Audience Quotes
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I'm interested in the theater because I'm interested in communication with audiences. Otherwise I would be in concert music.
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I think any time you can go after an audience that isn't built in, that's the job.
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When actors are talking, they are servants of the dramatist. It is what they can show the audience when they are not talking that reveals the fine actor.
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Actors who are lovers in real life are often incapable if playing the part of lovers to an audience. It is equally true that sympathy between actors who are not lovers may create a temporary emotion that is perfectly sincere.
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In my pictures, you never know, that’s the mystery. It’s just a suggestion and you leave it to the audience to put what they want on it. It’s fashion in disguise.
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The live audience is a blind date. The camera is a hungry lover. One wants to be wined and dined and seduced and then decide where the evening will go. The other knows how it wants to be touched, wants it now and can damn well tell if you are lying about it. Both are fickle. Both feel good. Depends on your mood.
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The audience I'm targeting doesn't care about the language spoken in the films they watch. They're interested in more important things like story, performance, cinematography etc.
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You want to do something that shows some type individuality and talent and imagination - at the same time, you want to be truthful to the predecessors, because obviously the audience liked something about them and you have to replicate that experience to a certain extent.
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The audience creates its own personality, I've noticed, in the first five minutes. They will either be generous, funny, silly, withholding, academic, analytical, grudging. And I'm fascinated with how that gets constructed, because it happens right away.
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I did Vibe, and I felt old and paternal. I've got ties older than people in that audience. I had a talk with myself. I said, You've got to deal with this better.
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I was always the lead role in plays. I like entertaining people. I like when you're on stage doing crazy stuff and the audience gets it.
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On stage, generally speaking, the story is stopped or held back by songs, because that's the convention. Audiences enjoy the song and the singer, that's the point.
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In order to grow your audience, you must betray their expectations.
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Forget about acquiring new people. If you service your audience they will get you new fans.
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Now in a way, money is money, and if it's going to increase our audience, that's fine.
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I find that the British audience listens and they accept the performer for its value, value as a singer, as a vocalist, value as a performer. You're only accepted if you're good.
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I think distribution has become a lot harder. With the whole explosion of digital video, there's just a lot more people making films. Distributors have a lot more choice. I do think there's an audience out there for small films. It's obvious to me what the studios do: they've co-opted independent film. They all have their independent arm. They can afford to crush the competition.
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Own every note I sing and sell it. Make a connection to the audience. That's what it comes down to, you know?
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Tracking action without cutting is the least jarring method of placing the audience into a real-time experience where they are the ones making the subtle choices of where and when to look.
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'Dust Devil,' I've never really seen with an American audience, so I'm looking forward to that experience.
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Film is like tech starts on the first day of filming and it never stops. There's never a moment when the audience comes in, you're just in tech forever, and I can't stand being on a film set. It's really tedious.
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Postmodernism cost literature its audience.
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The history of modern art is also the history of the progressive loss of art's audience. Art has increasingly become the concern of the artist and the bafflement of the public.
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New ideas need audiences like flowers need bees. No matter how bright and colorful, they will die unless others work to spread them
