Book Quotes
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People book me because of the songs I write, not because of the sets that I play, per se... I'm sure I'm going to be moving to a laptop really soon, but I was one of the last guys to let the vinyl go. I was crying. In my room, I still have thousands of records. I still pull them out and play them all the time.
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I was writing a book about sustainable energy, and a friend asked me, 'Well, how much energy do you use at home?' And I was embarrassed. I didn't actually know.
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A subject which at first glance seems quite removed from the undeclared concern of the book can encapsulate that concern.
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Maybe it's the readers that make a book global.
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My dad was really complex, and I was raised by that. My mom is really bright - very book bright - and so those things collide... I learned that I could put all of that stuff together in the world of acting, and I could make a dollar at it.
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There's a finite amount of time on this planet for each of us. Sometimes, the only way we figure out how to deal with that reality - knowing that there will be an end to every story, and you don't know how many chapters are left in your book - is by living in denial.
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You should not do an autobiography if you want to tell the truth. There are a lot of things I know about people. If I can't say something good about a person, I don't want to say anything. And since I don't want to say anything bad, I won't write a book.
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The pages of this book, I'm sorry to inform you, contain such unpleasantries as a giant pincer machine, a bad casserole, a man with a cloud of smoke where his head should be, a hypnotist, a terrible accident resulting in injury, and coupons.
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When I was living in Mexico and writing a book called 'Aztec,' I had to make a deliberate effort to ignore a lot of the 'typically Mexican landscape' around me - banana and citrus groves, roses and carnations, burros and toros - because they did not exist in Mexico in the 15th century, the time of my book.
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When I put magic into a book - whether it's a wizard or a crusty old werewolf - I'm asking a reader to swallow a huge leap that is counter to everything he or she knows. An extra big helping of reality makes that leap go down a lot easier.
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I was at a book convention, in a cab. On one side of me was Arthur Schlesinger; on the other side was William Manchester - real heavyweights. All they were doing was asking me about Charles Manson. The only thing that enables me not to be bored is the people talking about it - they're so interested.
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Doing it your own way, not having to go exactly by the book to be successful.
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Orwell wasn't right about where society was in 1984. We haven't turned into that sort of surveillance society. But that may be, at least in small part, because of his book. The notion that ubiquitous surveillance and state manipulation of the media is evil is deeply engrained in us.
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Books are a world in themselves, it is true; but they are not the only world. The world itself is a volume larger than all the libraries in it.
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The L.A Trilogy is a series of three novels starring Ray, a robot detective, and his boss, a computer called Googol. Set in an alternative version of 1960s Los Angeles, each book will be more or less standalone but together will form an overarching story arc with 'Brisk Money' as the origin story.
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I read pretty well in French and Spanish. I don't want to read a book written in French or Spanish in translation.
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While I was writing 'Stick Out Your Tongue' in Beijing, the police began knocking on my door again. As soon as I finished the book, I moved to Hong Kong so that I could work undisturbed on my next novel.
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After I work with my editor to get the manuscript in good shape, I sketch and lay out a whole book loosely, usually in black and white. You learn things about your text when you have to think about pacing and page-turns.
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A comprehensive marketing plan involves both online and offline efforts to use and broaden your existing platform to promote your book.
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You know you've read a good book when you turn the last page and feel a little as if you have lost a friend.
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Even if I only had 10 readers, I'd rather do the book for them than for a million readers online.
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I must write the book out in my head now, before I sit down.
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When we read a book, we have a blurry image that's kind of physical but blurry. But we have an emotional image also. We have an emotional connection to the character.
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Sometimes street knowledge can be as important as book knowledge.
