Audience Quotes
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I do all my work by storyboard, so as I draw the storyboard, the world gets more and more complex, and as a result, my North, South, East, West directions kind of shift and go off base, but it seems like my staff as well as the audience, doesn't quite realize that this has happened. Don't tell them about it.
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You can make the audience laugh, be funny and sad at the same time.
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If you're in the groove, you get something back from the audience that is so exciting and rewarding that no film or television work can possibly compete.
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It would be a crime against Twilight audience to go R-rated... Yet the rating is based on a much more mature book Breaking Dawn,Stephenie Meyer. We need to progress and be more sophisticated.
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It is a temptation to exploit one's technique because an audience is easily reached this way, but they cannot be moved by technique alone and to move an audience is the role of dance as an art.
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Drawing is the most inalienable medium. It is private; it practically doesn't have an audience in mind, just the artist's expression.
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If you told me thirty years ago that people would be parodying documentary films, I never would have believed it. It wasn't clear that the films themselves even had an audience, let alone an audience for parodies of them.
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I wonder if that's hurt me at the box office. Maybe audiences these days want to know exactly what to expect when they go into a movie, and my movies are hard to explain in just one way.
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The only reality of the theater exists in the mind of the audience.
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"Sesame Street" was really the first kid's show that my dad did. He did a couple of TV specials that were targeted for kids before "Sesame Street," but really, it was, it's kind of going back to our roots, when we start to get adult. This show gets very adult sometimes, and that's because of the audience.
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I love interaction with audiences. If were my choice, I would spend most of my time interacting with audiences. Walking around and asking them to challenge me.
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And by the right thing, I mean that whatever step we take next, the first criteria we should consider is the people who have been loyal to us, thus far, which is primarily our audience.
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'Toonami' was a tremendous vehicle, delivering the art of Japanese animation to a massive audience that may have otherwise never experienced it. I feel an immense debt of gratitude to everyone involved with the show and to every fan who supported it.
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The first time I played in front of a live audience, I realised I wanted to be a musician. I was about four years old and had always liked music.
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You've got to have a sense of different audiences. I'm a kind of performer manque - I come from a long line of failed actors!
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How does my music connect to an audience? That is just a complete mystery to me.
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The audiences like to think that satire is doing something. But, in fact, it is mostly to leave themselves satisfied. Satisfied rather than angry, which is what they should be.
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You can't do psychological thrillers. There's no audience. I've heard this. I've heard this from studios.
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The audience will always forgive you for being wrong and exciting, but never for being right and dull.
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On the other hand in London you can get an audience that desires dance to go as far as it can go: they've seen the bricks of ideas built over a period so therefore there is an acceptance of what otherwise might seem out on a limb.
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I'm the audience's representative on earth.
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It's the adrenaline rush you only get from being in front of an audience. It's addictive.
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Our audience seems to be able to handle whatever kind of weird opening acts we turn them on to. I mean, sometimes it happens to be something like a band like Nirvana or Mudhoney, and other times, its just weird noise crews that we dig up.
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Art has a smaller audience than, say, movies or other forms of mass consumption. But that doesn't mean the work doesn't have an impact in a way that transcends just a few cultural arbiters.
