Audience Quotes
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I'm looking for conversations that will be meaningful with people that want to have meaningful connections with an audience.
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The first time I played in front of a live audience, I realised I wanted to be a musician. I was about four years old and had always liked music.
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Our audience seems to be able to handle whatever kind of weird opening acts we turn them on to. I mean, sometimes it happens to be something like a band like Nirvana or Mudhoney, and other times, its just weird noise crews that we dig up.
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The audience includes subscribers, so you have to be careful.
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You can make the audience laugh, be funny and sad at the same time.
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I'm quite certain that the audience that I've got for my stuff don't listen to the lyrics.
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Drawing is the most inalienable medium. It is private; it practically doesn't have an audience in mind, just the artist's expression.
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I feel like I owe my audience something. They feed my kids. And I really like my job, a lot.
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Violent resistance and nonviolent resistance share one very important thing in common: They are both a form of theater seeking an audience to their cause.
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There's a kind of dynamic quality about theater and that dynamic quality expresses itself in relation to, first of all, the environment in which it's being staged; then the audience, the nature of the audience, the quality of the audience.
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In New York, you couldn't wish for a nicer audience, or in L.A., Chicago, Boston. But when you get into secondary markets, they don't have a clue.
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There are people who try to figure things out. Often, magic is presented in a way that sets up a challenge that I actually find kind of appalling. You know, "I'm clever, I can do something, and you don't know what it is." And that instills in the audience the idea that, "Yes, I do. You're not that clever."
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When you look at the 'Roseannes' and the 'Will and Graces' - when those reboots or sequels or whatever you want to call them are well-executed and have a fresh angle that's relevant, it's a big, warm comfort hug to the audience.
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The audiences like to think that satire is doing something. But, in fact, it is mostly to leave themselves satisfied. Satisfied rather than angry, which is what they should be.
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And by the right thing, I mean that whatever step we take next, the first criteria we should consider is the people who have been loyal to us, thus far, which is primarily our audience.
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If you're in the groove, you get something back from the audience that is so exciting and rewarding that no film or television work can possibly compete.
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You're free to speculate as you wish about the philosophical and allegorical meaning of the film—and such speculation is one indication that it has succeeded in gripping the audience at a deep level—but I don't want to spell out a verbal road map for 2001 that every viewer will feel obligated to pursue or else fear he's missed the point.
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You can't do psychological thrillers. There's no audience. I've heard this. I've heard this from studios.
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I wonder if that's hurt me at the box office. Maybe audiences these days want to know exactly what to expect when they go into a movie, and my movies are hard to explain in just one way.
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Solidly know content you feel passionate about and that your audience needs to know.
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Art has a smaller audience than, say, movies or other forms of mass consumption. But that doesn't mean the work doesn't have an impact in a way that transcends just a few cultural arbiters.
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You're your first best audience, long before anybody else hears you. So don't be an easy audience. Keep asking for more.
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How does my music connect to an audience? That is just a complete mystery to me.
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It's the adrenaline rush you only get from being in front of an audience. It's addictive.
