Audience Quotes
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When I watch a film, I watch only as an audience and only later I might analyse it.
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When you have an audience that embraces you that much, you really want to give them your best. It becomes a really interactive experience instead of just playing a show to random people - there's a connection.
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Well, I think it's important to keep things secretive because what's happened so much is the press competes with each other to put as much information out there as they can and sometimes it can be very damaging to the films to have the stories leaked or certain plot details. I think it's important to have something remain secretive for the audience and something special for the audience so there aren't spoilers all over the internet.
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I genuinely have never been in an audience where most people want that person to fail. I've never been in an audience like that, and I've never seen it as a performer. Only in my dreams, in which case they are always throwing tomatoes and going, "This is the most boring thing I've ever seen."
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We have an architect in the audience who designed one of clubhouses at one of the golf courses. It's a beautiful facility. It immediately was put to use. And Donald Trump wouldn't pay what the man needed to be paid.
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With an audience it's now, there are no editors around. It's just me and the audience and it's what I like best.
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Finding the fine line between satisfying a daytime TV audience and an afternoon radio audience. That involved editing down my delivery to under an hour. I've been blessed to have great producers and a great staff to achieve that. I have a small team but they're very efficient.
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The liveness of theater, and the excitement of experiencing it alongside an audience, is something you can't get at home. That makes the theater more vital than ever. It's definitely expensive, but I have faith that the market will keep recognizing the live experience as a valuable and important one.
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When I was younger, all I cared about was what people thought of me and my films. Now I care less about catering, hand-serving, hand-feeding the audience. I've gotten to the point now in my life where I'm serving myself.
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There's an audience for all kinds of great art.
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I always intended to be light and open. I misjudged the American audience.
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Now we have an audience that is so very eclectic. Big, tremendous fans.
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There's no better way to learn something than to learn it in front of an audience. Your terror drives you.
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I'm still learning about music. The best way to learn is to listen to the audience. When you listen to the audience, they will tell you what they like. I wish these big corporations, instead of telling the audience what they should have, would listen.
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The feeling you get from playing to a good audience is hard to describe without sounding as though you are talking silly. But reaction is important. You might feel in yourself that you're doing it ok but it's when you get the live reaction that you know you're doing it right.
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The reason that you dance and sing is to make the audience feel like they're dancing and singing. As long as you're having fun with it and giving it 100 percent, they're gonna feel that.
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If I don't practise for one day, I know it; if I don't practise for two days, the critics knows it; if I don't practise for three days, the audience knows it.
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I love every aspect of live performance and putting our shows together and approaching it from the standpoint of, 'What would we want to see if we were a fan sitting in the audience?'
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We try to connect with the audience as much as we can. We feel the energy from the audience, and it gives us so much joy and inspiration.
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When you are proud of something you have done, and you have made a film you feel has merit, and it's found an audience and is critically well received, that's a pretty pleasurable place to be. I mean, you don't want it gathering dust at the bottom of someone's DVD collection.
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I can never remember being afraid of an audience. If the audience could do better, they'd be up here on stage and I'd be out there watching them.
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I've always been such a fan of short films - in fact, I never considered that I would actually make a feature. I just thought I wanted to make shorts for the rest of my life. They are a lot harder to have shown and a lot harder to find and see as an audience, but I don't know. It's just a form that I really love. I was just making them for the process, but ultimately, I did get them into festivals, and they did end up on television, and they had as much of a life as short films can.
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It wasn't that people wanted things for free and asked for advertising to fund it - it's that these companies wanted to amass an audience whose "eyeballs" they could sell, and they gave people things for free to do that. Free services and content has been foisted upon us because there wasn't the will power to explore other options.
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I think that when you do any kind of theatrical form, (you can't really do this in the theater) the task as an artist is to reach some form of catharsis yourself, and express something that allows an audience to have some form of catharsis. If there's no discovery in what you do, if there's no struggle in what you do to have that discovery, then, there's no meaning in what you do.
