Audience Quotes
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At the end of the day, a "jump scare" scares the audience for the moment. Slow burn horror ideas scare people forever.
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I want audiences to look at adolescent delinquents with greater understanding and more compassion.
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You never know how a film will play, whether it will be successful or not, or whether it will touch the audience. I always said to myself that whatever happens, big audience or small, that I would not let the results have an impact on my way of working. But it would be a bit silly for me to change my methods when I have a big success. That means my methods work well.
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I think sometimes maybe you're going to connect with the audience more than others, but the journey is about getting all there is to get out of this group of people.
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The first monster you have to scare the audience with is yourself.
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As an actor, I've grown considerably. It's taken me years to get comfortable doing a romantic scene and dancing on stage in front of a live audience. I've really opened up a lot.
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Keep making music.. Keep improving your music.. If there's no viral action on your music, you're just not good enough. Don't get mad at the audience, get mad at yourself. Either give up or get better.
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I like playing at public schools. I like when there's more of a diverse audience. I'll play wherever people want to hear my music, and I'll be glad and grateful for the opportunity, but I'd rather not play for a bunch of white privileged kids. I'm not meaning that in a disrespectful way; you go where people want to hear your music. So if that's where people want to hear me play, I'm glad to play for them. But I'd rather play for an audience where half of them were not into it than one where all of them were pretending to be into it, for fear of being uncultured.
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Being black, I'm involved in the reparations movement. It's focused toward the African-American audience. We could begin to heal.
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The audience works as such a mob. They either all laugh or all don't laugh, and, you know, changes from audience to audience.
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Performing live in front of an audience is such a matter of will - all of those things you can do just fine in your basement, suddenly you have to do them in front of hundreds or thousands of people, and it becomes a different matter entirely.
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I can personally feel the relief myself in my audiences when I bring up Obama because there was a lot of anti-Obama sentiment out there before the capture of bin Laden.
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Nudity doesn't scare me at all; the only thing about it is the perception by the audience.
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It is stupid to think the audience is a bunch of fools who can be manipulated by long titles and NRI romances.
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Great stories agree with our worldview. The best stories don't teach people anything new. Instead the best stories agree with what the audience already believes and makes the members of the audience feel smart and secure when reminded how right they were in the thirst place.
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A stage actor has to be 10% aware of the audience as he's performing.
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it is not unusual to hate great writers before we learn to love them. Because they have created something that did not yet exist, they must also create their audience. Sometimes the audience is not yet ready. Sometimes it has yet to be born.
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People build fame because they're pretty sometimes.Most of the time. This is what the audience wants, apparently. I don't necessarily agree, but I cannot go against it. But it's true that our industry is just full of people who actually really look good. It's the criteria of our generation.
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The last collaborator is your audience ... when the audience comes in, it changes the temperature of what you've written. Things that seem to work well -- work in a sense of carry the story forward and be integral to the piece -- suddenly become a little less relevant or a little less functional or a little overlong or a little overweight or a little whatever. And so you start reshaping from an audience.
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I want to grow up with my audience. I don't expect to be getting through to the younger pop crowd. I learned that from Paul Simon.
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I don't think any poetry is written that isn't primarily written to the self, in a way... I'm always talking to myself. But I seem to want somebody else to listen to it. I need, I do want an audience. So it's a strange thing. It's a very private conversation that then, you make public, kind of, like, the starfish flipping its stomach out.
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New ideas need audiences like flowers need bees. No matter how bright and colorful, they will die unless others work to spread them
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Every single night I'm nervous. You never know how the audience is going to react.
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I'd love to knock an audience cold with one note, but what do you do for the rest of the evening?
