Audience Quotes
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The 'Inside' record definitely opened up a whole new audience.
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When the poet's sentiments are overly visible, the audience may become uncomfortable. Japanese ritual is the opposite. By writing simply and only about what is there, the audience is drawn into the poet's world. Their imagination is stimulated, and a silent connection is established. I believe this is where the most important aspect of the Japanese sense of beauty lies.
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I feel 'Britannia High' is aimed at an older audience than 'High School Musical.' 'Britannia High' is more of a serious drama, with the music and dance on top.
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I feel audiences are not given enough credit for their intelligence.
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The history of modern art is also the history of the progressive loss of art's audience. Art has increasingly become the concern of the artist and the bafflement of the public.
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One of the great things about film is that, typically anything that's introduced in the first five minutes, the audiences will by into.
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I think people get too comfortable, in just doing what they do every week. And I'm all about challenge and change, and I like to read the audience.
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Whenever I get an idea for a song, even before jotting down the notes, I can hear it in the orchestra, I can smell it in the scenery, I can see the kind of actor who will sing it, and I am aware of an audience listening to it.
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Sometimes you get an audience that's looking to just explode.
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I was really shy when I was younger, so my mom got me into an acting class to see if I would open myself up more in front of an audience. Her plan was for me to just talk more.
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Perhaps the most demanding trick in all of art is to know ways that are going to capture the attention of an audience right now, and yet to also hold an audience hundreds or thousands of years into the future in circumstances you just cannot imagine. You've got to go very deep into human nature to do that.
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Poetry has a small audience, but a large influence.
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I think that when audiences find a movie that they don't expect to like, it adds great word of mouth.
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Musicians are affected by the audience just as much as audiences are affected by the musicians. The only problem is that often times musicians won't allow themselves to admit to that fact.
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I'm very lucky to be on 'Melissa and Joey' because it's a multi-cam sitcom, and it was a nice transition from theatre because it's taped in front of a live audience.
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I reach readers rather unintentionally, I think, and those readers likely connect with the slant, the off-kilter, the part of the road you can barely see from the well-traveled road. So, when I'm writing, I'm not thinking about audience at all. Instead, I'm trying to see behind those shrubs, down that hidden path. We're the weirdos of the world and there are so many weirdos.
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You can never predict what an audience is going to respond to and what they're going to watch.
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So this piece of dirt waits four and a half billion years and evolves and changes, and now a strange creature stands here with instruments and talks to the strange creatures in the audience. What a wonderful world!
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I don't think a movie today that captured all the things that we did in the seventies could come close, because it's like asking to recreate the seventies and the audience sensibilities and that's impossible.
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It should be interesting to see two entirely different ways to treat a story, geared for two entirely different kinds of audience.
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I want my audience to say, "Wow, this is a film I'm benefiting from. I'm benefiting from what this filmmaker is trying to say." I'd always rather learn and be entertained than be entertained and feel myself getting dumber by the moment.
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Now for the first time, you can choose yourself. You can be responsible for what you do and how you do it. You have to do the hard work of finding and pleasing an audience.
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You can put the camera in places where you may not necessarily be able to put it there if I don't do the stunt. If it's character and it's storytelling, then we do it. We design the things around me. I don't do it just to do a stunt. It's storytelling for me and how I can best bring the audience into the action, bring the audience into the story. And that's how we always look at at.
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I don't photograph for other people. I love an audience, mind you. Once I've got them there, then I love an audience. Not a big audience, though. I'd rather please ten people I respect than ten million I don't. But I don't play to an audience, I do it for myself.
