Song Quotes
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A good song is a good song.
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I don't do sessions for myself ever. I'm always working, writing for pop sessions. And what happens is that sometimes I like a song so much, I keep it for myself.
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Once I've written a song, I sometimes refine them.
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If a song about blowing your shot becomes popular, that's really funny.
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I want to show everybody the diverse me and show people that I can do a tune on an R&B song, I can do a tune on a house song, I can do something on an Afrobeat. I really want to show that.
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I mean a song that's specifically for the girls. It's saying you know we talk about them night and day, we're constantly pondering on men and what they've done good and what they've done bad and all these things in our lives.
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I'm an auditory learner, and if you put something into a song, I'll remember it forever.
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Basically, in 'American Pie,' things are heading in the wrong direction. It is becoming less ideal, less idyllic. I don't know whether you consider that wrong or right, but it is a morality song in a sense.
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I've always been an all around creative person. Song writing and writing are great ways for me to express myself.
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I listen to everything. As I told you, sometimes I just want to shut off from music and be silent. Then I play a song and it's refreshing. It's almost like initializing yourself. Recently I was in South Africa doing a press day for my tour. I listened to this band called "Freshly Ground." They were doing a live gig there so that's the last thing I've heard.
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Somebody's going to hear a song that will key in a nerve or something in their experience that represents their own vision. And the next person is going to see it completely different. So even what it means to me is probably irrelevant. It's totally irrelevant. What matters is what it means to each person listening to it.
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I think there’s no greater joy than completing a song out of thin air. It’s like inventing something, but it’s invisible, you know? It’s weird. It amazes me. You can send it out in the world, and that’s the joy. It’s like giving birth to all these songs and letting them go like they’re your kids.
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I did write a letter to the archdiocese who'd banned the song, Only the Good Die Young, asking them to ban my next record.
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I also remember a line from a song by Smog [Bill Callahan], which seems to describe the experience of a town-dweller moving to the country: "I was raised in a pit of snakes/Blink your eyes - I was raised on cake."
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'Big Love' was originally an ensemble song, but it's done now as a single guitar piece.
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I think I was 15 the first time I wrote a good song.
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I don't have certain kinds of fatigue. My focus stays strong - I can work on a song for six or seven hours in one day and not get bored or tired of it.
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It takes me, like, half an hour to write the lyrics for a song. They just come out.
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I'm not somebody who carries around a notepad and writes songs all day long. I don't imagine everything I think of is worth being in a song. So I tend to collect notes, and I set time aside to go to work and write songs.
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I love the fact that I can go out there on stage with a guitar and sing a song that means something to somebody.
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I've been training myself and listening to other artists and seeing where their emotion comes from, singing a heartbreak song when they're in a happy relationship.
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I don't listen to the radio, cause I don't have a driver's license. But if I'm in L.A. or somewhere where we have to rent a car, I'll hear my songs. Sometimes I hear them when I'm in stores, and I'm still like a little kid in a candy shop: 'Oh my God, that's my song!' I don't know how that could ever get old.
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It's so interesting how you can take a bad situation and make a great song out of it that somebody else can listen to and have a completely different perspective of the song and have their own meaning. That's what's great about it.
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I know all my different formulas to get certain sounds. I've been doing this so long that I don't experiment anymore. Or let me rephrase: I've been doing this so long that I don't have to experiment as much. You always want to evolve and change, but if I go in and I know it's a certain type of song, I know exactly where I'm going to place the mics.