Audience Quotes
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Poetry has a small audience, but a large influence.
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I really believe that if I make records that are indispensable to my audience, they'll go out and spend money to buy them, even if they've already downloaded them. If they can afford it. If they can't, I'd rather they be able to download it than not get it at all.
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So the audience, at times, lets us know actually what is so special about the show that we can't even necessarily design or predict. Which is great. That's what you want art to be. You want it to be alive and to actually have a life in the way it's viewed.
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The audience includes subscribers, so you have to be careful.
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I feel audiences are not given enough credit for their intelligence.
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Because I'm a filmmaker at heart, I know a villain can't be too humanized and the audience can't empathize with him too much.
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The main ideas for us are scale, stability, and audience.
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I think everybody ought to be allowed to be engaged in athletics at whatever level the audience will accept.
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Our audience, it has been a more difficult process for classical music audiences around the world, and I'm not completely certain why.
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You can't do psychological thrillers. There's no audience. I've heard this. I've heard this from studios.
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I love interaction with audiences. If were my choice, I would spend most of my time interacting with audiences. Walking around and asking them to challenge me.
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The first film that really knocked me out was Alien by Ridley Scott. This is a great movie because no matter how many times I watch it, I still find myself fully invested in the characters despite the fact I know what is coming. I think it was this type of mastery of storytelling and the ability of bringing the audience so completely into another world that made me want to become a director.
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A politician's words reveal less about what he thinks about his subject than what he thinks about his audience.
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It's just hard to say, "Well, I do this, which means this." If I'm telling you exactly who I am, then there's nothing for the audience to say.
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There's a bit of a difference in the way he sounds. Samuel E. Wright lent his voice and personality to the animated film with his booming voice. I have a high-tenor voice. Instead, I have to figure out a way to convince the audience to come along with me and accept this new texture and tambour to the way Sebastian sounds. I have a great dialect coach.
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As long as I can make that audience one thing, one unit, then I'm okay with it. But, sometimes, the bigger the audience, the weirder it gets.
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Making a show is also economics. Because the irony is, or the shame of it is, you cannot create a show instantaneously. It needs to be massaged. You need to see who is relating to who. How is it working with the audience? You need to give it a chance for the audience to find it, because there are so many outlets. And the audience doesn't know where to go.
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There aren't that many growing, independent Web sites that have picked up a large audience. Pretty soon, there won't be any left.
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I like cinema audiences. I respect them, and I talk to them just like I would anybody I know.
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If you're in the groove, you get something back from the audience that is so exciting and rewarding that no film or television work can possibly compete.
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The audience is the source of the energy that I project back to them.
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I wonder if that's hurt me at the box office. Maybe audiences these days want to know exactly what to expect when they go into a movie, and my movies are hard to explain in just one way.
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I have the show because I'm insecure. It's my insecurity that makes me want to be a comic, that makes me need the audience.
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As a director, you never think about how an audience would respond. You can think about that, but you will never change what you're going to do.
