Audience Quotes
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I think the more the actor lets you know what he thinks of the character, the less the audience cares - like a comedian who laughs at his own jokes.
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Women are my best friends, my best audience. If I look out from the stage and see a lot of men, I know I'm in trouble
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A masterwork. A particularly American magic realism that touches the heart of race and childhood in our country; it's 100 Years of Solitude for an entire generation of American Baby Boomers, and deserves the widest possible audience.
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I'm not really sure that I have the same definition of things as other people. Like, when people talk about being "engaged" with the audience, I'm not exactly sure what they mean.
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I'm interested in the theater because I'm interested in communication with audiences. Otherwise I would be in concert music.
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The greatest feeling in the world is performing and connecting with the audience.
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You always have to appeal to your audience. You always have to consider how well your project will do in terms of admissions. I abandoned many stories because of that. But I don't get too down about it. It's something I accepted from the time I decided to work in films.
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I have no problem with bands using participant financing schemes like Kickstarter and such. I've said many times that I think they're part of the new way bands and their audience interact and they can be a fantastic resource, enabling bands to do things essentially in cooperation with their audience. It's pretty amazing, actually.
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Awards mean nothing to comedians. What matters is the audience, how you're doing - artistically, for the most part - at that moment.
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Being a songwriter does not rely on an audience or other band members or a camera. I can just sit in a room and write songs.
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Everyone talks about discovery, but I really believe that great content finds its audience.
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All I mean is, I'm not the kind of audience comedy directors want at a test screening because I seldom laugh, and if I do, it's not very loud. That doesn't mean I don't like the movie.
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Sometimes a scene can elude you, and then, you also learn that the small moments are really what you're after. A big broad moment that gets the crew laughing, usually isn't going to translate to an audience.
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There's something about the sci-fi genre that gets an audience interested in it, so maybe you can take some risks that you couldn't, if you were just doing a drama. It lets you maybe reach a little further and surprise people a little bit more because there's still that little safety base of working on that genre that everybody loves.
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I get an opportunity to communicate with the audience about the movie that I've made. I get the chance to bring attention to the film that I've made. I care a lot about the movies that I make. I want them to reach an audience, and I want them to be successful. I promote nearly everything that I do, unless I've got some bad taste in my mouth.
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The great thing about sci-fi is that the fans and the audience are unlike any other genre out there. They are constantly looking for great content and good stuff. They don't care where it comes from, they'll latch onto it.
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I don't ever write with a particular audience in mind. I just write books that please me.
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I believe in things that move people, if the audience isn't deeply caught up and moved to either laughter or tears then I don't think it is theater.
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Postmodernism cost literature its audience.
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It's really an amazing feeling because you're flying in a car that's on stage and to be this age also, and in the theater and then with a huge audience of 1,800 people backing you up and cheering you on. It's a really amazing feeling.
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I love storytelling and I love just relating directly to an audience. That's why we do theatre, it's because we love contact with the audience. We love the fact that the audience will change us. The way the audience responds makes us change our performance.
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The audience I'm targeting doesn't care about the language spoken in the films they watch. They're interested in more important things like story, performance, cinematography etc.
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What questions do I want my audience to ask?
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A stage actor has to be 10% aware of the audience as he's performing.
