Composer Quotes
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I began my career with infantile dreams of becoming a composer.
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I would still love to do more Handel. I think Handel was a fantastic composer. I did lots of Vivaldi, but it's also important to do the music of Handel, one of the greatest composers of the 18th century.
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I always felt that one day I would have to make the change in my own life, bite the bullet and see what it is to be a composer who conducts rather than the other way around.
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I've been very fortunate as a composer to be involved with projects that have really propelled my scores forward. I'm very proud of it.
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I am proud to be able to claim that, from the age of nineteen, I've managed to earna living entirely as a composer.
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Who can forget the music of the French composer Germaine Tailleferre? These are just a few composers whose aesthetic ideals we all share, and there are many more women creators writing stunning and exciting music, and I wish I had space to list them all!
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Elizabeth Lutyens was the first professional composer that I ever knew. I sent someextremely infantile pieces that I I'd written and got marvellous encouragement andinterest from her... she's certainly the English composer who's influenced me themost.
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John Barry was the first film composer I was aware of. As a teenager I owned several of his Bond soundtracks.
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You think about, like, [20th-century classical composers] Alban Berg, Schoenberg, and Webern sitting around in some living room in Vienna and being like, "We are the end of music. We are the end of this tradition. Music is done."
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Whatever I gain from writing lyrics, I feel I lose a little bit for the musical aspect by having that lyrical burden on me. But when I'm liberated from worrying about the words, frankly, I feel I'm a better composer.
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I pay no attention whatever to anybody's praise or blame. I simply follow my own feelings.
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A good composer is slowly discovered and a bad composer is slowly found out.
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I'm more encouraged by the saplings: new music groups, tiny new venues, entrepreneurial musician-composers who aren't waiting to be discovered but are instead building their own Establishment.
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It seems at times I should be a composer of sounds, not only of rhythms and colors. Walking under the trees, I felt as if the color made sound.
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As a composer seeking to remain anonymous I am shy of confessing my musical activity. This is intelligible enough. For others it is their chief business, the occupation and aim of life. For me it is a relaxation, a pastime which distracts me from my principal business, my professorship. I love my profession and my science. I love the Academy and my pupils, male and female, because to direct the work of young people, one must be close to them.
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Chopin was the first piano composer who knew exactly how to make piano sound reach fullness, radiance and grandness. What to regard and what, by all means, to avoid. Chopin was keenly aware of the overtones and he did take care of them so artfully.
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A Composer who hears sounds will try to find a notation for sounds. One who has ideas will find one that expresses his ideas, leaving their interpretation free, in confidence that his ideas have been accurately and concisely notated.
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I don't meet stockbrokers or carpenters or coal miners; I spend all day with actors, composers and photographers.
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My closest friends are Roger Moore, who is an actor, Sean Connery, who is an actor, Terry O'Neill, who is a photographer, Johnny Gold, who was the boss of Tramp, and Leslie Bricusse, who is a composer.
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I am a composer first and foremost, and have always believed that being able to write memorable melodies is what sets musicians apart.
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Fred Sturm has proven to be a great asset to the musical world as a teacher, composer and author. His gifts have enriched the musical life of all the people who have been fortunate enough to share his wisdom and musicality.
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I'm a nut for Bach as a composer.
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The screenplay talks to the conscious mind and the music to the subconscious mind. Our subconscious tells us we are eternal but our consciousness tell us we are mortals. Music is part of eternity. If God exists he is the composer.
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As a composer I might class myself as a Neo-Romantic, inasmuch as I have always regarded music as a highly personal and emotional form of expression. I like to write music which takes its inspiration from poetry, art and nature. I do not care for purely decorative music. Although I am in sympathy with modern idioms, I abhor music which attempts nothing more than the illustration of a stylistic fad. And in using modern techniques, I have tried at all times to subjugate them to a larger idea or a grander human feeling.
