Audience Quotes
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What I love about the cinema is that you can take people on a journey without breaking the bubble. I think that, when you’re trying to make a film, you want to give this sense of going with the audience to some place neither of you have ever been.
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Wrestling has always been, is, and always will be a mirror of what society is.During certain times in our history we had German guys and Japanese guys as the bad guys. During the 1960s, it was hippies. The kids are more sophisticated now than they've ever been. The world is far more open to them than it was even when I was growing up. And wrestling has to be much more sophisticated to grab an audience. As with anything, you have to be better.
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I think about my audience when I write, to some extent. Thinking of writing for young adults, I try to keep the stories moving, never a dull moment, to hold their interest.
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Many people have complained that Imagined Communities is a difficult book and especially difficult to translate. The accusation is partly true. But a great deal of the difficulty lies not in the realm of ideas, but in its original polemical stance and its intended audience: the UK intelligentsia. This is why the book contains so many quotations from and allusions to, English poetry, essays, histories, legends, etc., that do not have to be explained to English readers, but which are likely to be unfamiliar to others.
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A lot of my traditional audience does not appreciate my foray into politics.
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One of the things I love about theater, one of the reasons I'll never give it up, is that it's fifty percent the audience's responsibility.
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As an actor, I've grown considerably. It's taken me years to get comfortable doing a romantic scene and dancing on stage in front of a live audience. I've really opened up a lot.
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If I went back to college again, I'd concentrate on learning to write and to speak before an audience . Nothing is more important than the abillity to communicate effectively.
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I just saw the movie for the first time in its entirely last night. It's really cool when you're in with an audience that's so tuned in and plugged in to what's going on.
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Now in a way, money is money, and if it's going to increase our audience, that's fine.
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I realized that 'performing' was what I wanted to do when I did my first professional gig as a dancer with my company 'Synergy' in Canada. I was overwhelmed with how it felt to perform in front of an audience.
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The sound is the key; audiences will accept visual discontinuity much more easily than they'll accept jumps in the sound. If the track makes sense, you can do almost anything visually.
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It's certainly more interesting for me as an actor, but I think it's also more interesting for the audience to see three-dimensional characters, rather than just a bad guy or a good guy.
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The greatest feeling in the world is performing and connecting with the audience.
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I want to be remembered as someone who tried to bring the story of our ancestors to the broadest possible audience. I want to be remembered as a man who loved his race.
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I get to hear the really good or the really bad things in the press, but I don't read it. I can afford to say that because public opinion does not drive U2's audience.
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It was a show that you played at home and you're saying to the contestant do this and do that. When you at home are involved in yelling at the screen, then you know you've got an audience.
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I want audiences to look at adolescent delinquents with greater understanding and more compassion.
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Certainly, there are huge, multiplatinum bands whose singers command their audience's attention. Sadly, much of the time they have little to say.
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I think that when you do any kind of theatrical form, (you can't really do this in the theater) the task as an artist is to reach some form of catharsis yourself, and express something that allows an audience to have some form of catharsis. If there's no discovery in what you do, if there's no struggle in what you do to have that discovery, then, there's no meaning in what you do.
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Honestly, happy. This happened for a reason. By having to answer that question in front of a national audience, God was testing my character and faith. I'm glad I stayed true to myself.
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I think any time you can go after an audience that isn't built in, that's the job.
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I have no problem with bands using participant financing schemes like Kickstarter and such. I've said many times that I think they're part of the new way bands and their audience interact and they can be a fantastic resource, enabling bands to do things essentially in cooperation with their audience. It's pretty amazing, actually.
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I don't ever write with a particular audience in mind. I just write books that please me.
