Audience Quotes
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I feel 'Britannia High' is aimed at an older audience than 'High School Musical.' 'Britannia High' is more of a serious drama, with the music and dance on top.
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Never tell the auidience how good you are, they will soon find out for themselves.
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On some level, there's a limit to what the government really worries about when it comes to a guy like Ai Weiwei, who's talking to a limited audience of people. He's talking to people who more or less already agree with him.
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But they're laughing at you. They're not laughing with you.
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The audience is the source of the energy that I project back to them.
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I just find it annoying that in these sequences of the fight scenes, traditionally, there's music trying to pump you up. I don't like that, personally, as an audience member. This just reflects my taste.
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You can put the camera in places where you may not necessarily be able to put it there if I don't do the stunt. If it's character and it's storytelling, then we do it. We design the things around me. I don't do it just to do a stunt. It's storytelling for me and how I can best bring the audience into the action, bring the audience into the story. And that's how we always look at at.
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The first film that really knocked me out was Alien by Ridley Scott. This is a great movie because no matter how many times I watch it, I still find myself fully invested in the characters despite the fact I know what is coming. I think it was this type of mastery of storytelling and the ability of bringing the audience so completely into another world that made me want to become a director.
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How does my music connect to an audience? That is just a complete mystery to me.
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I'm a great audience myself. I tried to keep in the background while others were on, but sometimes I'd just get hysterical.
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With my students I give them lots and lots of guided writing. Part of it is as simple as writing a lot but not toward anything. The mind floats. Then I help them see where the language has heat. If we do this a lot in class, students eventually relax into this writing practice and enjoy it. Even just that - writing pleasure without the anxiety of "audience" or "grade" or "success" - is a kind of impetus toward the unfamiliar.
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The main ideas for us are scale, stability, and audience.
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Situation comedy on television has thrived for years on 'canned' laughter, grafted by gaglines by technicians using records of guffawing audiences that have been dead for years.
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I want to build an audience that's willing to follow us in whichever direction we might choose.
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I have the show because I'm insecure. It's my insecurity that makes me want to be a comic, that makes me need the audience.
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When I'm writing a book, you can't think about your audience. You're going to be in big trouble if you think about it. You're got to write from deep inside.
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I want my audience to say, "Wow, this is a film I'm benefiting from. I'm benefiting from what this filmmaker is trying to say." I'd always rather learn and be entertained than be entertained and feel myself getting dumber by the moment.
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As a director, you never think about how an audience would respond. You can think about that, but you will never change what you're going to do.
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My own personal taste in films as a member of the audience was not completely in line with films I was doing.
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On stage you look much larger than you are. You can have subtle changes of timing; how you place a punch line in a joke or movement or emotion according to an audience.
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I'm not really a blockbuster, I'm not a member of that audience really.
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Write a book you'd like to read. If you wouldn't read it, why would anybody else? Don't write for a perceived audience or market. It may well have vanished by the time your book's ready.
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The artist must forget the audience, forget the critics, forget the technique, forget everything but love for the music. Then, the music speaks through the performance, and the performer and the listener will walk together with the soul of the composer, and with God.
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Musicians are affected by the audience just as much as audiences are affected by the musicians. The only problem is that often times musicians won't allow themselves to admit to that fact.
