Audience Quotes
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I don't believe in making movies to cater to a foreign audience. You never know what the reaction is going to be anyhow. At the time I made Maborosi, the Japanese movies getting any foreign attention were all period dramas and seemed to be about some representative element of Japanese life, and my movie was contemporary movie about one specific woman trying to understand her husband's suicide.
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It's really an amazing feeling because you're flying in a car that's on stage and to be this age also, and in the theater and then with a huge audience of 1,800 people backing you up and cheering you on. It's a really amazing feeling.
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As minorities, it is always our dream to merge our cultures and showcase to the world the talent that comes from both Latin music and Hip-Hop, .. I hope that together,we can create a new cultural movement that unites these audiences.
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You see, the interesting thing about books, as opposed, say, to films, is that it's always just one person encountering the book, it's not an audience, it's one to one.
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I pretty much believe that a film is a film and when an audience watches a film, they finish it.
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I don't photograph for other people. I love an audience, mind you. Once I've got them there, then I love an audience. Not a big audience, though. I'd rather please ten people I respect than ten million I don't. But I don't play to an audience, I do it for myself.
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As an actor, it's very interesting to make the audience love you while you are doing horrendous things.
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Solidly know content you feel passionate about and that your audience needs to know.
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But a book suggests conversation: one person is speaking to another, and audible sound is, or should be, natural to that exchange. So I read aloud with myself as the audience, and gave voice to another's words.
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Musicals are, by nature, theatrical, meaning poetic, meaning having to move the audience's imagination and create a suspension of disbelief, by which I mean there's no fourth wall.
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Thank you all for being a fantastic audience! I loved it and I’m so proud of – and deeply grateful to.
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When the poet's sentiments are overly visible, the audience may become uncomfortable. Japanese ritual is the opposite. By writing simply and only about what is there, the audience is drawn into the poet's world. Their imagination is stimulated, and a silent connection is established. I believe this is where the most important aspect of the Japanese sense of beauty lies.
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I have the audience I deserve. Or at least I have the audience that represents the kind of people that I like.
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Very rarely I create things and feel like I don't want to recreate them in a live setting. It's a completely different world, but at the same time that's where I've always come from. Enjoying that give-and-take from a live audience, there's a large part of me that's looking forward to it, and creating that relationship again.
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People like my films. They understand me through my films; it's like a connection that has been established between all my work and myself and the audience and the viewer.
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When you're standing in front of an audience like this that is so enthusiastic and so much behind you, it is very hard to give a bad speech. Even a bad speech sounds good in a convention hall like this.
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I'm not really sure that I have the same definition of things as other people. Like, when people talk about being "engaged" with the audience, I'm not exactly sure what they mean.
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Street artists want to add something to the environment. They consider the audience, whereas graffiti writers don't care about anyone except themselves, they do it purely for the kick.
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I'm very lucky to be on 'Melissa and Joey' because it's a multi-cam sitcom, and it was a nice transition from theatre because it's taped in front of a live audience.
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My work in the theater began to shift more towards young audience type of work and education programs for children, arts education programs.
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Understanding the mythology of your partner, your customer and your audience is far more important than watching the instant replay of what actually happened.
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I don't live for the stage. I don't live for an audience.
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The audience doesn't care that most of happened. They just want a good movie.
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The white audiences thought I was white, my features being what they are, and at every performance I'd have to take off my gloves to prove I was a spade.
