Book Quotes
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I thought if I had a Twitter feed and say I had a following of a 100,000, that means 100,000 of them would be interested in my book. It was logical, but it didn't turn out to be true. It turned out if I had a Twitter feed of a 100,000, four of them were interested in my book.
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We grew up as this family of deniers. And people who knew us for years were stunned when "The Great Santini" came out because we had this appearance of being this happy, large, smiling family. We were taught to smile, put the best face forward. And so when the book ended up - Dad swatting us around the room, no one believed me.
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The problem with life is, by the time you can read women like a book, your library card has expired.
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Write a book you'd like to read. If you wouldn't read it, why would anybody else? Don't write for a perceived audience or market. It may well have vanished by the time your book's ready.
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Every reader finds himself. The writer's work is merely a kind of optical instrument that makes it possible for the reader to discern what, without this book, he would perhaps never have seen in himself.
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A good book written for children can be read by adults
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I spent my entire time reading books and going to the cinema, just to escape.
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Properly, we should read for power. Man reading should be man intensely alive. The book should be a ball of light in one's hand.
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The civil liberties types who are fighting this issue have to fight it, owing to the nature of the laws, as a matter of freedom of speech and stifling of free expression and so on. But we know what's really involved, dirty books are fun. That's all there is to it. But you can't get up in a court and say that.
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I've lost my writing skills since college. I couldn't write a book. It would take a long time.
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I dream of writing a book like LOVERS some day. It is so spare but so rich. It is history made intimate, and a masterpiece of compression.
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Too many people write books as a calling card.
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I think because of these big issues of life and death that maybe sex feels like a crass question. But for Christ sake, this is a book that is so interested in an elemental human condition. And one of the ideas about surrender is an erotic surrender, too. These folks are surrendered by destiny; they surrender to each other in certain moments, but there is a lot of erotic surrender.
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Books are all right, but dead men's brains are no good unless you mix a live one's with them.
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I think there's something about studying a book which will kill it if you're not careful.
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That's all you have to ask from yourself writing a book. That it's the best you can do and that you did it without any ego involved and that you did it for somebody else. That's the best you can do.
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School was a source of great suffering to me, but once I learned to read, I disappeared into books, where I was a happy visitor to all the worlds that sprang full-blown from the printed page.
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It's hard to explain why, but that regret made me suffer. It seemed to be the sign of a true interest in Lila, something much stronger than the compliments for my discipline as a constant reader. It occurred to me that if Lila had taken out just a single book a year, on that book she would have left her imprint and the teacher would have felt it the moment she returned it, which I left no mark, I embodied only the persistence with which I added volume to volume in no particular order.
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I've always had great respect for Paddington because he is amusingly English and eccentric. He is a great British institution and my generation grew up with the books and then Michael Horden's animations.
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She accepted it from then on. Books liked her. Books wanted to look after her.
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In a sense, Open City is a kind of Wunderkammer, one of those little rooms assembled with bric-a-brac by Renaissance scholars. I don't mean it as a term of praise: these cabinets of curiousities contained specific sorts of objects - maps, skulls (as memento mori), works of art, stuffed animals, natural history samples, and books - and Open City actually contains many of the same sort of objects. So, I don't think it's as simple as literary inclusiveness.
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Books that kids read should be about what is going on in the world.
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Ive written a book on gangs, taught a course on gangs at Occidental.
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Not in this specific form. But all great cities are inhabited by ghosts. A book of this kind could probably be written about Jakarta, Manila, or London by anyone who had a feeling for the invisible truths of those places.
