Audience Quotes
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I try and create for the audience something that relates to real-life experience.
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I want to be remembered as someone who tried to bring the story of our ancestors to the broadest possible audience. I want to be remembered as a man who loved his race.
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Honestly, happy. This happened for a reason. By having to answer that question in front of a national audience, God was testing my character and faith. I'm glad I stayed true to myself.
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I don't think any poetry is written that isn't primarily written to the self, in a way... I'm always talking to myself. But I seem to want somebody else to listen to it. I need, I do want an audience. So it's a strange thing. It's a very private conversation that then, you make public, kind of, like, the starfish flipping its stomach out.
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I think sometimes maybe you're going to connect with the audience more than others, but the journey is about getting all there is to get out of this group of people.
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One of the things I love about theater, one of the reasons I'll never give it up, is that it's fifty percent the audience's responsibility.
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Wrestling has always been, is, and always will be a mirror of what society is.During certain times in our history we had German guys and Japanese guys as the bad guys. During the 1960s, it was hippies. The kids are more sophisticated now than they've ever been. The world is far more open to them than it was even when I was growing up. And wrestling has to be much more sophisticated to grab an audience. As with anything, you have to be better.
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Tracking action without cutting is the least jarring method of placing the audience into a real-time experience where they are the ones making the subtle choices of where and when to look.
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It's a world now where you don't necessarily have to be on the radio or be on the TV to be a star. Your audience can find you and find the music.
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As an actor, I've grown considerably. It's taken me years to get comfortable doing a romantic scene and dancing on stage in front of a live audience. I've really opened up a lot.
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He was for long my only audience... Only from him did I ever get the idea that my ‘stuff’ could be more than a private hobby. But for his interest and unceasing eagerness for more I should never have brought The L. of the R. to a conclusion.
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But sometimes it's good to dare yourself to do the unthinkable. And rather than stand in front of an audience with no clothes on, I decided to have a go at stand-up comedy.
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Being yourself is the most important element for me, because, if you're trying to be something you're not, the audience will pick up on that.
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Poetry: What kind of art assumes the dislike of its audience and what kind of artist aligns herself with that dislike, even encourages it? An art hated from without and within.
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I think about my audience when I write, to some extent. Thinking of writing for young adults, I try to keep the stories moving, never a dull moment, to hold their interest.
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The more you put into it, the more you and the audience will get out of it.
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A lot of my traditional audience does not appreciate my foray into politics.
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When you go onstage, you go on there to have a good time, and you smile and you engage with the audience and you invite them in.
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I think that when you do any kind of theatrical form, (you can't really do this in the theater) the task as an artist is to reach some form of catharsis yourself, and express something that allows an audience to have some form of catharsis. If there's no discovery in what you do, if there's no struggle in what you do to have that discovery, then, there's no meaning in what you do.
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I just saw the movie for the first time in its entirely last night. It's really cool when you're in with an audience that's so tuned in and plugged in to what's going on.
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Not every show needs to reach the same size of audience, or same width, of a 'Sopranos'.
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When I first started doing my comedy act, I just desperately needed material. So I took literally everything I knew how to do on stage with me, which was juggling, magic and banjo and my little comedy routines. I always felt the audience sorta tolerated the serious musical parts while I was doing my comedy.
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The last collaborator is your audience ... when the audience comes in, it changes the temperature of what you've written. Things that seem to work well -- work in a sense of carry the story forward and be integral to the piece -- suddenly become a little less relevant or a little less functional or a little overlong or a little overweight or a little whatever. And so you start reshaping from an audience.
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At every concert I leave a lot to the moment. I must have the unexpected, the unforeseen. I want to risk, to dare. I want to be surprised by what comes out. I want to enjoy it more than the audience. That way the music can bloom anew. It's like making love. The act is always the same, but each time it's different.
