Art Quotes
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While we have a very strong popular culture, the roots of American culture are very shallow, and we put emphasis on how a movie does as far as the box office goes. Many years ago, it would have been vulgar to print box - office grosses in the paper. Now The New York Times does it, and it's the big story for people interested in arts and entertainment on Monday. Which is why emphasis has shifted away from filmmakers and fallen on movie stars and business people.
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I found filmmaking to be a very practical art form. It's about figuring out how to create within the very practical limitations/constraints of time, money, and large groups of collaborators.
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I like that talented chefs are able to keep coming up with new ways of preparing food - it really is an art form.
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Fashion often starts off beautiful and becomes ugly, whereas art starts off ugly sometimes and becomes beautiful.
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I love contemporary art, although I wouldn't want a pickled shark in my house.
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I'm involved with Kid One Transport and Studio by the Tracks in Alabama. Kid One literally transports kids to better health by giving them transportation they may need to get medical care. Studio by the Tracks is an art outlet for mentally challenged children.
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I believe people can have a profound experience by being surrounded by something beautiful - that's what I aim for. My sculpture is about the way you feel when you're standing under it and inside it. It's experiential art.
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I love biographies. I read Patti Smith's 'Just Kids.' I'm into that time frame in New York, the '70s and '80s. In art school, I read 'Close to the Knives,' the autobiography of the artist and AIDS activist David Wojnarowicz.
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The Upper Bohemia people wore tuxedos in an art gallery, and Lower Bohemia was all of us.
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The reality is that art has often risen to greater heights than the people who created it. Many flawed artists have created great works of art. You have to decide if you are going to listen to Richard Wagner's music or not because he was very anti-Semitic.
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Music is art to me, and you don't censor art. You don't go into a museum and censor things.
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Lenin thought abstract art was a conspiracy by the bourgeois to demoralize the proletariat. Yeah, socialist realism!
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If I go into a museum, it doesn't matter how often a work of art has been written about or thought about, I am going to discover something that is my own, which will be new. You always must be discovering, rediscovering. That's what the world of art means. It means constant mystery in the discovery, the rediscovery.
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Art was what I originally started out to do and music came second at first. I had a year at art college but I left because it was too much like school. I give all my paintings away to people I like.
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As you are working on ideas, you are in a bubble, working on your images. What's important to me in my work, I like this idea of communicating through a piece of art so works don't have to be exchanged. They're okay and they're helpful but most importantly that the image will convey something in my mind that I was trying to communicate and then you have that connection.
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I wanted to become an artist because it meant endless possibilities. Art was a way of reinventing myself.
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Myth and fairy-story must, as all art, reflect and contain in solution elements of moral and religious truth (or error), but not explicit, not in the known form of the primary 'real' world.
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Painting is an infinitely minute part of my personality.
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A novel, or indeed any work of art, is not intended to be a literal transcription from Nature. … Life is a series of false values. There it is always the little things that are greatest. Art attempts to remedy this. It may be defined as an expurgated edition of Nature.
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Art - when it is really doing what it should do - teaches abstract thinking; it teaches teamwork; it teaches people to actually think about things that they cannot see.
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It's not a science when you are judging art, but we'd be remiss to say you can't look at something and say, 'This is more well done than that.'
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The language of art is constituted precisely by the fact that it speaks to the self-understanding of every person, and it does this as ever present and by means of its own contemporaneousness. Indeed, precisely the contemporaneousness of the work allows it to come to expression in language. Everything depends on how something is said.
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And, moreover, it is art in its most general and comprehensive form that is here discussed, for the dialogue embraces everything connected with it, from its greatest object, the state, to its least, the embellishment of sensuous existence.
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'Everything is art. Everything is politics.'
