Audience Quotes
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I want my audience to leave the theatre with positive emotions through this sensorial journey in the world of precious and fragile teenage beauty. And also the idea that the difficulties that we have to go through help us reveal who we really are.
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You never really know what's going to happen. You never know what the audience is going to be like or how they're going to behave.
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Every single night I'm nervous. You never know how the audience is going to react.
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I don't banter with the audience, cause I don't have anything to say to them, and I'm not feeling any sense of ease or camaraderie when I'm on stage.
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I need space between me and the audience - and the more space the better.
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Poetry: What kind of art assumes the dislike of its audience and what kind of artist aligns herself with that dislike, even encourages it? An art hated from without and within.
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I took a break so that I can entertain my audience properly.
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As filmmakers, we want the audience to have the most complete experience they can. For example, I interviewed Stanley Kubrick years ago around the time of '2001: A Space Odyssey.' I was going to see the film that night in London, and he insisted I sit in one of four seats in the theater for the best view or not watch the film.
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A stage actor has to be 10% aware of the audience as he's performing.
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A large part of my filmmaking self has to do with my love of being in the cinema audience, and my relationships to what I want to see on the screen, what I have seen on the screen and what I don't want to see on the screen again.
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People like my films. They understand me through my films; it's like a connection that has been established between all my work and myself and the audience and the viewer.
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As an actor and an audience member, it's important to remember that the future will further define the meaning of the present with a show like 'Once Upon A Time.' Sometimes we're just collecting dots, and other times we're connecting them, but you know that the dots that are collected will eventually get connected.
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The last collaborator is your audience ... when the audience comes in, it changes the temperature of what you've written. Things that seem to work well -- work in a sense of carry the story forward and be integral to the piece -- suddenly become a little less relevant or a little less functional or a little overlong or a little overweight or a little whatever. And so you start reshaping from an audience.
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I'm not really sure that I have the same definition of things as other people. Like, when people talk about being "engaged" with the audience, I'm not exactly sure what they mean.
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Do you need an audience to create work, or does not having an audience liberate you and make you a truer artist?
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Luckily for me, I genuinely like my audience. They really are a good bunch.
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We as comics do want an immediate response from the audience. It's really quiet on the set, and there are only the producers, and the director, so a comic is looking for someone to give a reaction, even if it is the camera guy.
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In oral societies it is recognized that the telling of a story to a different audience or in a different context or for a different reason calls for a different version of the story. Stories are molded to the time and circumstance in which they are told.
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A masterwork. A particularly American magic realism that touches the heart of race and childhood in our country; it's 100 Years of Solitude for an entire generation of American Baby Boomers, and deserves the widest possible audience.
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I find that the British audience listens and they accept the performer for its value, value as a singer, as a vocalist, value as a performer. You're only accepted if you're good.
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Own every note I sing and sell it. Make a connection to the audience. That's what it comes down to, you know?
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I have 60-plus videos on YouTube and over 30 million views. Of those 60, only three or four are branded videos. I built that audience by telling stories the way I like to tell them.
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I don't like to play the same set every night. I think the band would prefer the same 12 songs, to be honest, but if I get bored, then I think the audience gets bored too.
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The audience doesn't care that most of happened. They just want a good movie.
