Audience Quotes
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They're reacting and that's wonderful. It's better than them sitting there doing nothing. I say make them react - do whatever's in your power to move the audience, and if that's where it is, and there where it is with America, sex and violence, then I say project it.
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I will keep working hard in future as well so that audience will keep showering their love upon me.
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I want to satisfy the listener, exactly. I want to entertain the audience. I want the people to leave the show with the feeling I used to leave shows with when I was young, and I couldn't get over it for another three or four days after it. I just kept reliving the set in my mind.
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Songs used to be short, then they became longer, and now theyre getting shorter. But otherwise, music is about a beat and a message. If the beat gets to the audience, and the message touches them, youve got a hit.
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I love kids, but they are a tough audience.
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I love breaking the fourth wall, and being given permission to play with the audience!
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I think one of the most wonderful things we can do as performers is to remind audiences that they can still relate to the emotions and feelings, as though the music had been written yesterday.
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The street in the center of town was Butts road. I stole the sign and told the audience, this must be where the assholes live. I also had a Neighborhood Crime Watch - it takes about 20 seconds to break into a house but it took me an hour to unbolt this sign.
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The great thing about sci-fi is that the fans and the audience are unlike any other genre out there. They are constantly looking for great content and good stuff. They don't care where it comes from, they'll latch onto it.
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Once you train an audience to look for significance, they start to find it everywhere.
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Teenagers are a great audience and they are fearless about asking what they want to know.
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I don't photograph for other people. I love an audience, mind you. Once I've got them there, then I love an audience. Not a big audience, though. I'd rather please ten people I respect than ten million I don't. But I don't play to an audience, I do it for myself.
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This is pop music. You've got a candidate for president of the United States using it, that's hitting the biggest audience you're ever going to hit in your entire friggin' life. And you don't want that? Bullshit. That's what you want. It's not even for success or fortune, it's because that's the power of the song.
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Sometimes a scene can elude you, and then, you also learn that the small moments are really what you're after. A big broad moment that gets the crew laughing, usually isn't going to translate to an audience.
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If a studio sees that a female can bring in audiences, then they're going to make movies with that person.
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You have to channel the interpretation and performance into 100 people. And with the audience, the critics.
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It should be interesting to see two entirely different ways to treat a story, geared for two entirely different kinds of audience.
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I knew that we had an obligation and that was to keep an energy in it and try to keep the audience interested. In fact, I asked some of the actors to take a look at His Girl Friday, a Howard Hawks film with Rosalind Russell and Cary Grant, because they talk over each other and there's a great energy.
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You've got to cater to the audience and have some flexibility. I don't want to box myself in. I want to make music that I like, and I like a shitload of music.
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It's a privilege to play music fora living. Even more, it's a privilege to have an audience. Respect that.
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I'm sure there's going to be some material from This Is Not Going To Be Pretty. I usually use that song to just introduce myself to the audience, although the patter in between the song is always different.
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I auditioned for a community theater-slash-professional production of Oliver Twist in Union City when I was 11 because my cousin wanted to be an actor and I was visiting her and it seemed like fun. I was Oliver. I hadn't had any training, I was just a cute kid. There was an agent in the audience.
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I've always seen it as the role of an artist to drag his inside out, give the audience all you've got. Writers, actors, singers, all good artists do the same. It isn't supposed to be easy.
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So far as I know, anything worth hearing is not usually uttered at seven o'clock in the morning; and if it is, it will generally be repeated at a more reasonable hour for a larger and more wakeful audience.
