Audience Quotes
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I just want to make films that are personal, but interesting to an audience.
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With television you are producing hours and hours of music and for film it is a shorter experience for both the audience and for you as a composer.
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The sound is the key; audiences will accept visual discontinuity much more easily than they'll accept jumps in the sound. If the track makes sense, you can do almost anything visually.
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As an actor to watch an audience of people howl together in a single mind as a result of work you've done together with friends is a privilege.
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I think distribution has become a lot harder. With the whole explosion of digital video, there's just a lot more people making films. Distributors have a lot more choice. I do think there's an audience out there for small films. It's obvious to me what the studios do: they've co-opted independent film. They all have their independent arm. They can afford to crush the competition.
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Frank [Zappa]'s music was never for the mass audience. His music contains specific kinds of information that you won't find elsewhere in rock and roll.
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No matter how much I'm on and people are loving me, there's always some like, and it's usually a woman too, in the audience rolling her eyes, "Oh Wayne, you're embarrassing yourself." There's always someone like that.
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Watching a movie with an audience is so exciting. For me, coming from TV, you finish an episode and then it airs, and I'm at home. There's no gratification and there's no audience interaction with it.
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New ideas need audiences like flowers need bees. No matter how bright and colorful, they will die unless others work to spread them
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Supporting characters add depth to a story, and great actors leave their imprint with the audience.
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It's a world now where you don't necessarily have to be on the radio or be on the TV to be a star. Your audience can find you and find the music.
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I like to really respect the audience and let them come through on answers.
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I am not fitted to give concerts. The audience intimidates me, I feel choked by its breath, paralyzed by its curious glances, struck dumb by all those strange faces.
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Every laugh is not equal. They come from different places. That's sort of the challenge I go towards, making sure the laughs are for the reasons I want. It becomes a back and forth dance with the audience.
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When actors are talking, they are servants of the dramatist. It is what they can show the audience when they are not talking that reveals the fine actor.
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I really loved Andy Kaufman growing up, like every comedy person does. I like when sometimes the audience isn't quite sure what's supposed to be happening right then and that sort of unsafe feeling, as long as you're not punishing them.
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You're always having to live more to fuel something new. It's an obligation to yourself and to the audience. The personal baggage that comes with being a known actor just adds to that struggle.
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If you look at my audiences, even in Europe, they're hardly teenagers.
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It's certainly more interesting for me as an actor, but I think it's also more interesting for the audience to see three-dimensional characters, rather than just a bad guy or a good guy.
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I don't want to fail the audience. I don't want to let them down.
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There's no huge message and there doesn't have to be, but we're having as much fun, us and our audience, as any band out there, I think, and we're proud of it.
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There's so much control of the audience's experience when you're on stage doing a play, whereas when working on camera, there's a lot of people that have to do a lot of things exactly right for anything that I do to matter at all.
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I think I got disappointed over the years about New York, about the States. You know, sometimes you go and visit Europe and see good old socialism in its good part! You see public concern about art, and young people's participation and young faces in the audience.
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I really like writing from real-life experiences. Audiences seem to prefer the stuff I couldn't have made up.
