Records Quotes
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About 1990 there was a huge shakeup in the music industry and the 6 major record companies fired all the music people and hired business graduates to take over the spots. So the music became not as important. What really became important was the bottom line, how much money you could make.
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As long as we keep learning new music and getting better musically, there's a good chance that the record deal won't change anything.
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Bands that say they don't care about how their records sell are liars.
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They were marketing me as a teen idol, when the stuff on the record was not what teen idols were doing at the time.
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Usually my records are made trying to capture the essence of a band playing in a room.
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I never made any money off of my records. It gave me the name across the country so that I could do some of the things in my personal appearances.
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Women are taking the main stage. They are center stage, and they're setting all these records and making history, and I want I be a part of that. I've worked so hard to be a part of that.
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All I want is to have fun in what I'm doing every day. I don't want to break records. To become the greatest player ever could take me like...10 more years and I don't think I'll still be playing at 31.
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All the really great records or people who made them somehow came from Memphis or Louisiana or somewhere along the Mississippi River...And singers like Howlin' Wolf and Muddy Waters gave me the feeling that they were right there, standing by the river.
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I think teenagers just don't have the persistence to pretend to like something they don't anymore. I used to do that - make myself like stuff that didn't immediately appeal to me. When you're 17 and checking out John Cage records from the library. It's not like it's got the hooks of a Ramones record, or a Beach Boys record. But at the same time, you're like, I know there's something in here that I'm supposed to understand. And then eventually you find it.
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Trouble is,” Paul smiled his most charming smile, “a teacher has to be so many things at the same time: actor, policeman, scholar, jailer, parent, inspector, referee, friend, psychiatrist, accountant, judge and jury, guide and mentor, wielder of minds, keeper of records, and grand master of the Delaney Book.
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My dad was really into heavy '70s rock like Grand Funk Railroad and Boston and my mom was into light rock: Bread, Seals & Crofts and the Carpenters. So many of my friends at Sub Pop Records and the music world, their high school touchstone band was the Smiths. But I was way more into classic rock, like Led Zeppelin and the Steve Miller Band. I was more into the redneck Midwest music bands more than anything else.
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As for my memory, I have a particularly good one. I never keep any record of my investigations or experiments. My memory files all these things away conveniently and reliably. I should say, though, that I didn’t cumber it up with a lot of useless matter.
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We sold a certain, steady amount of product for them and they could count on it. When it came time to ask for the money for this new record, they dropped us. It was fine with us. It was a dead fish.
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It's complementary. It's fairly clear where the boundaries are. When I start telling you the contents of his head, I am making it up. But I try to make it up based on what is on the record. So even my wildest speculations on Thomas Cromwell will have a root somewhere.
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Ultimately, these fans that we're blessed enough to have, the ones who pay money for tickets to come see us live, that's the bread and butter. That's the basis of what this is. Before I ever had the chance to record an album, the live show is what it's been about.
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We always sold 4 or 5 million records no matter what we did.
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I remember back in 1994 when the Eagles charged more than $100 for tickets. They said, 'We ain't Pearl Jam.' That's back when records were selling and the Eagles had sold just about as many as anyone on the planet. And years later we're still charging less than them.
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My bassist Jorgen Jorgensen opened up my life to a lot of great, obscure old soul records.
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It's just a compulsion to create something new and stay busy. I don't know how to do anything else. It was never exactly right. Those records came out in spite of their flaws. And because of their flaws they were good.
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Records aren't selling anymore; people are burning music.
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I'm a fan of records you get and you listen to them from beginning to finish - records where everything is there for a purpose. There was never any filler on those records - it was all well planned out.
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Being a guy who was a geek with tape machines in the early days and really interested in how records get made, I was inspired in particular by how the Beatles were innovating when they were making those records late in their career while using the studio in a maximal way.
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Those early steps are very important in understanding the evolution. But in themselves, maybe now you need the later records to understand the significance of the earlier records!
