Audience Quotes
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The films I like to watch are when they make it relatable to human audiences.
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I'm almost mentally incapable of drawing a distinction between art I make for the masses, or my clients, and that I make for myself. It all flows from what gets me off, ultimately. It's my viewpoint, and I don't particularly care if it gets seen by gallery patrons, magazine readers, internet audiences, or my friends, as long as it gets seen.
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When playing any song in front of an audience, you're watching them experience it, and it changes. In a lot of ways, it's almost like the music is just the background buzz to what's happening between you and the audience in the room.
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In my opinion, understanding who your target audience is, and what they want, and writing to them (and only them!) is the most important component of being successful as an author.
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Supporting characters add depth to a story, and great actors leave their imprint with the audience.
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Now I can broadcast to an audience of several million people on the 'Today' programme. I can talk about the day's news. But on radio, believe it or not, we have notes and scripts. And while we might ad lib the odd wryly amusing asides, they come at the frequency of a suburban bus. About one every 90 minutes.
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To me, as an audience member, movies always come to a screeching halt when they get to their action scenes. They always feel like they drag on to me.
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Let me guess,” Eli said, his voice that low, even timbre, as always. “Drinking from kegs also falls under outdoor activity.” I just looked at him, standing there in jeans and the same blue hoodie he’d had on the first time I met him. Maybe it was the embarrassment, which had been bad enough before I had an audience, but I was instantly annoyed. I said, “Are we outside?” He glanced round, as if needing to confirm this. “Nope.” “Then no.” I turned my attention back to the keg.
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The young people look great on television. They’re youthful and have a lot of zip and energy, but when you see them live, they can only do about 20 minutes because they haven’t got the training to hold an audience for an hour and a half or so.
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If you can handle a nightclub audience successfully, you can handle anything
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Even today when I rehearse, I give it everything that I've got. If I'm in a performance and the lights go out, I glow in the dark. When you're working before an audience, you have to make them feel like they can touch you. That's the dancer within, reaching out.
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There were times in my career ... when I felt like a trapeze artist doing dangerous somersaults without a net underneath. When you execute those somersaults flawlessly, the audience feels the same sense of triumph the performer does.
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I like to work around identification for the audience, and when there's a grown-up or a moral figure or something like that, people tend to go there.
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The art audience is very receptive to what I do. It's a mutual influence.
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At the end of the day, a "jump scare" scares the audience for the moment. Slow burn horror ideas scare people forever.
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I don't really think that audiences are that much different. I think that a fan is the same whether you are from here or from Japan - you come to a show because you like the music. I don't really see much of a difference anywhere.
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Don't make music for some vast, unseen audience or market or ratings share or even for something as tangible as money. Though it's crucial to make a living, that shouldn't be your inspiration. Do it for yourself.
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A lot of my research time is spent daydreaming - telling an imaginary admiring audience of laymen how to understand some difficult scientific idea.
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The best way to get your audience larger and more consistent is to be more divisive and more radical and criticize those who cater to or kowtow to other forces.
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People ask 'How does doing a film compare to doing an ad?' Well, when you're doing a commercial you don't have to sell tickets. You have a captured audience. Which is actually completely rare and great; it gives you a lot of freedom. When you make a film, you have to do advertisements for the film.
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Also expressionistic filmmaking - making the audience feel like they were inside the characters' heads. And so we create all these different types of techniques to put the audience there.
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When you're making the record, you're not thinking about an audience, but you still need them and you want them.
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I think it's been a little difficult at times for the audience, because they've told me they see me as a family member. So to see your little sister sing about sex... I think they are pretty used to it now.
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I'm thankful for my time with Nintendo and proud of our team's accomplishments in growing the Nintendo audience. I look forward to watching the continued growth of the Nintendo brand in the years ahead.
