Audience Quotes
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Goldie Hawn is one of the sharpest ladies I've ever worked with. She doesn't miss a thing. She's my greatest audience. She laughs at all my stories and in the right places, too.
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When I teach writing, I always tell my students you should assume that the audience you're writing for is smarter than you. You can't write if you don't think they're on your side, because then you start to yell at them or preach down to them.
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TV can reach broad audiences, mass audiences, niche audiences; it can be local, regional, national; it can be spots, sponsorship, interactive. It can be anything you want it to be. I tend to think of TV as the Swiss Army knife of media, it's got something for everybody.
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When you're making the record, you're not thinking about an audience, but you still need them and you want them.
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You can't just reprise the news. You have to have journalism that makes a point and you have to be in sync with your audience.
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I'm thankful for my time with Nintendo and proud of our team's accomplishments in growing the Nintendo audience. I look forward to watching the continued growth of the Nintendo brand in the years ahead.
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Video marketing is the most effective way for you to get someone's attention and engage them for a substantial period of time. Keeping someone engaged is the best and quickest way to gain their trust. Gaining trust is the only way to convert your audience into happy, long-term clients/customers/subscribers.
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There's an audience for all kinds of great art.
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The world is full of bands and bullshit, and if I'm doing a stupid art project like rock 'n' roll then I want to spare my audience as much as possible.
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I really don't take any notice of girls in the audience. I really don't. I just play. I've got a shit view anyway. A couple of cymbals. I can't see jack.
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If I think of the audience too much, then I'm going to start catering to them...and it turns into entertainment. And I've got time for entertainment; I'm just not at all that interested in doing it myself. I'd rather go for some pretty raw expression.
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The virtue of dress rehearsals is that they are a free show for a select group of artists and friends of the author, and where for one unique evening the audience is almost expurgated of idiots.
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Now we have an audience that is so very eclectic. Big, tremendous fans.
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That's the hard thing - getting started. You get started for a long time until you finally get to this point where people call you an icon or whatever they call you. It's nice. Suddenly the audience is with you more and they help you along and it's not so much that you have to do everything.
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I think the audience likes to be entertained.
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Musicals are — particularly musicals — plays also, but musicals particularly are… the last collaborator is your audience, and so you’ve got to wait ’til the last collaborator comes in before you can complete the collaboration.
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If I don't practise for one day, I know it; if I don't practise for two days, the critics knows it; if I don't practise for three days, the audience knows it.
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I want to get my own show because 'Today' will eventually get tired of me, or the audience will get tired of me.
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It is good to be different, because difference is great; that's what this music is based on. But lose that energy between the audience and the players, and you have nothing.
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I feel that a picture that stays with you is made up of a hundred or more hidden things. They’re things that the audience is not conscious of, but that accumulate.
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Is it possible to do something that that makes an audience uncomfortable, challenges them, makes them see things they're not used to? Here in these films [Salome the play and Salomaybe], I have the opportunity to say something about how I feel about things.
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I don't disrespect the audience. I only sing very well-written, intelligent songs.
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I looked in the audience. There were no strangers. Everybody was singing and cheering and hugging. That was a beautiful picture to look at.
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The audience will only truly respect you when they have no idea what is going on.
