Song Quotes
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One of the lyrics from Bono that always sticks with me is 'Where the Streets Have No Name.' Just the name of the song, that sort of oneness, and there isn't any division in yourself, and your just at peace and fired up at the same time.
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Marylata [ Elton] introduced me to Hans Zimmer. Hans tapped me [to] work on songs for DreamWorks' animated features. I arranged Elton John's opening main title for The Road to El Dorado, I played guitars on Shrek for Harry Gregson-Williams and John Powell, I co-produced "I Can See Clearly Now" for Antz.
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The melody and the structure of a song always comes first for me, so the emotions behind it can sometimes be a challenge: What am I feeling about this song? Where did the melody come from? I want it to be heartfelt.
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Even on my most angry song, I'm also still saying, 'Thank you for helping me to learn.' I've always wanted to give voice to that complexity in our experience.
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I don't think I'm that good a singer. I can't think of a song that I've written that I don't like the way somebody else sings it better.
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Conservatives must avoid the siren song of schism, or all is lost.
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To write a blues song is to regiment riots and pluck gems from graves.
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I was 14. I went to see a production of 'Jacques Brel is Alive and Well and Living in Paris,' and when they got to that final song, 'If We Only Have Love,' it was like the top of my head had blown off.
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When I write a song, I tap into the emotion and the feeling and then I use the emotion to write the words. It's the opposite when I act. I use the words and tap into the emotion.
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I always liked a good love song and I dig being in love.
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That song ["Money to Burn"] is me being a fly on the wall in situations in LA. I mean, I've seen the way a lot of people operate and I've seen that sort of thing go down. There's a lot of rich kids with a little bit of extra money.
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Usually, if someone wants an inspiring-type number - patriotic, gospel, big love song - then I think you do think of me.
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I wrote 'Don't Stop' just like I wrote 'Pumped Up Kicks' - I didn't try to make either a hit. I just wanted to write a song I liked.
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I feel like if you sit down and have an assistant engineer and a producer in a top-notch studio and everyone sets up all the mikes perfect, all of a sudden it's really hard to live that melancholy song. It's hard to really live it in the moment.
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If I find something I like, I'll chase it and see what comes out the other side. Once a song gets momentum and gets away from you, that's a good sign.
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What I like about popular culture is its accessibility, and I've covered popular songs because they are amazing things.
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When you finish a song, your first thought is going to be, 'Is this song a hit?' I hate that we think that way, because it kind of takes a little bit of the meaning out of the songs that are being written, but you're definitely going to think, 'Can this song be put on the radio?'
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Things are very simple to be honest: when we arrive at the studio for a session, we just get going and let it go naturally and improvise as we go along, this is why it is always so magical when we go into a studio. It is just so natural for us to put a song together.
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Cecilia was made in a living room on a Sony. It was like a little piece of magical fluff, bur it works. El Condor Pasa a Los Incas record that I love. Bridge is a very strong melodic song.
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The music is the shining path over which the poet travels to bring his song to the world.
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Legions of young hip-hop fans are as against this as hip-hop's most fierce critics. There is a huge underground movement within hip-hop circles that against these representation. You can hear this message on tons of lyrics and rap songs produced by independent emcees. But they are fighting against a well-oiled and well-financed machine.
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There's a song called 'All We'd Ever Need,' which is actually the first song that the three of us wrote together on our first album, and when we wrote that song I didn't have any real experience to pull from.
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The eternal task of song can never be finished in a single lifetime. That is the beauty and fascination of the art. Once you begin to phrase finely, you will feel more joy in the beautiful finish of a beautiful phrase than that caused by the loudest applause of an immense audience. The latter excites for a moment; the former endures forever.
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Songs are about just being totally honest and putting those words to music.
