Audience Quotes
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I have the show because I'm insecure. It's my insecurity that makes me want to be a comic, that makes me need the audience.
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There's a kind of dynamic quality about theater and that dynamic quality expresses itself in relation to, first of all, the environment in which it's being staged; then the audience, the nature of the audience, the quality of the audience.
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In order to grow your audience, you must betray their expectations.
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I look at all of world mythology and folklore as my toy to play with. There are just so many characters and creatures there I want to put on paper. It's a really exciting thing for me to take material that I really love and put a new coat of paint on it and present it to this audience. And I don't have to make up any of the characters. I can just pull a book of mythology off the shelf and say, "I'll use this guy." I also hate making up names for fantasy characters. I'll just flip through these books and say, "Wow, this is way crazier than anything I could make up".
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I'm quite certain that the audience that I've got for my stuff don't listen to the lyrics.
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I've never wanted to do something where I'd berate the audience.
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I like performing. I like partnering with an audience.
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Make your goal to do a tremendous amount to improve your audience's lives.
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No matter how many times people say it - 'Oh, I'm just writing this for myself' 'Oh, I'm just doing this for myself' - nobody's doing it for themselves! You're doing it for an audience. So whether I'm performing or writing a book or playing music, it's definitely to be put out there and to be received in some way, definitely.
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The web really does make the music audience a global community - when I send a tweet, I get responses from Kansas City all the way to Singapore. It's changed my goals as far as touring goes. I wanna play everywhere now.
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I feel 'Britannia High' is aimed at an older audience than 'High School Musical.' 'Britannia High' is more of a serious drama, with the music and dance on top.
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I can't stand those people, speakers in a room, they say this all the time, "If I can just help one person in this room, I've done my job." You have an audience of 500 people and your standard of success is one person? That's terrible. If you help one person in the room, you're an abject failure. You have to change something.
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With comedy, you never know until you put it in front of an audience. You shoot it and a year later you have no idea if it's going to work. And then you get the response. It's great when it's good.
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I'm looking for conversations that will be meaningful with people that want to have meaningful connections with an audience.
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It's the adrenaline rush you only get from being in front of an audience. It's addictive.
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I just find it annoying that in these sequences of the fight scenes, traditionally, there's music trying to pump you up. I don't like that, personally, as an audience member. This just reflects my taste.
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I feel like I owe my audience something. They feed my kids. And I really like my job, a lot.
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I've always said that I myself am not the best audience for my own work, because I'm just not that receptive to comedy.
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You're your first best audience, long before anybody else hears you. So don't be an easy audience. Keep asking for more.
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If you have something really important you want to say, you have to read your audience, I guess.
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If my musical tastes are continuing to grow up, and I am not really too interested in the music that my kids listen to, then I assume that the audience is doing the same.
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It's important to prepare audience for the worst in life. People come to forget their problems, and it's my job, right before I leave, to go, "Don't forget: You're going through a divorce and there's a recession." It's always good to end on a pensive note.
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My parents were my worst audience.
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When you hire me, you hire a nut who is going to work 24 hours a day for you and never, ever burn his audience.