Audience Quotes
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Watching a movie with an audience is so exciting. For me, coming from TV, you finish an episode and then it airs, and I'm at home. There's no gratification and there's no audience interaction with it.
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There's something therapeutic about connecting with an audience - when there's something really sort of odd or silly that you think is funny, and conveying it to an audience.
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Not every website has that kind of success. We just have a highly targeted audience.
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A stage actor has to be 10% aware of the audience as he's performing.
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Once you train an audience to look for significance, they start to find it everywhere.
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If the beat gets to the audience, and the message touches them, you've got a hit.
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I feel like you've gotta be able to get up every night in front of a live audience. Whether it's 10 people or 50 people or a hundred people, whether you're in a rock band or doing the comedy circuit.
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Audiences may be stupid, but they are never wrong.
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If we broaden the audience for cricket, more people will be interested in all forms, then TV rights and sponsors and crowds will follow.
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It's just hard to say, "Well, I do this, which means this." If I'm telling you exactly who I am, then there's nothing for the audience to say.
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Nudity doesn't scare me at all; the only thing about it is the perception by the audience.
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When the poet's sentiments are overly visible, the audience may become uncomfortable. Japanese ritual is the opposite. By writing simply and only about what is there, the audience is drawn into the poet's world. Their imagination is stimulated, and a silent connection is established. I believe this is where the most important aspect of the Japanese sense of beauty lies.
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The audience too should be respected by being presented with a film as they remember it, and for those who have not seen it, as it was intended to be seen. Anything less is a degradation of the film and its audience.
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You want the audience to be uncomfortable.
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If I do a picture, I want the audience to be the people I was just packed against on the subway or on the street, walking on Fourteenth Street. I don't want it to be some narrow public that I myself feel alienated from.
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If you respect the audience enough, they can take onboard many things.
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If you have something really important you want to say, you have to read your audience, I guess.
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You have to channel the interpretation and performance into 100 people. And with the audience, the critics.
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You know, radio was a really easy way to do the shows. You'd come in, do a read-through, there'd be a few rehearsals, then you'd come the night of the show and do it in front of the audience and then go home.
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I am very lucky I chose 100% of the songs on my show. My audience loves to hear absolute classics and I am in the wonderful position in being able to play them.
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I want to grow up with my audience. I don't expect to be getting through to the younger pop crowd. I learned that from Paul Simon.
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There's a certain advantage to living in a small country like Guatemala, I think. You don't feel so distant from political reality there. When things happen, they almost seem to happen on a Shakespearian stage with the audience so close they can become actors too. This is partly what Joseph Brodsky meant when he wrote that small countries have big politics.
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It's a privilege to play music fora living. Even more, it's a privilege to have an audience. Respect that.
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The larger your audience, the smaller your vocabulary and range of referents - the fewer your means of expression. You can't rely on the luxury of intimacy.
