Audience Quotes
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I love storytelling and I love just relating directly to an audience. That's why we do theatre, it's because we love contact with the audience. We love the fact that the audience will change us. The way the audience responds makes us change our performance.
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When you don't talk down to your audience, then they can grow with you. I give them a lot of credit to be able to hang with me this long, because I've gone through a lot of changes, but they've allowed me to grow, and thus we can tackle some serious subjects and try to just be better human beings, all of us.
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Film and theater are about misdirection and making the audience see something. I find it interesting. One of the things we do in 'True Blood' is shoot all of our stunts in camera. Instead of doing some kind of visual effect, we try to make it happen.
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I love kids, but they are a tough audience.
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Tracking action without cutting is the least jarring method of placing the audience into a real-time experience where they are the ones making the subtle choices of where and when to look.
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Helmut Walcha was a gifted organist, improviser, and composer! He would play Evensong every week at his church for free, the Dreikönigskirche in Frankfurt, where the audience would consist of only six or so of us students. When he would give a public recital that had a hefty ticket price, the church was packed.
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Being a songwriter does not rely on an audience or other band members or a camera. I can just sit in a room and write songs.
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On the whole, it bums me out that lyrics seem to be written as afterthoughts nowadays. Not sure why this is, but hopefully things will come around again and bands will once again want to "communicate" "ideas" with their audience, and not just content themselves with providing attitude and atmosphere with clichés on top.
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I like being a big fish in a small pond. I'm not interested in a huge audience because it brings headaches.
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I became known for surprising audiences. Except now, if I surprise them every time, they expect that.
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What questions do I want my audience to ask?
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Understanding the mythology of your partner, your customer and your audience is far more important than watching the instant replay of what actually happened.
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I get an opportunity to communicate with the audience about the movie that I've made. I get the chance to bring attention to the film that I've made. I care a lot about the movies that I make. I want them to reach an audience, and I want them to be successful. I promote nearly everything that I do, unless I've got some bad taste in my mouth.
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I don't ever write with a particular audience in mind. I just write books that please me.
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So far as I know, anything worth hearing is not usually uttered at seven o'clock in the morning; and if it is, it will generally be repeated at a more reasonable hour for a larger and more wakeful audience.
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If the beat gets to the audience, and the message touches them, you've got a hit.
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That's the magic of filmmaking, to draw the audience into an exotic world and keep them there and keep the suspense.
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Once you train an audience to look for significance, they start to find it everywhere.
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I try and create for the audience something that relates to real-life experience.
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I think sometimes maybe you're going to connect with the audience more than others, but the journey is about getting all there is to get out of this group of people.
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I think that black fiction authors have to work very hard to avoid being typed as seeking only a black audience.
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When's the last time CNN broke an important story or really made the government angry? I literally can't remember. That's because they're built to be inoffensive. They do the opposite of watchdog journalism. They simply pass on the government's message to their audience.
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. . . I felt that making her one-dimensional would be an insult to the audience, and also not as interesting. All destructive people have an inner side to them, and the more three-dimentional your characters are on screen the more compassion you can open up in an audience . . .. To me, that involves the audience more, it stimulates them and asks more of them.
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It’s really interesting, I tailor the set to the place we’re playing and to the audience we’re playing to. There’s a certain formula of songs that have to be included that are expected, but I don’t go changing it up, I think if you give the audience the songs that they want and then give them something unexpected, it’s a great situation for the audience, but also a great situation for the band.
