Audience Quotes
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Now we have an audience that is so very eclectic. Big, tremendous fans.
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When I teach writing, I always tell my students you should assume that the audience you're writing for is smarter than you. You can't write if you don't think they're on your side, because then you start to yell at them or preach down to them.
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I love every aspect of live performance and putting our shows together and approaching it from the standpoint of, 'What would we want to see if we were a fan sitting in the audience?'
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When you're making the record, you're not thinking about an audience, but you still need them and you want them.
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Goldie Hawn is one of the sharpest ladies I've ever worked with. She doesn't miss a thing. She's my greatest audience. She laughs at all my stories and in the right places, too.
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I always like to think of the audience when I am directing. Because I am the audience.
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You can't just reprise the news. You have to have journalism that makes a point and you have to be in sync with your audience.
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I'm a firm believer that character is highly overrated. Character is a trick that we do with the audience's collusion.
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Musicals are — particularly musicals — plays also, but musicals particularly are… the last collaborator is your audience, and so you’ve got to wait ’til the last collaborator comes in before you can complete the collaboration.
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If I think of the audience too much, then I'm going to start catering to them...and it turns into entertainment. And I've got time for entertainment; I'm just not at all that interested in doing it myself. I'd rather go for some pretty raw expression.
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I want to get my own show because 'Today' will eventually get tired of me, or the audience will get tired of me.
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If I don't practise for one day, I know it; if I don't practise for two days, the critics knows it; if I don't practise for three days, the audience knows it.
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That's the hard thing - getting started. You get started for a long time until you finally get to this point where people call you an icon or whatever they call you. It's nice. Suddenly the audience is with you more and they help you along and it's not so much that you have to do everything.
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There's an audience for all kinds of great art.
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The virtue of dress rehearsals is that they are a free show for a select group of artists and friends of the author, and where for one unique evening the audience is almost expurgated of idiots.
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Video marketing is the most effective way for you to get someone's attention and engage them for a substantial period of time. Keeping someone engaged is the best and quickest way to gain their trust. Gaining trust is the only way to convert your audience into happy, long-term clients/customers/subscribers.
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The world is full of bands and bullshit, and if I'm doing a stupid art project like rock 'n' roll then I want to spare my audience as much as possible.
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I really don't take any notice of girls in the audience. I really don't. I just play. I've got a shit view anyway. A couple of cymbals. I can't see jack.
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Is it possible to do something that that makes an audience uncomfortable, challenges them, makes them see things they're not used to? Here in these films [Salome the play and Salomaybe], I have the opportunity to say something about how I feel about things.
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It is good to be different, because difference is great; that's what this music is based on. But lose that energy between the audience and the players, and you have nothing.
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I don't disrespect the audience. I only sing very well-written, intelligent songs.
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I feel that a picture that stays with you is made up of a hundred or more hidden things. They’re things that the audience is not conscious of, but that accumulate.
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The audience will only truly respect you when they have no idea what is going on.
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I looked in the audience. There were no strangers. Everybody was singing and cheering and hugging. That was a beautiful picture to look at.
