Records Quotes
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I really believe that if I make records that are indispensable to my audience, they'll go out and spend money to buy them, even if they've already downloaded them. If they can afford it. If they can't, I'd rather they be able to download it than not get it at all.
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No one wants to be some guy who puts records out about how good it is. That seems quite arrogant.
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I became a recording artist before I knew it. And I just - when I would listen to my old records, I'd just hear this young, extremely nervous fella that that made me want to run out of the room, you know, rather than listen to what he had to say.
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Perhaps the old literacy of words is dying and a new literacy of images is being born. Perhaps the printed page will disappear and even our records be kept in images and sounds.
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When I die, just keep playing the records.
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My gift's primarily literary. That being said, I ended up a musician. By the time I made the bluegrass record...I'm more impressed with myself when I push the envelope musically than I am when I push it literality.
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The Pāli Canon is one of the earliest of these written records and the only complete early version that has survived intact. Within the Pāli Canon, the texts known as the Nikāyas have the special value of being a single cohesive collection of the Buddha’s teachings in his own words.
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The best records are not perfect. They don't sound digital or like someone applied rules.
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Socialism in general has a record of failure so blatant that only an intellectual could ignore or evade it.
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People are getting record deals and they can barely sing. We have these new terms for artists that can dance, but they can't sing.
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As for my memory, I have a particularly good one. I never keep any record of my investigations or experiments. My memory files all these things away conveniently and reliably. I should say, though, that I didn’t cumber it up with a lot of useless matter.
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Situation comedy on television has thrived for years on 'canned' laughter, grafted by gaglines by technicians using records of guffawing audiences that have been dead for years.
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Records, radio, television, movies, magazines-all are monopolized by the money managers who are guided by one ethic, the words wealth and power.
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It's hard to get people at a record company to talk about music. They don't seem to want to talk about music, it's all marketing, and that's part of a record, you gotta get it out there, people have gotta hear it, but you could do it in a way that's not repulsive.
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I've got time, I hope, to make lots of quiet records. So quiet you won't be able to hear them.
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If California is any indicator, I'm proud that the public here saw right through it and registered in record numbers and voted in record numbers.
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It's just a compulsion to create something new and stay busy. I don't know how to do anything else. It was never exactly right. Those records came out in spite of their flaws. And because of their flaws they were good.
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I'm an amateur at music and an amateur at most things. I like the idea of offering some music and some records and a website to people who feel perplexed.
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As long as we keep learning new music and getting better musically, there's a good chance that the record deal won't change anything.
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HAG Records, is a company that I've owned. I've had a couple of gospel releases on it. We developed a pretty good distribution setup there and we do have something to use in case they don't want to sign us.
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Howie Epstein was a kind, patient, and extremely talented musician. He took two years out of his life and dedicated his undivided attention to the making of two of my records. Those records changed my life thanks to Howie.
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We don't take ourselves seriously; we make the records for fun.
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There is the potential for dreams to come true, for records to be broken, and medals to be won, and at this time everyone believes that they individually have the potential to make their dream a reality.
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You can't trust an artist that just makes good records.
