Audience Quotes
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You always have to appeal to your audience. You always have to consider how well your project will do in terms of admissions. I abandoned many stories because of that. But I don't get too down about it. It's something I accepted from the time I decided to work in films.
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On the whole, it bums me out that lyrics seem to be written as afterthoughts nowadays. Not sure why this is, but hopefully things will come around again and bands will once again want to "communicate" "ideas" with their audience, and not just content themselves with providing attitude and atmosphere with clichés on top.
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The audience too should be respected by being presented with a film as they remember it, and for those who have not seen it, as it was intended to be seen. Anything less is a degradation of the film and its audience.
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People like my films. They understand me through my films; it's like a connection that has been established between all my work and myself and the audience and the viewer.
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You have to channel the interpretation and performance into 100 people. And with the audience, the critics.
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It's a privilege to play music fora living. Even more, it's a privilege to have an audience. Respect that.
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As minorities, it is always our dream to merge our cultures and showcase to the world the talent that comes from both Latin music and Hip-Hop, .. I hope that together,we can create a new cultural movement that unites these audiences.
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My church is the world! I want to bring the gospel to as broad and as interesting an audience as possible.
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Musicians are affected by the audience just as much as audiences are affected by the musicians. The only problem is that often times musicians won't allow themselves to admit to that fact.
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The audience doesn't care that most of happened. They just want a good movie.
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I became known for surprising audiences. Except now, if I surprise them every time, they expect that.
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I could get an audience into my world and if you can do that, they'll go with you not all the way, but a lot of the way.
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Audience members are only concerned about the story, the concept, the bells and whistles and the noise that a popular film starts to make even before it's popular. So audiences will not be drawn to the technology; they'll be drawn to the story. And I hope it always remains that way.
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Some directors can tell stories and it becomes very intimate and small, and it's almost like a secret. Some directors have the gift of finding a way to show it and tell the story, in a way that brings in the audience.
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Street artists want to add something to the environment. They consider the audience, whereas graffiti writers don't care about anyone except themselves, they do it purely for the kick.
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Some movies I make for myself. I just sort of make them for myself. I do that sometimes when the subject matter is very sensitive and very personal and I really can't imagine I'm an audience.
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One of the great things about film is that, typically anything that's introduced in the first five minutes, the audiences will by into.
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You have to be smart to play a dumb blonde over and over again and keep the audience's attention without extraordinary physical equipment.
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I pretty much believe that a film is a film and when an audience watches a film, they finish it.
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A lot of my humor centers on the act of telling jokes and I think this can prevent certain audiences from suspending their feeling of disbelief. It might piss a few people off, but I can't help it.
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Whenever I get an idea for a song, even before jotting down the notes, I can hear it in the orchestra, I can smell it in the scenery, I can see the kind of actor who will sing it, and I am aware of an audience listening to it.
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If a studio sees that a female can bring in audiences, then they're going to make movies with that person.
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When you're standing in front of an audience like this that is so enthusiastic and so much behind you, it is very hard to give a bad speech. Even a bad speech sounds good in a convention hall like this.
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Musicals are, by nature, theatrical, meaning poetic, meaning having to move the audience's imagination and create a suspension of disbelief, by which I mean there's no fourth wall.
