Audience Quotes
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The best way to get your audience larger and more consistent is to be more divisive and more radical and criticize those who cater to or kowtow to other forces.
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When the audience leaves, I'd like them to feel positive when they go.
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With an audience it's now, there are no editors around. It's just me and the audience and it's what I like best.
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Also expressionistic filmmaking - making the audience feel like they were inside the characters' heads. And so we create all these different types of techniques to put the audience there.
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People ask 'How does doing a film compare to doing an ad?' Well, when you're doing a commercial you don't have to sell tickets. You have a captured audience. Which is actually completely rare and great; it gives you a lot of freedom. When you make a film, you have to do advertisements for the film.
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As a matter of fact, I constantly tell audiences all over the world that the single greatest icon of American culture from the publication of "To Kill A Mockingbird" was that novel so that if we say, what conversation can we have that would lead us on a road of tolerance, and teachers have decided that if you're going to teach values in a school in America, the answer that American teachers at all kinds of schools have come up with, just let Harper Lee teach "To Kill A Mockingbird." And then all the teacher has to do is stand back and guide the discussion.
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I think it's been a little difficult at times for the audience, because they've told me they see me as a family member. So to see your little sister sing about sex... I think they are pretty used to it now.
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A lot of my research time is spent daydreaming - telling an imaginary admiring audience of laymen how to understand some difficult scientific idea.
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My music already has this oldish kind of quality to it, like you don't necessarily know what era it was recorded in, so it all kind of felt surreal and weird. Night after night when I played live, I was really trying to figure it out in real time, and I still don't know what effect I'm going for or what effect I actually achieve. Looking back, I feel like it would be arrogant of me not to appreciate the fact that I've been able to do whatever I want and still have an audience come see me.
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When I watch a film, I watch only as an audience and only later I might analyse it.
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We try to connect with the audience as much as we can. We feel the energy from the audience, and it gives us so much joy and inspiration.
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It wasn't that people wanted things for free and asked for advertising to fund it - it's that these companies wanted to amass an audience whose "eyeballs" they could sell, and they gave people things for free to do that. Free services and content has been foisted upon us because there wasn't the will power to explore other options.
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When you're making the record, you're not thinking about an audience, but you still need them and you want them.
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You must find a way to express your ideas and compel your audience to react through the idea itself, and then figuring out what the best representative of that idea may be, and bringing it to life.
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It's a world now where you don't necessarily have to be on the radio or be on the TV to be a star. Your audience can find you and find the music.
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The virtue of dress rehearsals is that they are a free show for a select group of artists and friends of the author, and where for one unique evening the audience is almost expurgated of idiots.
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The audience is your first collaborator with the material. If that makes sense.
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I really like intimate venues because it feels like everyone in the audience is in on all our inside jokes. We could say things and people will catch them. That couldn't happen at a festival because nobody would catch it. I also like that in a smaller space people can be talking to each other and listening to the music; they don't have to be watching you the whole time.
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The idea that a musician can submit music online for the chance to have it promoted to a nationwide audience is the American dream come true, and a major step toward democratizing how music is discovered.
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I'm thankful for my time with Nintendo and proud of our team's accomplishments in growing the Nintendo audience. I look forward to watching the continued growth of the Nintendo brand in the years ahead.
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I think what's exciting about doing it as found footage - if we all are being honest, found footage gets a little bit of a bad rap sometimes, but I think that there's a lot of potential in the medium in taking it seriously and in treating the audience with respect and in treating the characters with respect in terms of, why is the camera really on? Where would the camera be when it is on?
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For me, the most exciting thing is to create good magic that's entertaining for an audience, and it would be lovely if a magician was fooled as well.
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There's no better way to learn something than to learn it in front of an audience. Your terror drives you.
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In any event, the proper question isn't what a journalist thinks is relevant but what his or her audience thinks is relevant. Denying people information they would find useful because you think they shouldn't find it useful is censorship, not journalism.
