Eye Quotes
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I've been in the public eye now for about 15 or 16 years, and I'm very aware that fame is not a given. I have to maintain it. It's not just something that will always be there. But I've always been a worker. I've never expected be given anything.
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It's not easy trying to navigate your internal world in the public eye.
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I was just, you know, kind of getting racist jokes, kind of being isolated from the group. So it was definitely hard. I would come home at night and just cry my eyes out.
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Having money has given me a certain freedom, but being in the public eye has taken away a lot.
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What I try to keep an eye on is I don't work for the party bosses in Washington. I work for 26 million Texans.
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Liars do look you in the eye. They do not always stutter, stammer, blush or fidget.
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Background scores allow me an absolute flight of the imagination, and I travel in my mind's eye. I do not like the scores to have vocal notes, because they act as a limitation to these flights of fancy.
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Eye contact is way more intimate than words will ever be.
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The reason why men do not obey us, is because they see the mud at the bottom of our eye.
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I'm hopeless at small talk and have a problem making eye contact.
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So I went to the Chinese restaurant and this duck came up to me with a red rose and says "Your eyes sparkle like diamonds". I said "Waiter, I asked for a-ROMATIC duck".
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I began to realise that film sees the world differently than the human eye, and that sometimes those differences can make a photograph more powerful than what you actually observed.
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I get to a certain point, and I think in a novel it's about the third draft, when I want other eyes on it.
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The map of the world is always changing; sometimes it happens overnight. All it takes is the blink of an eye, the squeeze of a trigger, a sudden gust of wind. Wake up and your life is perched on a precipice; fall asleep, it swallows you whole.
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Movement should be a counter, whether in action scenes or dialogue or whatever. It counters where your eye is going. This style thing, for me it's all fitted to the action, to the script, to the characters.
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I love doing eyes - my signature look is a cat eye. I think it's so feminine, and it reminds me of old Hollywood.
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I appeal to your own eyes as my witness and judge.
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Something in a writer's brain needs to watch everything with a detached, amoral eye.
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I've got a great eye for color. I'm like a chick.
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I have glaucoma, so use eye drops both morning and night.
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I do not know myself how I paint it. I sit down with a white board before the spot that strikes me. I look at what is before my eyes, and say to myself, that white board must become something.
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For some slaves, the first step out of bondage is to learn to see their lives with new eyes. Their reality is a social world where they have their place and some assurance of a subsistence diet. Born into slavery, they cannot easily redefine their lives outside the frame of enslavement.
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There is less in this than meets the eye.
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As scary as it is, I like making real, direct eye contact with people from the stage. In a sense, it's like modeling: that feeling of locking in and projecting some kind of emotion to try to captivate people.
