Records Quotes
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Records are only one-dimensional. Even film is only one-dimensional. That's why music and live theatre is so important, because it's not the same thing. A recording is just a record of part of the experience, but it's not the whole experience.
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We care if people like what we did. If you're just making records for yourself, why put them out and do all these interviews and do touring? I'm a huge music fan, and this is what I do with my artistic time. It's all I really do, except hang out with my family. I value human relationships, and it's a way for me to interact with the world and feel like I'm part of something.
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The thing that most attracts me to historical fiction is taking the factual record as far as it is known, using that as scaffolding, and then letting imagination build the structure that fills in those things we can never find out for sure.
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The Gospels were written in such temporal and geographical proximity to the events they record that it would have been almost impossible to fabricate events. Anyone who cared to could have checked out the accuracy of what they reported. The fact that the disciples were able to proclaim the resurrection in Jerusalem in the face of their enemies a few weeks after the crucifixion shows that what they proclaimed was true, for they could never have proclaimed the resurrection under such circumstances had it not occurred.
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I've started to see records as just a snapshot, a portrait of where you were at at that time. And if you're comfortable with that, sometimes it's like an old high school year book picture - it makes you blush a little bit, but you gotta learn to really appreciate each stage of your life and where you're at.
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Racism does not have a good track record. It's been tried out for a long time and you'd think by now we'd want to put an end to it instead of putting it under new management.
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I want to make music that I know that ten years from now, you can put it on and say "This is a great record".
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Hockey players wear numbers because you can't always identify the body with dental records.
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If you are a musician who has released albums, it would perhaps be morbidly interesting to know how much you would be owed if everyone who now has your music had actually bought your record.
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I want to be in cahoots with bands who want to make the record of their dreams.
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Maybe we should all just listen to records and quit our jobs.
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A lot of the records you buy, there's nothing you can hold in your hand, it's all 1′s and 0′s, this digital cloud floating in the ether, but with analog albums, you can hold it in your hand.
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I'm the one who has made all the sacrifices. Those are my American records, not the country's.
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It's funny, people ask me, 'What would you consider the most romantic track on your record Mr Caine?' And I say 'Swollen' by Bent, and they say 'I think he's off his rocker!'
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I don't think I'll ever be able to fully explain the way that the Velvet Underground's records opened a door in my head. But it has something to do with Lou Reed as a mythic figure: a person who fitted no category, who defied limits and trends and definitions.
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I'm one of the few that comes from this vantage point: I never tried to get a record deal.
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It's a weird thing when you make records. You try to hear it before you make it, so you walk into the studio with this idea of what you expect to happen, and that usually changes. That usually turns into something else, and that's a good thing. If everything was as you imagined it to be, it just wouldn't be as much fun.
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I never made any money off of my records. It gave me the name across the country so that I could do some of the things in my personal appearances.
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Until House came along I don't think the English made very good dance records, you know, there were very few really good English Rap records, whereas once House came along all of a sudden we started and now I think we probably lead the world, and have overtaken America in dance music.
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I've always done things myself. I've never bragged or screamed that I produced a record before. I never told anybody.
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We sold a certain, steady amount of product for them and they could count on it. When it came time to ask for the money for this new record, they dropped us. It was fine with us. It was a dead fish.
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Before the whole music business was calibrated around the selling of records. I never could have imagined that live performance would become kind of a vortex of the business. It's such a seismic shift really.
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Test centuries is one such records which doesn't look like being surpassed.
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I think English people were a lot better at breakdancing than they were at making records.
