Audience Quotes
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I think ultimately that's why the audience will tune in longterm, for the characters and the relationships.
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I don't think half my stuff would be funny if the audience didn't feel at least a little bit safe that it's not how I truly feel.
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You can make the audience laugh, be funny and sad at the same time.
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Over time, quality work will lead to an audience for your work.
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Street artists want to add something to the environment. They consider the audience, whereas graffiti writers don't care about anyone except themselves, they do it purely for the kick.
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The audience includes subscribers, so you have to be careful.
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There are people who try to figure things out. Often, magic is presented in a way that sets up a challenge that I actually find kind of appalling. You know, "I'm clever, I can do something, and you don't know what it is." And that instills in the audience the idea that, "Yes, I do. You're not that clever."
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You can't do psychological thrillers. There's no audience. I've heard this. I've heard this from studios.
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Drawing is the most inalienable medium. It is private; it practically doesn't have an audience in mind, just the artist's expression.
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If you told me thirty years ago that people would be parodying documentary films, I never would have believed it. It wasn't clear that the films themselves even had an audience, let alone an audience for parodies of them.
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The experience of going to a theater and seeing a movie with a lot of people is still part of the transformational power of the film, and it's equivalent to the old shaman telling a story by the campfire to a bunch of people. That is a remarkable thing, if you scream and everyone else in the audience screams, you realize that your fears are not just within yourself, they're in other people as well, and that's strangely releasing.
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I'm looking for conversations that will be meaningful with people that want to have meaningful connections with an audience.
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I've never wanted to do something where I'd berate the audience.
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The first time I played in front of a live audience, I realised I wanted to be a musician. I was about four years old and had always liked music.
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I do all my work by storyboard, so as I draw the storyboard, the world gets more and more complex, and as a result, my North, South, East, West directions kind of shift and go off base, but it seems like my staff as well as the audience, doesn't quite realize that this has happened. Don't tell them about it.
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Our audience, it has been a more difficult process for classical music audiences around the world, and I'm not completely certain why.
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To make our communications more effective, we need to shift our thinking from "What information do I need to convey?" to "What questions do I want my audience to ask?
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My parents were my worst audience.
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I would lose myself too much if I thought of myself as the audience.
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I always felt the audience sorta tolerated the serious musical parts while I was doing my comedy.
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What I am finding now is that my audience is getting younger as I get older, which is a very good thing as you know - you don't want them to get older as you get older.
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Violent resistance and nonviolent resistance share one very important thing in common: They are both a form of theater seeking an audience to their cause.
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The audience will always forgive you for being wrong and exciting, but never for being right and dull.
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"Sesame Street" was really the first kid's show that my dad did. He did a couple of TV specials that were targeted for kids before "Sesame Street," but really, it was, it's kind of going back to our roots, when we start to get adult. This show gets very adult sometimes, and that's because of the audience.
