Audience Quotes
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It doesn't matter if you have the greatest product in the world if no one will buy it. Have an idea of where your customers will come from and how to get to them. Partner with blogs and magazines that target that audience. If you partner with them, hopefully you won't have to spend money on advertising.
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You always have to appeal to your audience. You always have to consider how well your project will do in terms of admissions. I abandoned many stories because of that. But I don't get too down about it. It's something I accepted from the time I decided to work in films. I could always do something else if I got sick of it, like draw manga, or make my own films. I found it pointless sitting in my house not working, though I'd like to go on extended vacations from time to time.
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There aren't that many growing, independent Web sites that have picked up a large audience. Pretty soon, there won't be any left.
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When you have a great audience, you can just keep going and finding new things.
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When you decide you're going to join a project, it's all about the gift you're giving the audience.
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I think all writers write for an audience. There is no such thing as writing for yourself.
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I like performing. I like partnering with an audience.
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It's important to prepare audience for the worst in life. People come to forget their problems, and it's my job, right before I leave, to go, "Don't forget: You're going through a divorce and there's a recession." It's always good to end on a pensive note.
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Popular art is normally decried as vulgar by the cultivated people of its time; then it loses favor with its original audience as a new generation grows up; then it begins to merge into the softer lighting of
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The web really does make the music audience a global community - when I send a tweet, I get responses from Kansas City all the way to Singapore. It's changed my goals as far as touring goes. I wanna play everywhere now.
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Our audience seems to be able to handle whatever kind of weird opening acts we turn them on to. I mean, sometimes it happens to be something like a band like Nirvana or Mudhoney, and other times, its just weird noise crews that we dig up.
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If you're in the groove, you get something back from the audience that is so exciting and rewarding that no film or television work can possibly compete.
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The papers that flourish will be papers that serve a national audience. Papers that have figured out how to make the transition to the electronic platform that aren't simply providing a duplicate experience of the words on paper experience, but are doing something that arises organically from the new electronic medium. It's really just a matter of finding the right platforms for the way people want to read newspapers. I mean, maybe it will be the iPhone. But one way or another, newspapers on paper are just not really going to exist to any significant degree within a decade.
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I've experienced plenty of times when something I think is funny doesn't do very well. And there are times when something I don't think is funny makes the audience laugh so hard.
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It would be a crime against Twilight audience to go R-rated... Yet the rating is based on a much more mature book Breaking Dawn,Stephenie Meyer. We need to progress and be more sophisticated.
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And by the right thing, I mean that whatever step we take next, the first criteria we should consider is the people who have been loyal to us, thus far, which is primarily our audience.
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Nothing runs forever. How you handle it, the most important thing is how you respect your audience, how you respect your cast, and being incredibly sensitive to how you wrap up any show when it ends a successful run.
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Sometimes you'll play, like, a large venue - maybe an outdoor venue or something - where it's so big that you can see all of the disinterested people. You see the audience, but then behind the audience you see people eating ice cream, going for a walk.
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With comedy, you never know until you put it in front of an audience. You shoot it and a year later you have no idea if it's going to work. And then you get the response. It's great when it's good.
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When I'm asked who my audience is, I say someone with an open mind, which is not a vacant one and sometimes a liberal mind is not the same thing as an open one.
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Audiences in London arrive stressed out of their minds because they can't find anywhere to park, they can't find their tickets, whatever. There is a great joy in being out of London because people are in their seats, waiting for you, waiting to watch the show, not rushing in at the last minute. They are there because they want to see the show and they know how to listen.
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On the other hand in London you can get an audience that desires dance to go as far as it can go: they've seen the bricks of ideas built over a period so therefore there is an acceptance of what otherwise might seem out on a limb.
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The audience usually has to be with you, I'm afraid. I always regarded myself as not even preaching to the converted, I was titillating the converted.
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People don't like the music that's out now, that's on their radio stations, and they want to hear something different, but they're just the audience. You know, people will keep the TV on even if a show is on that they hate - because, unfortunately, they've been programmed to do that. [But] they are really looking for something that's gonna speak to the world that they're living in. That's what people are looking for, but they're not finding it.
