Audience Quotes
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I think the power of the short film is incredibly underrated. It is way easier to get someone to watch a 15-minute film then a full-length feature. In those 15 minutes you have the opportunity to express your voice as an artist and hopefully connect with your audience. If you are trying to be a first time feature director then a short film that demonstrates you have a grasp on the themes and concepts of the movie you want to direct is a no-brainer. Whether they are collaborators or potential investors, filmmaking is a visual art form so you obviously need visuals to show them!
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Ultimately, what we do as musicians, I think of us as a type of emotional engineer. We essential take these sound waves, this sound, and we organize it into emotion, and that's how we connect with our audiences.
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Live audiences love me because I'm singing and actually am able to f**k with people live over the mic.
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It is stupid to think the audience is a bunch of fools who can be manipulated by long titles and NRI romances.
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I want my audience to leave the theatre with positive emotions through this sensorial journey in the world of precious and fragile teenage beauty. And also the idea that the difficulties that we have to go through help us reveal who we really are.
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It might be an idea for all literary critics to read the books they analyse aloud - it certainly helps to fix them in the mind, while providing a readymade seminar with your audience.
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People build fame because they're pretty sometimes.Most of the time. This is what the audience wants, apparently. I don't necessarily agree, but I cannot go against it. But it's true that our industry is just full of people who actually really look good. It's the criteria of our generation.
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If you look at my audiences, even in Europe, they're hardly teenagers.
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I can personally feel the relief myself in my audiences when I bring up Obama because there was a lot of anti-Obama sentiment out there before the capture of bin Laden.
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Id just love to have an audience and its the most fun in the world to get a new script every week and have the audience come in, and work with those actors.
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People always say, 'Who is your audience?' and I could never put a finger on it - and I wouldn't want to put a finger on it.
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Postmodernism cost literature its audience.
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As an actor to watch an audience of people howl together in a single mind as a result of work you've done together with friends is a privilege.
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Great stories agree with our worldview. The best stories don't teach people anything new. Instead the best stories agree with what the audience already believes and makes the members of the audience feel smart and secure when reminded how right they were in the thirst place.
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When you define the audience, the performer becomes what the audience wants. Politicians do that all the time.
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I don't want to fail the audience. I don't want to let them down.
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Performing live in front of an audience is such a matter of will - all of those things you can do just fine in your basement, suddenly you have to do them in front of hundreds or thousands of people, and it becomes a different matter entirely.
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I'd love to knock an audience cold with one note, but what do you do for the rest of the evening?
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There's so much control of the audience's experience when you're on stage doing a play, whereas when working on camera, there's a lot of people that have to do a lot of things exactly right for anything that I do to matter at all.
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I have to wear a new T-shirt every night. I throw them into the audience. One day I'm going to go around the world and reclaim all my T-shirts
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Everyone talks about discovery, but I really believe that great content finds its audience.
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We as comics do want an immediate response from the audience. It's really quiet on the set, and there are only the producers, and the director, so a comic is looking for someone to give a reaction, even if it is the camera guy.
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I find that the British audience listens and they accept the performer for its value, value as a singer, as a vocalist, value as a performer. You're only accepted if you're good.
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Somewhere, the audience relates to my characters and their vulnerability. I believe they see themselves in me.
