Art Quotes
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You see, a document has use, whereas art is really useless. Therefore art is never a document, although it can adopt that style.
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I don’t consider my own clothing to be outrageous... The truth is that people just don’t have the same references that I do. To me it’s very beautiful and it’s art, and to them it’s outrageous and crazy.
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I enjoy theater just for the sheer excitement of it and the immediate response that you get, and how every night the audience is a little bit different; but then, it's expensive to work in N.Y., and stage work is limited, so you're just doing it for the art.
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Everyone wants to understand art. Why not try to understand the song of a bird? ...people who try to explain pictures are usually barking up the wrong tree.
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The art schools... you get young kids doing the most vile and meaningless crap. I think they believe every bit of it.
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The word spirit comes from the Latin word for "breath" - spiritu - and the origin of the word spirituality has to do with breath and life force, the mysteries of the ancients and all this. The word is very suspect in much of the art world - the Western art world. Certainly, spirituality has become divorced from religious.
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Art is about emotion; if art needs to be explained it is no longer art.
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Diplomacy, n : 1. The patriotic art of lying for one's country. 2. The art of letting someone have your way. 3. The art of saying 'nice doggy' until you can find a rock. A diplomat is a man who always remembers a woman's birthday but never remembers her age.
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Performance art is the ultimate in creativity. Since it has so many possibilities at creativity, it's essence tends to become creativity.
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The genuine artist is never 'true to life.' He sees what is real, but not as we are normally aware of it. We do not go storming through life like actors in a play. Art is never real life.
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Whereas painting is a more rarefied art form, with a limited audience, I recognized film as this extraordinary social tool that could reach tremendous numbers of people.
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I think it was Henry Moore who was asked where he got his ideas for his sculptures, and he said something like, "I continue to do as an adult the things I did as a child." I think that's what art is about.
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There is only one Art, whose sole criterion is the power, the authenticity, the revelatory insight, the courage and suggestiveness with which it seeks its truth. ... Thus, from the standpoint of the work and its worth it is irrelevant to which political ideas the artist as a citizen claims allegiance, which ideas he would like to serve with his work or whether he holds any such ideas at all.
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I don't want to see Bowie in a tracksuit. He never let anyone see him that way. The outlet for my work is not just the music and the videos, it's every breathing moment of my life. I'm always saying something about art and music and fame. That's why you don't ever catch me in sweatpants.
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The reason I do this job is because I started to be a painter. Making money in art was difficult. The easiest way to make money was to use art for some other reason. One of the easiest and most interesting from an economic point of view was fashion. Fashion pays.
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From the moment I got to Hollywood, I've always felt like I never really got to do what I wanted to do. In general, artists feel that you're never really allowed to accomplish what you would like to accomplish because there's just so much of this system that gets in the way; the business gets in the way of the art.
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Without children, men have more liberty to earn less - that is, they are free to pursue more fulfilling and less lucrative careers, like writing or art or teaching social studies.
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I'd gone from being this art student messing about with music to this girl with a record deal, magazine front covers and all this hype. In many ways, it was everything I ever wanted, but when it happened all I felt was total, paralysing fear.
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Being rich and famous seems to have its ups and downs. That's the price you pay for being troubadours and clowns.
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Art is viable when it finds elements in the surrounding environment. Our ancestors drew their subject matter from the religious attitudes which weighed on their souls. We must now learn to draw inspiration from the tangible miracles around us.
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'I am a necromancer, but not of the common sort, while others of the art raise the dead, I lay them to rest - or try too - and those that will not rest I bind, for I am Abhorsen...' He turned to the baby again and added, almost with a note of surprise, 'Father of Sabriel.'
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Our memories are convenient lies we create, cribbing images from others' experiences. We discard the personal specifics which don't conform to the ideal conventional beauty created by art directors and cinematographers.
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This much we know: Journalism is not a precise science. It's, on its best day, is a crude art. We make mistakes; I make mistakes. With more than 50 years as a journalist, I have at least had the opportunity to blow more stories, make more mistakes than maybe anybody in television.
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Being a fan of authentic Dada, I find today's art - what I call 'Bankers' Dada' - mind-numbingly dull. The most challenging work I've seen of late is by The British Art Resistance. Their document, 'A Call for Heroes in an Age of Cowards', is apt in these days of witless chancers.
