Audience Quotes
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It should be interesting to see two entirely different ways to treat a story, geared for two entirely different kinds of audience.
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The audience will only truly respect you when they have no idea what is going on.
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I've grown up with my audience; they're my age or older. Not a lot of kids are coming to see me.
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Theatre, for me, is about providing to the audience a new and exciting experience.
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I think I got disappointed over the years about New York, about the States. You know, sometimes you go and visit Europe and see good old socialism in its good part! You see public concern about art, and young people's participation and young faces in the audience.
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That's the hard thing - getting started. You get started for a long time until you finally get to this point where people call you an icon or whatever they call you. It's nice. Suddenly the audience is with you more and they help you along and it's not so much that you have to do everything.
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You never know how a film will play, whether it will be successful or not, or whether it will touch the audience. I always said to myself that whatever happens, big audience or small, that I would not let the results have an impact on my way of working. But it would be a bit silly for me to change my methods when I have a big success. That means my methods work well.
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At every concert I leave a lot to the moment. I must have the unexpected, the unforeseen. I want to risk, to dare. I want to be surprised by what comes out. I want to enjoy it more than the audience. That way the music can bloom anew. It's like making love. The act is always the same, but each time it's different.
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It's always important to understand as filmmakers that we're not making a documentary and it has to look good. It has to entertain, because otherwise your audience will switch and watch another series. It has to look better and larger than life.
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I auditioned for a community theater-slash-professional production of Oliver Twist in Union City when I was 11 because my cousin wanted to be an actor and I was visiting her and it seemed like fun. I was Oliver. I hadn't had any training, I was just a cute kid. There was an agent in the audience.
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You perform for a different audience each night. People who don't understand just think that you go out there every night and do the same thing, but you don't - you have to find out who they are and give it to them.
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Nothing has really changed. We had bootleg albums in the '60s and today we have Internet file sharing. They just found a better way to do it -- get music for free. What's great about today is an artist has an opportunity to go direct to their audience without dealing with a middleman. People can go directly to the web for CDs, DVDs and downloads. I think that's the best thing that's happened, that people's music is being flashed around the world.
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The art that I do is for the people. It is about engaging a new audience who wouldn't necessarily go to art galleries and museums and painting on the street is the best way to do that.
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When actors are talking, they are servants of the dramatist. It is what they can show the audience when they are not talking that reveals the fine actor.
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I realized that 'performing' was what I wanted to do when I did my first professional gig as a dancer with my company 'Synergy' in Canada. I was overwhelmed with how it felt to perform in front of an audience.
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I dumb down for my audience and double my dollars...
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I like being a big fish in a small pond. I'm not interested in a huge audience because it brings headaches.
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I was really shy when I was younger, so my mom got me into an acting class to see if I would open myself up more in front of an audience. Her plan was for me to just talk more.
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Every single night I'm nervous. You never know how the audience is going to react.
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Maybe I'm not as big a star as Bruce Springsteen because I'm not as good. I don't know. It doesn't matter. I still have an audience of a certain size. I think it's one of the things I'm luckiest.
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The world is full of bands and bullshit, and if I'm doing a stupid art project like rock 'n' roll then I want to spare my audience as much as possible.
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In any big spectacular, it's really difficult to have enough voices to cover all the vocal parts. To give the audience the complete experience they're expecting, there is some reinforcement, some playback that everybody's hearing. Sometimes it's background vocals, but sometimes it will be actually vocal tracks. It's so hard to ensure, with no safety net ... you're not gonna get another shot at it, you have to have stability. I think it's very naïve of a lot of people to think that when you see someone open their mouth, they're really singing.
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New ideas need audiences like flowers need bees. No matter how bright and colorful, they will die unless others work to spread them
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Some directors can tell stories and it becomes very intimate and small, and it's almost like a secret. Some directors have the gift of finding a way to show it and tell the story, in a way that brings in the audience.
