Song Quotes
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The little unknown thing was growing within her as suddenly and softly as the first touch of spring on the maples. It was putting out its hidden, watery roots as simply and surely as little cypresses take root in a stretch of swamp water away off yonder. It was coming upon her as quietly as the dark came up from the woods at night and hushed in the little clearing, closing every chink of every shutter tight with nothing. Impulses swelled within her, swelled her body fit to burst; yet they did not come out in words, nor song, nor in any sign.
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Enema of the State song is kind of like a tattoo, like a moment in time, but it aged well. It's not like one that you're looking at like, "Aw, God, I gotta get that s**t removed." It's something we're proud of.
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Sometimes something becomes a lot better. It's like a puzzle . You can't force a round brick into a square. It's a delicate thing. You need to let the song decide.
Nanna Øland Fabricius -
The way I approach this thing, when I started to get my head screwed on straight and really trying to make something of myself as an artist, when I was 19 or 20, it became more about function for me. Like, what is this song doing to you? What is the function of this type of artform? What is it doing?
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Popular music usually has a chorus that needs to repeat, and people need to remember the song. That's sort of the major guideline when you're writing a song.
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Rash combat oft immortalizes man; if he should fall, he is renowned in song; but after-ages reckon not the ceaseless tears which the forsaken woman sheds. Poets tell us not of the many nights consumed in weeping, or of the dreary days wherein her anguished soul vainly yearns to call her loved one back.
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I would rather be remembered by a song than by a victory.
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Sometimes to move forward you have to let go. I figured that out through opening myself up, allowing people into my creative process. It allowed me to write songs that surprised me, and in fact, inspired me.
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A lament in one ear, maybe, but always a song in the other
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I've never put out a song that I wasn't completely proud of and that I didn't love. In that sense, I've never felt like I sold out in any way.
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The jam stuff doesn't appeal to me in general. My newfound love for the Dead came from Robert Hunter and Jerry Garcia's songwriting, not the elaborate guitar solos. I'm a song person. Once it starts to break out of that structure and become loopy, it's uninteresting to me.
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Some of my songs I don't do on tour because they don't work well live.
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I'd like to be remembered as a guy that came along and did his music, did his best and showed up on time, clean and ready to do the job, wrote a few songs and had a hell of a time.
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There's never been a song that I just wrote and tried to send to an artist.
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It does make sense to put on some songs that are relatively short, because radio usually only plays songs that are less than 4 or 5 minutes.
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If I found a cure for a huge disease, while I was hobbling up onstage to accept the Nobel Prize they'd be playing the theme song from 'Three's Company'.
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I wrote these two songs ["Coming Out of the Dark" and "Always Tomorrow"] as a celebration of hope. And I want to send it out to all of those people who are suffering through this terrible disaster [Hurricane Katrina], and please know that you are not alone - and you will not be.
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It's pretty amazing to write under any circumstances when someone gives you an assignment to write a song, even if it doesn't get accepted. I've written songs a couple of times, some for Disney, that haven't actually ended up in their films, but then you're left with a song forever.
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New York is the place where they bind books and write blurbs and arrange the publicity and print the galleys... But Chicago is the place where the book is lived out before it is bound and the song is sung before it is recorded.
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I never think any song really feels like a 'hit' - a song either feels good or bad, in my opinion.
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I'm a very message-oriented artist, and each song has a totally different meaning.
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Music is a total constant. That's why we have such a strong visceral connection to it, you know? Because a song can take you back instantly to a moment, or a place, or even a person. No matter what else has changed in your or the world, that one song says the same, just like that moment.
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To write a blues song is to regiment riots and pluck gems from graves.
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Every heart sings a song, incomplete, until another heart whispers back. Those who wish to sing always find a song. At the touch of a lover, everyone becomes a poet.
