Audience Quotes
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You can make the audience laugh, be funny and sad at the same time.
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When you have a great audience, you can just keep going and finding new things.
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The audience will always forgive you for being wrong and exciting, but never for being right and dull.
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If you're a content brand, you have to be in every place your audience is. Sometimes your audience is on the couch and wants to watch a 30-minute show, and sometimes they're checking their Facebook feed and want to see something that's only a minute long.
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The first time I played in front of a live audience, I realised I wanted to be a musician. I was about four years old and had always liked music.
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The only reality of the theater exists in the mind of the audience.
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I think everybody ought to be allowed to be engaged in athletics at whatever level the audience will accept.
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It doesn't matter if you have the greatest product in the world if no one will buy it. Have an idea of where your customers will come from and how to get to them. Partner with blogs and magazines that target that audience. If you partner with them, hopefully you won't have to spend money on advertising.
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I have the show because I'm insecure. It's my insecurity that makes me want to be a comic, that makes me need the audience.
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If my musical tastes are continuing to grow up, and I am not really too interested in the music that my kids listen to, then I assume that the audience is doing the same.
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The main ideas for us are scale, stability, and audience.
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I want to build an audience that's willing to follow us in whichever direction we might choose.
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I always think if it's a good story, the audience can't wait to run out of the theater and go tweet somebody with the gist of a story, in a nutshell, almost, because it was that interesting.
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Violent resistance and nonviolent resistance share one very important thing in common: They are both a form of theater seeking an audience to their cause.
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I think it's important for me, for my crew and for the audience to bring something new to each show. I have friends who have done the same act, word for word for word, for 20 years. I have a problem with that. I think the audience should see something new in each show.
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On the other hand in London you can get an audience that desires dance to go as far as it can go: they've seen the bricks of ideas built over a period so therefore there is an acceptance of what otherwise might seem out on a limb.
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I'm quite certain that the audience that I've got for my stuff don't listen to the lyrics.
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"Sesame Street" was really the first kid's show that my dad did. He did a couple of TV specials that were targeted for kids before "Sesame Street," but really, it was, it's kind of going back to our roots, when we start to get adult. This show gets very adult sometimes, and that's because of the audience.
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The personal boundaries, I think for comedians they're a little bit different anyway, but I think people - feel free to do stuff - It's interesting with comedians because when we walk on stage, oftentimes we're talking about ourselves for an hour and we're talking about very intimate details, so after hearing us for an hour, a lot of people feel very comfortable with us because they feel like they know us and they're our friends because we just told them our innermost secrets and details of our lives for an hour. What they forget is we know absolutely nothing about the audience.
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Drawing is the most inalienable medium. It is private; it practically doesn't have an audience in mind, just the artist's expression.
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I love interaction with audiences. If were my choice, I would spend most of my time interacting with audiences. Walking around and asking them to challenge me.
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If you're in the groove, you get something back from the audience that is so exciting and rewarding that no film or television work can possibly compete.
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In order to grow your audience, you must betray their expectations.
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There aren't that many growing, independent Web sites that have picked up a large audience. Pretty soon, there won't be any left.
