Audience Quotes
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How does my music connect to an audience? That is just a complete mystery to me.
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'Toonami' was a tremendous vehicle, delivering the art of Japanese animation to a massive audience that may have otherwise never experienced it. I feel an immense debt of gratitude to everyone involved with the show and to every fan who supported it.
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When I was working with Stanley Kubrick on "Eyes Wide Shut", he would always say, "You never tell the audience what to feel. Let them choose to have their responses."
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When you look at the 'Roseannes' and the 'Will and Graces' - when those reboots or sequels or whatever you want to call them are well-executed and have a fresh angle that's relevant, it's a big, warm comfort hug to the audience.
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I've never watched my films with an everyday audience so it was really crazy to watch people clap at the end of my film - with no one there, no actors, no people from the film. It was just a spontaneous reaction, so I thought that was probably the best compliment you could get from an audience.
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I'm the audience's representative on earth.
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The audiences like to think that satire is doing something. But, in fact, it is mostly to leave themselves satisfied. Satisfied rather than angry, which is what they should be.
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One of the things that's really lousy about making movies is that you have such little interaction with your audience.
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I want to look at my audience and see all walks of life. I want to do something for everybody.
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To make our communications more effective, we need to shift our thinking from "What information do I need to convey?" to "What questions do I want my audience to ask?
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But theater, because of its nature, both text, images, multimedia effects, has a wider base of communication with an audience. That's why I call it the most social of the various art forms.
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I try to just make what I want to make or what I would want to see. I try not to think about the audience too much.
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What looks absolutely fabulous in rehearsal can fall flat in front of an audience. The audience dictates what you do or don't change.
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The time we spend in having our daily audience with God is the most precious part of the whole day.
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I think ultimately that's why the audience will tune in longterm, for the characters and the relationships.
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I would lose myself too much if I thought of myself as the audience.
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My audience doesn't agree with me on everything, but I love my audience, because they're totally okay with us having a dialogue.
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I always felt the audience sorta tolerated the serious musical parts while I was doing my comedy.
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Never tell the auidience how good you are, they will soon find out for themselves.
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I'm not precious about anything. The effort it took to get something means nothing to me in post. It means nothing to the audience. I'll chop limbs off. I'll put an arm where a leg should be. I'll do anything.
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There are two ways of speaking an audience will always like: one is, to tell them what they don't understand; and the other is, to tell them what they're used to.
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Comedians are the most challenging people for me to shoot. Because you're not actually in the dialogue with them, they are performing. When I work with a comedian, I become their audience.
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When you do 'Before Sunset,' you know while it's a limited audience, there was a very small group of people that love 'Before Sunrise.' You feel a certain pressure to make sure that you uphold a level of quality that has been a bar. You set a bar and you have to at least match it.
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You’re just trying to find an audience who will love you and I’m not enough.
