Audience Quotes
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I want to be interested in the music I make until I die. That's more important to me than the size of my audience.
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I don't like to play the same set every night. I think the band would prefer the same 12 songs, to be honest, but if I get bored, then I think the audience gets bored too.
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'Dust Devil,' I've never really seen with an American audience, so I'm looking forward to that experience.
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A lot of my humor centers on the act of telling jokes and I think this can prevent certain audiences from suspending their feeling of disbelief. It might piss a few people off, but I can't help it.
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I want to satisfy the listener, exactly. I want to entertain the audience. I want the people to leave the show with the feeling I used to leave shows with when I was young, and I couldn't get over it for another three or four days after it. I just kept reliving the set in my mind.
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I'm not unaware of the fact that probably my biggest audience is lesbians, and is probably the main reason why I've attained the success that I have.
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I was really shy when I was younger, so my mom got me into an acting class to see if I would open myself up more in front of an audience. Her plan was for me to just talk more.
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It's always been impressive to me when someone can really do what they want onstage. The audience has confidence in the performer and the performer has confidence in the crowd.
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You know, an hour and fifty-four minutes is too much for audiences. They get nervous.
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Now in a way, money is money, and if it's going to increase our audience, that's fine.
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When I come into the theatre I get a sense of security. I love an audience. I love people, and I act because I like trying to give pleasure to people.
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Many times, I like to read the script before I even know who they want me to play, so I can read it and really enjoy it as an audience member. I think that's given me the ability to ferret out the really special scripts from all the rest.
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I think that black fiction authors have to work very hard to avoid being typed as seeking only a black audience.
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As filmmakers, we want the audience to have the most complete experience they can. For example, I interviewed Stanley Kubrick years ago around the time of '2001: A Space Odyssey.' I was going to see the film that night in London, and he insisted I sit in one of four seats in the theater for the best view or not watch the film.
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The more you put into it, the more you and the audience will get out of it.
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Stand-up is more of an organic process. An imagined dialogue with the audience.
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For me, writing for kids is harder because they're a more discriminating audience. While adults might stay with you, if you lose your pacing or if you have pages of extraneous description, a kid's not going to do that. They will drop the book.
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You have to channel the interpretation and performance into 100 people. And with the audience, the critics.
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I've never been very comfortable as an actor looking out into the audience; I always like to keep my focus on the other person. When you start playing out to the audience, it takes me out of it, because people don't do that when you're in life behaving with another person - you don't often look out, around you, in a presentational manner.
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He was for long my only audience... Only from him did I ever get the idea that my ‘stuff’ could be more than a private hobby. But for his interest and unceasing eagerness for more I should never have brought The L. of the R. to a conclusion.
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As an actor, I've grown considerably. It's taken me years to get comfortable doing a romantic scene and dancing on stage in front of a live audience. I've really opened up a lot.
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A live audience with live reactions feeds a different sort of acting that will then inform your film work, and vice versa.
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I did Vibe, and I felt old and paternal. I've got ties older than people in that audience. I had a talk with myself. I said, You've got to deal with this better.
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You never really know what's going to happen. You never know what the audience is going to be like or how they're going to behave.
