Audience Quotes
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Tracking action without cutting is the least jarring method of placing the audience into a real-time experience where they are the ones making the subtle choices of where and when to look.
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When we are high and airy hundreds say That if we hold that flight they'll leave the place, While those same hundreds mock another day Because we have made our art of common things.
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I was really shy when I was younger, so my mom got me into an acting class to see if I would open myself up more in front of an audience. Her plan was for me to just talk more.
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New ideas need audiences like flowers need bees. No matter how bright and colorful, they will die unless others work to spread them
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The audience I'm targeting doesn't care about the language spoken in the films they watch. They're interested in more important things like story, performance, cinematography etc.
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I think any time you can go after an audience that isn't built in, that's the job.
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Actors who are lovers in real life are often incapable if playing the part of lovers to an audience. It is equally true that sympathy between actors who are not lovers may create a temporary emotion that is perfectly sincere.
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Not every website has that kind of success. We just have a highly targeted audience.
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The audience creates its own personality, I've noticed, in the first five minutes. They will either be generous, funny, silly, withholding, academic, analytical, grudging. And I'm fascinated with how that gets constructed, because it happens right away.
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I am particular about the seating of the audience - also about how much money they pay - but most of all where they are seated. If I am going to sing something intimate, who am I going to sing it to?
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If you look at movies with Cary Grant or Jimmy Stewart and all the rest of it, none of them looks like a boy. They always looked like mature men. The audience didn't want to go and see kids.
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At every concert I leave a lot to the moment. I must have the unexpected, the unforeseen. I want to risk, to dare. I want to be surprised by what comes out. I want to enjoy it more than the audience. That way the music can bloom anew. It's like making love. The act is always the same, but each time it's different.
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Violence and nonviolence are, after all, two different forms of theater. They both depend and thrive on the response of an audience.
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We're always in that head space about the audience and less about us at that moment.
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'Dust Devil,' I've never really seen with an American audience, so I'm looking forward to that experience.
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My own personal taste in films as a member of the audience was not completely in line with films I was doing.
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I don't want to fail the audience. I don't want to let them down.
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In oral societies it is recognized that the telling of a story to a different audience or in a different context or for a different reason calls for a different version of the story. Stories are molded to the time and circumstance in which they are told.
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Despite all the technical improvements, it still boils down to a man or a woman and a microphone, playing music, sharing stories, talking about issues -- communicating with an audience.
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When I come into the theatre I get a sense of security. I love an audience. I love people, and I act because I like trying to give pleasure to people.
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Postmodernism cost literature its audience.
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I was always the lead role in plays. I like entertaining people. I like when you're on stage doing crazy stuff and the audience gets it.
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No matter how much I'm on and people are loving me, there's always some like, and it's usually a woman too, in the audience rolling her eyes, "Oh Wayne, you're embarrassing yourself." There's always someone like that.
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I did Vibe, and I felt old and paternal. I've got ties older than people in that audience. I had a talk with myself. I said, You've got to deal with this better.
