Audience Quotes
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I always point people to the article '1,000 True Fans' by Kevin Kelly. If you choose your thousand ideal customers or readers properly and find the single author blog that targets that audience, you never have to do any more marketing. You're done. That is a lesson that very few product developers and marketers have learned, and it's unfortunate.
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I never wanted to do something grotesque. I never wanted to shock. I wanted my audience to be happy, to be kind.
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I look at it somewhat as a way - when you learn juggling, what you learn is how to feel with your eyes and see with your hands because you're not looking at your hands, you're looking at where the balls are, or you're looking at the audience.
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The least responsive audience I can ever remember playing to.
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Finding the fine line between satisfying a daytime TV audience and an afternoon radio audience. That involved editing down my delivery to under an hour. I've been blessed to have great producers and a great staff to achieve that. I have a small team but they're very efficient.
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There's a oneness to showing yourself to an audience. They feel that. It's healthy. That's what acting is all about.
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An artist cannot be responsible for what people make of their art. An audience loathe giving up preconceived images of an artist
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I am not fitted to give concerts. The audience intimidates me, I feel choked by its breath, paralyzed by its curious glances, struck dumb by all those strange faces.
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We have an architect in the audience who designed one of clubhouses at one of the golf courses. It's a beautiful facility. It immediately was put to use. And Donald Trump wouldn't pay what the man needed to be paid.
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It's always good to go from a heavy song to a softer one. It helps having the attention of the audience for the whole show - three hours of the same songs for the whole show is boring.
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Martin Luther King did not stir his audience in 1963 by declaiming 'I have a nightmare'
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Just me onstage with a mike having an intimate relationship with the audience. I don't get nervous for that. I just get excited.
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Why are atoms so small? ... Many examples have been devised to bring this fact home to an audience, none of them more impressive than the one used by Lord Kelvin: Suppose that you could mark the molecules in a glass of water, then pour the contents of the glass into the ocean and stir the latter thoroughly so as to distribute the marked molecules uniformly throughout the seven seas; if you then took a glass of water anywhere out of the ocean, you would find in it about a hundred of your marked molecules.
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I genuinely have never been in an audience where most people want that person to fail. I've never been in an audience like that, and I've never seen it as a performer. Only in my dreams, in which case they are always throwing tomatoes and going, "This is the most boring thing I've ever seen."
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Not every website has that kind of success. We just have a highly targeted audience.
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If you can handle a nightclub audience successfully, you can handle anything
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If I have ideas, I want to put them in the movie. It's not a minimalist approach at all but I feel like it's for the audience. It's about seeing how much texture we can give it and seeing how many things are there for people to latch on to... I just want to do it the way I want and I feel like it won't be helpful for me if I start worrying about that. I just have to follow my instincts. Everyone is going to respond differently to it and everybody's right - that's their point of view. That's how the story intersects with their lives.
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I don’t think I have really imprinted on the audience as any kind of character, including a serious or calm one. So I want to play a similar character one more time, but one where I can really make an impact, before moving on to try different roles.
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It might be an idea for all literary critics to read the books they analyse aloud - it certainly helps to fix them in the mind, while providing a readymade seminar with your audience.
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I never thought about the gayness. Liberace just looked like he was having so much fun. And that whole idea of talking directly to the audience, you just went along with him. He made you happy. And he's finally getting acknowledged for all the Elton John, Lady Gaga, Madonna theatrics now that people are looking at his old costumes.
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Glorious bouquets and storms of applause are the trimmings which every artist naturally enjoys. but to move an audience in such a role, to hear in the applause that unmistakable note which breaks through good theatre manners and comes from the heart, is to feel that you have won through to life itself. Such pleasure does not vanish with the fall of the curtain, but becomes part of one's own life.
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I hope they get something of interest out of it, but I'd rather they all hate it and I like it, instead of vice versa... I make films to please myself first, and if the audience likes them, all the better.
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I've set aside a nice chunk of my advertising revenue each month for giveaways, like a KitchenAid mixer. I like buying them for the audience, because without the audience I wouldn't have the blog or the revenue in the first place.
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I like working with directors because I'm really opinionated about what things work and may not work, what audiences like and may not like, (not really) but I do have opinions about things. I like to be able to say them and then have them acted on. The director who responds to me like that, always gets my appreciation. I do appreciate it. What I find is the best directors, no matter what kind of name they have, are like that.