Audience Quotes
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Many people have complained that Imagined Communities is a difficult book and especially difficult to translate. The accusation is partly true. But a great deal of the difficulty lies not in the realm of ideas, but in its original polemical stance and its intended audience: the UK intelligentsia. This is why the book contains so many quotations from and allusions to, English poetry, essays, histories, legends, etc., that do not have to be explained to English readers, but which are likely to be unfamiliar to others.
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Postmodernism cost literature its audience.
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When I got to filmmaking, the most democratic of environments where anybody could say anything, those were the best environments, but what you don't want to assume is that you know what the audience is thinking.
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But they're laughing at you. They're not laughing with you.
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I get an opportunity to communicate with the audience about the movie that I've made. I get the chance to bring attention to the film that I've made. I care a lot about the movies that I make. I want them to reach an audience, and I want them to be successful. I promote nearly everything that I do, unless I've got some bad taste in my mouth.
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'Dust Devil,' I've never really seen with an American audience, so I'm looking forward to that experience.
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I believe in things that move people, if the audience isn't deeply caught up and moved to either laughter or tears then I don't think it is theater.
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Audience members are only concerned about the story, the concept, the bells and whistles and the noise that a popular film starts to make even before it's popular. So audiences will not be drawn to the technology; they'll be drawn to the story. And I hope it always remains that way.
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it is not unusual to hate great writers before we learn to love them. Because they have created something that did not yet exist, they must also create their audience. Sometimes the audience is not yet ready. Sometimes it has yet to be born.
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I'm in a place where the audience doesn't have control over my love for the music. In the past I was waiting on the reaction of the fans to tell me whether or not I had a great record based on how they'd respond.
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I became known for surprising audiences. Except now, if I surprise them every time, they expect that.
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I love the theater. I love being on stage; I love the live audience. I also love dressing up and all of the make – believe.
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A lot of my traditional audience does not appreciate my foray into politics.
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Putting out the things that I like best hasn't been the easiest way to run a label, and it still isn't because it requires finding an audience for each record.
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Id just love to have an audience and its the most fun in the world to get a new script every week and have the audience come in, and work with those actors.
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In my pictures, you never know, that’s the mystery. It’s just a suggestion and you leave it to the audience to put what they want on it. It’s fashion in disguise.
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I like being a big fish in a small pond. I'm not interested in a huge audience because it brings headaches.
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The greatest feeling in the world is performing and connecting with the audience.
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The person who writes for fools is always sure of a large audience.
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Tracking action without cutting is the least jarring method of placing the audience into a real-time experience where they are the ones making the subtle choices of where and when to look.
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When my work does speak to audiences, when it creates audiences around it, I feel a little less crazy because what that means is that there are folks out there who are interested in thinking about themselves and the world through a prism. The prism is a labor and there can be a pleasure in labor.
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I don't ever write with a particular audience in mind. I just write books that please me.
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It's a privilege to play music fora living. Even more, it's a privilege to have an audience. Respect that.
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I'm interested in the theater because I'm interested in communication with audiences. Otherwise I would be in concert music.
