in treating the characters with respect in terms of, why is the camera really on? Where would the camera be when it is on?
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If you can't get your core audience to watch the show, it's very hard to then pull in enough people outside of your fan base to your network. The networks are just so branded now; USA can't really do a dark despairing drama and FX can't do a blue-sky show. People watch the networks they watch.
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With an audience it's now, there are no editors around. It's just me and the audience and it's what I like best.
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It might be an idea for all literary critics to read the books they analyse aloud - it certainly helps to fix them in the mind, while providing a readymade seminar with your audience.
