Audience Quotes
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If I don't practise for one day, I know it; if I don't practise for two days, the critics knows it; if I don't practise for three days, the audience knows it.
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Shared world has done some world building and brings (in the case of FR and SW) a big audience. With your own work, you're more creatively free. In a way, the shared world stuff has a high floor but a ceiling.
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Practice for an audience, not yourself.
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My music already has this oldish kind of quality to it, like you don't necessarily know what era it was recorded in, so it all kind of felt surreal and weird. Night after night when I played live, I was really trying to figure it out in real time, and I still don't know what effect I'm going for or what effect I actually achieve. Looking back, I feel like it would be arrogant of me not to appreciate the fact that I've been able to do whatever I want and still have an audience come see me.
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I've been lucky. I've had this history of having an appeal to more than one type of audience.
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Usually the audience has no idea that the censored version of whatever movie they're watching isn't the original.
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I don’t think I have really imprinted on the audience as any kind of character, including a serious or calm one. So I want to play a similar character one more time, but one where I can really make an impact, before moving on to try different roles.
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Try to find the right balance of keeping things exciting and treating your audience with respect, and also treating yourself as an artist with respect.
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There's an audience for all kinds of great art.
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If you can handle a nightclub audience successfully, you can handle anything
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That's the hard thing - getting started. You get started for a long time until you finally get to this point where people call you an icon or whatever they call you. It's nice. Suddenly the audience is with you more and they help you along and it's not so much that you have to do everything.
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When I'm in the audience of Broadway shows, I feel like I'm in the presence of something really special with artists working at the height of their craft and doing the best work that they possibly can.
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I had a show that people thought used a laugh track. It wasn't; it was the real audience going crazy after everything that resembled a joke, that they could technically call a joke.
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I think what's exciting about doing it as found footage - if we all are being honest, found footage gets a little bit of a bad rap sometimes, but I think that there's a lot of potential in the medium in taking it seriously and in treating the audience with respect and in treating the characters with respect in terms of, why is the camera really on? Where would the camera be when it is on?
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I firmly believe lyrics have to breathe and give the audience's ear a chance to understand what's going on. Particularly in the theater, where you have costume, story, acting, orchestra.
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I always feel the audience is my best teacher.
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The best way to get your audience larger and more consistent is to be more divisive and more radical and criticize those who cater to or kowtow to other forces.
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The question if this is a work of art or not is not very interesting for us. Probably it is situated in between the established categories. Anyway the audience which is interested in art would be the most open-minded and willing to think about it.
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Whatever one may say about the perils of workshops, they help writers internalize an awareness of audience.
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I remember playing Coachella and seeing kids in the audience who weren't even born when we had our initial run of success. They were singing along to every word, which was an amazing thing to see.
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Five hours after presenting a ...lecture on cancer before an audience of about 400 in L.A., the windshield was shot out of my car on the road back to San Francisco. The next night the glass window in the tailgate the back window was shot out 300 miles removed from the first shooting...The late Arthur T. Harris, MD, was threatened by two men with assassination if he continued to use Laetrile.
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I don't think of writing my poems for China or for the world. I mainly think of a small audience of friends and people I know. I am writing for that small group. They are not necessarily going to be able to read it, but that's what I have in mind when I write.
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It might be an idea for all literary critics to read the books they analyse aloud - it certainly helps to fix them in the mind, while providing a readymade seminar with your audience.
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With an audience it's now, there are no editors around. It's just me and the audience and it's what I like best.