Song Quotes
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Hollywood has realised that we do have actors and are not just mad about song and dance.
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I felt alive when I read a script and acted out a scene, or sang a song. It was my dream. I'm just very lucky that I'm still doing it and able to earn a living from it.
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I've woken up from dreams and the whole song is there. I'm listening to it in my dreams. I consciously have to wake myself up and get a tape recorder because I hear it like a record.
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"The River" [song] is also, yes, very metaphorical. Rivers are cleansing. As long as human beings have been on the Earth we've used rivers to cleanse ourselves. And, for me, the lyrics "something in the river," I think is - well, the river is a metaphor for where I was at the time.
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In my fiction, there's a lot that's borrowed from music. It's never like I'm taking a lyric, but more the mood of a particular song. 'The Boy Detective Fails' was like listening to 'Eleanor Rigby' by The Beatles, this very melancholy-but-poppy song.
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Read about some squirrelly guy who claims that he just don't believe in fighting, and I wonder how long the rest of us can count on being free.
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I grew up listening to an album start to finish, and you don't skip songs. You don't listen to a Paul Simon record and skip a song: you listen to it the same way you would eat a meal... the way the person who prepared that meal for you means for you to experience it. That's how you should do it before you add salt and pepper to it.
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You have a song, and people know it. It's like a calling card for you.
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I sometimes suffer from insomnia, and one of the first times it ever happened, I was like, 'I don't know what to do with myself,' so I started writing a song, and by morning, it was finished. It was about how I couldn't sleep... I was 14.
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When you're like, 'Yo, we gotta write a hit song, we need a hit song right now,' that never works. Every time that happens, I never write a hit song.
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When I sit down to write a song, it's a kind of improvisation, but I formalize it a bit to get it into the studio, and when I step up to a microphone, I have a vague idea of what I'm about to do.
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You always gotta reach the people who feel bad about themselves or insecure about themselves, and I think 'Like 'Em All' was just a perfect song for all the girls, and I think that's why it blew up like it did.
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Garth Fundis is a song guy. He is in it for the right reasons; he's about the music. He doesn't ever try to talk you into recording something that you shouldn't. He gets it.
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I sang 'American Pie' a lot in my stage set. It had a knack of uniting an audience in a sing-along. It's a clever song about American history but wrapped in a fantastic tune.
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I don't listen to music. I very rarely listen to music. I only listen for information. I listen when a friend sends me a song or a new record.
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As a musician and a guitar player, I can noodle as well as anybody. But from my background as a session musician, I always try to play what is called for by the lyric and listening to the song. As a writer, that's what I do, too.
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All of the artists did such a beautiful job I can’t thank them enough. I’m just honored that 'God Only Knows' was chosen. 'God Only Knows' is a very special song. An extremely spiritual song and one of the best I’ve ever written.
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When you listen to the music in this film [Despicable Me], it's working on the level of melody, but the other key element is lyrics. There are a number of songs in the film where the lyrics themselves are very much speaking to the essence of what Ted Geisel was setting out to do.
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I will be very grateful that I get to go out and play a song and get well paid for it.
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It's always good to go from a heavy song to a softer one. It helps having the attention of the audience for the whole show - three hours of the same songs for the whole show is boring.
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I think great songs can come from anywhere and you constantly have to be able to look out for those. I think a lot of the times people will try too hard to write everything themselves and therefor miss out on great songs that way.
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Even the sad roots songs have a lot of good stories to them, and the murder ballads are good too. I mean, who doesn't like to watch a nice gory murder film on TV?
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I like my song-sequences in my movies, but one of the things I like about them, is I get in and I get out.
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Somewhere out in the darkness, a phoenix was singing in a way Harry had never heard before: a stricken lament of terrible beauty. And Harry felt, as he had felt about phoenix song before, that the music was inside him, not without: It was his own grief turned magically to song.
