Audience Quotes
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Hanging out with politicians and corporations is very unhip work. But I think that the U2 audience have turned out to be incredibly subtle in their understanding.
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It's my insecurity that makes me want to be a comic, that makes me need the audience.
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I really believe that if I make records that are indispensable to my audience, they'll go out and spend money to buy them, even if they've already downloaded them. If they can afford it. If they can't, I'd rather they be able to download it than not get it at all.
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As a filmmaker you make your films with the audience you want to attract in mind.
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I think people get too comfortable, in just doing what they do every week. And I'm all about challenge and change, and I like to read the audience.
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Making a show is also economics. Because the irony is, or the shame of it is, you cannot create a show instantaneously. It needs to be massaged. You need to see who is relating to who. How is it working with the audience? You need to give it a chance for the audience to find it, because there are so many outlets. And the audience doesn't know where to go.
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The only reality of the theater exists in the mind of the audience.
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I feel audiences are not given enough credit for their intelligence.
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Sometimes you'll play, like, a large venue - maybe an outdoor venue or something - where it's so big that you can see all of the disinterested people. You see the audience, but then behind the audience you see people eating ice cream, going for a walk.
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You can make the audience laugh, be funny and sad at the same time.
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I used to tell people when I preached at a church, 'If you want a great sermon, be a great audience.'
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If I do a picture, I want the audience to be the people I was just packed against on the subway or on the street, walking on Fourteenth Street. I don't want it to be some narrow public that I myself feel alienated from.
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Our audience seems to be able to handle whatever kind of weird opening acts we turn them on to. I mean, sometimes it happens to be something like a band like Nirvana or Mudhoney, and other times, its just weird noise crews that we dig up.
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Nothing runs forever. How you handle it, the most important thing is how you respect your audience, how you respect your cast, and being incredibly sensitive to how you wrap up any show when it ends a successful run.
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Violent resistance and nonviolent resistance share one very important thing in common: They are both a form of theater seeking an audience to their cause.
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I love adventure movies, I just love action adventure films. It's pure cinema and you go in and you're lost to it. To me, it's that challenge - I want to give an audience that ride, that entertainment.
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When the instrumental bit comes in, all the spotlights go onto a mirror ball and you basically hear gasps from the audience over the music. It's a really magical moment.
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The audience will always forgive you for being wrong and exciting, but never for being right and dull.
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The art that I do is for the people. It is about engaging a new audience who wouldn't necessarily go to art galleries and museums and painting on the street is the best way to do that.
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I did Vibe, and I felt old and paternal. I've got ties older than people in that audience. I had a talk with myself. I said, You've got to deal with this better.
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You can put the camera in places where you may not necessarily be able to put it there if I don't do the stunt. If it's character and it's storytelling, then we do it. We design the things around me. I don't do it just to do a stunt. It's storytelling for me and how I can best bring the audience into the action, bring the audience into the story. And that's how we always look at at.
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I think it's important for me, for my crew and for the audience to bring something new to each show. I have friends who have done the same act, word for word for word, for 20 years. I have a problem with that. I think the audience should see something new in each show.
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You can't do psychological thrillers. There's no audience. I've heard this. I've heard this from studios.
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On some level, there's a limit to what the government really worries about when it comes to a guy like Ai Weiwei, who's talking to a limited audience of people. He's talking to people who more or less already agree with him.