Audience Quotes
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I think sometimes maybe you're going to connect with the audience more than others, but the journey is about getting all there is to get out of this group of people.
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A stage actor has to be 10% aware of the audience as he's performing.
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Sometimes I go to a test screening and look at the audience in line, and I start to go, "Okay, I bet this is going to work, and this isn't going to work." It's weird, but just going and facing the music and putting it out before a crowd, even before it starts playing, that exercise of putting it up on a screen for people makes you realize things even before it starts rolling. It's really weird. I've heard other people say that, too.
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it is not unusual to hate great writers before we learn to love them. Because they have created something that did not yet exist, they must also create their audience. Sometimes the audience is not yet ready. Sometimes it has yet to be born.
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There's a certain advantage to living in a small country like Guatemala, I think. You don't feel so distant from political reality there. When things happen, they almost seem to happen on a Shakespearian stage with the audience so close they can become actors too. This is partly what Joseph Brodsky meant when he wrote that small countries have big politics.
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Some movies I make for myself. I just sort of make them for myself. I do that sometimes when the subject matter is very sensitive and very personal and I really can't imagine I'm an audience.
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Great stories agree with our worldview. The best stories don't teach people anything new. Instead the best stories agree with what the audience already believes and makes the members of the audience feel smart and secure when reminded how right they were in the thirst place.
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Watching a movie with an audience is so exciting. For me, coming from TV, you finish an episode and then it airs, and I'm at home. There's no gratification and there's no audience interaction with it.
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I want to satisfy the listener, exactly. I want to entertain the audience. I want the people to leave the show with the feeling I used to leave shows with when I was young, and I couldn't get over it for another three or four days after it. I just kept reliving the set in my mind.
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I believe the universe created us - we are an audience for miracles. In that sense, I guess, I'm religious.
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A masterwork. A particularly American magic realism that touches the heart of race and childhood in our country; it's 100 Years of Solitude for an entire generation of American Baby Boomers, and deserves the widest possible audience.
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If the beat gets to the audience, and the message touches them, you've got a hit.
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I have 60-plus videos on YouTube and over 30 million views. Of those 60, only three or four are branded videos. I built that audience by telling stories the way I like to tell them.
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When the instrumental bit comes in, all the spotlights go onto a mirror ball and you basically hear gasps from the audience over the music. It's a really magical moment.
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It's important to prepare audience for the worst in life. People come to forget their problems, and it's my job, right before I leave, to go, "Don't forget: You're going through a divorce and there's a recession." It's always good to end on a pensive note.
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There are so many people in film and television that get between a performer and the audience, and that's frustrating.
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There's so many modern films where the fans take one side or the other. I'm hoping this isn't going to be like that; I'm hoping it isn't that kind of film at all. What I would love for the audience to take from it is to understand why she was so stuck in the middle and confused.
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Audiences may be stupid, but they are never wrong.
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When you're standing in front of an audience like this that is so enthusiastic and so much behind you, it is very hard to give a bad speech. Even a bad speech sounds good in a convention hall like this.
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There's a bit of a difference in the way he sounds. Samuel E. Wright lent his voice and personality to the animated film with his booming voice. I have a high-tenor voice. Instead, I have to figure out a way to convince the audience to come along with me and accept this new texture and tambour to the way Sebastian sounds. I have a great dialect coach.
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There is nothing more distressing or tiresome than a writer standing in front of an audience and reading his work.
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Poetry: What kind of art assumes the dislike of its audience and what kind of artist aligns herself with that dislike, even encourages it? An art hated from without and within.
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The larger your audience, the smaller your vocabulary and range of referents - the fewer your means of expression. You can't rely on the luxury of intimacy.
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I don't live for the stage. I don't live for an audience.
