Audience Quotes
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I am a real ham. I love an audience. I work better with an audience. I am dead, in fact, without one.
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I feel the audience has a right to know if some of the money they're spending is going to a certain cause, and reassuring them the money is going to where it's supposed to be going.
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While data can only tell you what has happened in the past, it can in some ways give you a sense of what might be of interest to an audience in the future.
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You don't have to underestimate your audience anymore. They'd actually like to laugh a little bit. So, the character came to me and once it's got its grips in you, there's nowhere to go.
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I don't think you can beat your audience over the head with hard-hitting cartoons day after day after day.
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In order to have a lasting career you'll need to spend time performing live to build your own audience, as it's not all about social media. Word of mouth still rules.
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So many roles for women demand that you make the audience fall in love with you or sympathise with you.
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I think if you create something and you get an audience for it, then the monetization part is really secondary.
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So often, women are there just to be looked at and be objectified for the titillation of the male audience.
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I have to grow with my audience.
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I don't quite know how to put it into words, but I feel for the audience that I have; I know them.
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I have this group of friends that I'll send my scripts to before I send them to a large audience.
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I am proud of what I have got and I need an audience.
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To captivate our varied and worldwide audience of all ages, the nature and treatment of the fairy tale, the legend, the myth have to be elementary, simple. Good and evil, the antagonists of all great drama in some guise, must be believably personalized. The moral ideals common to all humanity must be upheld. The victories must not be too easy. Strife to test valor is still and will always be the basic ingredient of the animated tale, as of all screen entertainments.
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Advanced ticket sales have been terrific but we've also found that on the day of the show twice as many people are just walking up (to buy tickets). Last year, when the tour first started, we didn't see too many African-Americans in the audience. This year the audience is a rainbow coalition in that sense as well as in terms of ages. The audience ages are all over the map. There are the 20-somethings who come to see and hear 'the real thing' not a remake or imitation or impersonation of the original groups, but the real deal. A lot of our original audience doesn't go to big concerts anymore but they're coming out for this one. It's one last party.
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A musician cannot move others unless he too is moved. He must of necessity feel all of the affects that he hopes to arouse in his audience, for the revealing of his own humour will stimulate a like humour in the listener.
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'Srimanthudu' was very important for me and my career at that time, so I was tensed. But for 'Brahmotsavam,' honestly speaking, I am more excited because of its content. I have attempted something new, and I am keen to see how the audience receives it.
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I played to the biggest audience I've ever played to in my life in New Zealand. I couldn't see the end of the crowd. I understand it was over 200,000 people in a park somewhere.
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I don't believe in elitism. I don't think the audience is this dumb person lower than me. I am the audience.
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I really think one of the greatest allies you can have is the imagination of your audience.
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I love doing concerts. For me, it's the favorite thing I do. I get to communicate with the audience in a direct way.
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Even though you're in charge, you're not completely in ownership. You know, the audience takes a huge ownership of your show. Look at comments about shows and tell me if I'm wrong. Look at shows like 'The Walking Dead' and the ownership that the audience has of that show.
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I love making movies, but there's nothing like being in front of an audience.
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In music, the punctuation is absolutely strict, the bars and rests are absolutely defined. But our punctuation cannot be quite strict, because we have to relate it to the audience. In other words we are continually changing the score.
