Audience Quotes
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We're always in that head space about the audience and less about us at that moment.
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I want audiences to look at adolescent delinquents with greater understanding and more compassion.
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The great thing about sci-fi is that the fans and the audience are unlike any other genre out there. They are constantly looking for great content and good stuff. They don't care where it comes from, they'll latch onto it.
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I get to hear the really good or the really bad things in the press, but I don't read it. I can afford to say that because public opinion does not drive U2's audience.
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But they're laughing at you. They're not laughing with you.
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The audience I'm targeting doesn't care about the language spoken in the films they watch. They're interested in more important things like story, performance, cinematography etc.
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Women are my best friends, my best audience. If I look out from the stage and see a lot of men, I know I'm in trouble
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The person who writes for fools is always sure of a large audience.
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The audience works as such a mob. They either all laugh or all don't laugh, and, you know, changes from audience to audience.
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I truly have a great love for an audience, and I used to want to prove it to them by giving them blood.
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When I lose touch with the audience and the reality of what life really is, I'll be Vanilla Ice or something.
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I have 60-plus videos on YouTube and over 30 million views. Of those 60, only three or four are branded videos. I built that audience by telling stories the way I like to tell them.
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The greatest feeling in the world is performing and connecting with the audience.
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So far as I know, anything worth hearing is not usually uttered at seven o'clock in the morning; and if it is, it will generally be repeated at a more reasonable hour for a larger and more wakeful audience.
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Tracking action without cutting is the least jarring method of placing the audience into a real-time experience where they are the ones making the subtle choices of where and when to look.
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. . . I felt that making her one-dimensional would be an insult to the audience, and also not as interesting. All destructive people have an inner side to them, and the more three-dimentional your characters are on screen the more compassion you can open up in an audience . . .. To me, that involves the audience more, it stimulates them and asks more of them.
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Every single night I'm nervous. You never know how the audience is going to react.
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Unpredictable action is movement's equivalent to a page-turner in literature. On stage, we have certain options to make our moves appear surprising or even shocking. One choice is to remove transitions. We try to construct motion hunks, hunks of action that could be missed if an audience member blinks.
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On the stage, you enter into a bond with the audience, and you can sense they are moved by what you're doing. It's a sweet return.
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When's the last time CNN broke an important story or really made the government angry? I literally can't remember. That's because they're built to be inoffensive. They do the opposite of watchdog journalism. They simply pass on the government's message to their audience.
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I'm in a place where the audience doesn't have control over my love for the music. In the past I was waiting on the reaction of the fans to tell me whether or not I had a great record based on how they'd respond.
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Bonnie and Clyde became not just a big hit, but a movie that went through young audiences like a first slug of Scotch. It affected clothes, talk, manners. Though set in the thirties it had the feeling of 1966, the most dangerous moment in American young people remembered.
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The sound is the key; audiences will accept visual discontinuity much more easily than they'll accept jumps in the sound. If the track makes sense, you can do almost anything visually.
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I don't like to play the same set every night. I think the band would prefer the same 12 songs, to be honest, but if I get bored, then I think the audience gets bored too.
