Scott Turow Quotes
Quotes to Explore
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I'm used to very low-budget situations. In 'The Exploding Girl,' we were literally changing in Starbucks because we didn't have trailers.
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When I first put out music, people didn't know what I looked like. They called it a new type of something; they couldn't put a genre on it - it was where indie and urban kind of meet in the middle. I thought that was quite exciting.
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A horse never runs so fast as when he has other horses to catch up and outpace.
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Trying to think about the rest of the team over myself or my scoring is something that I never really had to do before.
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It is a profound and necessary truth that the deep things in science are not found because they are useful; they were found because it was possible to find them.
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It takes a great deal of bravery to stand up to our enemies, but just as much to stand up to our friends.
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All of the characters in my films, they share one commonality. It doesn't matter whether they are good or bad, it doesn't matter whether they are smart or stupid, these characters all take responsibility for their own behavior. I'm much the same.
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Hip-hop is making a lot of noise. It should get some more spotlight.
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I remember there being a period of time when I had a baby, and I was so sleep-deprived that I'd get into having no filter, and that was not good.
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I do think, even though you are a public figure, I do think you should be entitled to your privacy, and I do think that there are things that go on in relationships and behind closed doors that are completely private.
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Anyway, I tried liking Jimmy Corrigan but I couldn't.
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I try to shut out ideas about why you should do things. Trying to do good architecture and really designing a career? There's some attention to be paid to that, but I don't think it's everything.
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We've got to find a way to protect the process of making musical theater.
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Doing representations of real people is not my strongpoint as a visual artist, and I know that.
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High Romanticism shows you nature in all its harsh and lovely metamorphoses. Flood, fire and quake fling us back to the primal struggle for survival and reveal our gross dependency on mammoth, still mysterious forces.
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If Shanghai wants to be an international cultural center, they have to do something about that. The reason I left is that I wanted to explore what ballet is all about, and if I had stayed put, that wouldn't have happened.
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I can't help but have my sights set on Scorsese, Cohen Brothers and Spike Jones.
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I wanted life to be episodic. I wanted to be a magazine photographer and I was willing to do what it took to become that.
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The interesting thing about movies, it's not always - y'know, you have to have structure etc and all those things, but an audience responds, in many ways, we walk away and certain things stay in our heads that are memorable.
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My thoughts and wishes are all that surrounds, mysteries hold you then fly you away. You know you are my life, my lady of dreams.
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I don't mind about the boos from the audience.
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Our most fundamental social need, it turns out, to my amazement, is love. Now, I'm not a hippie-dippie whatever. If you look at the literature, our most fundamental need for children is an environment of maximum love, and that they can be hugged, kissed, and loved. That's what humanises us and allows us to realise our whole dimension.
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Postmodernism cost literature its audience.
