Song Quotes
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The actual writing of a song usually comes in the form of a realisation. I can't contrive a song.
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I was scared of failure, of being a one-hit wonder, never being able to write another song again, never being able to sing again. Maybe everything that I think I am and who I want to be never will happen.
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A lot of philosophy is bull***t, but a lot of it is what we write songs about too. And it's organizing your thoughts, organizing your intellect.
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Yeah, sci-fi is definitely a big influence on Fear Factory. I've had people tell me we always sing about the same thing but it's like well, if we were a black metal band we'd sing about Satan, you know? What if we were a Christian metal band? All the songs would be about how much we loved Jesus.
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I try to make everything I write a little bit different. Those songs that go, 'I love you so much and you love me,' they're boring. If I'm going to write a love song, it's going to be a little bit tortuous.
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I might be eating something, and the bag opens in a cool way, and I'm like, 'I wanna put that in the song.'
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It's easy to say that reducing a song to 90 seconds on "American Idol" strips off so many things, and how it's the 21st century and music doesn't mean the same things to people and that it's so disposable.
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If you take all that I've learned from Joe and all that Joe has learned from me, and you throw all that into a song, not only are you using the gifts that God gave you, but also all the experiences you've had.
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I usually know the general emotion of a song, or the general feeling of it, and then I think I just get so excited by the act of recording. I love that process so much that I feel like if I knew exactly what I wanted I'd arrive at something too soon. Part of the reason I work on stuff for so long is just because I love working on it. It's not that I'm haunted by some ghost sound. I just have nothing else to do with my life. Some people like to obsessively shop online. I like to obsessively rack up studio bills.
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When you have Julio Iglesias on a song, I think that's golden.
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I don't have certain kinds of fatigue. My focus stays strong - I can work on a song for six or seven hours in one day and not get bored or tired of it.
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I've felt love from certain songs that I've wanted to experience from other people - where I know that love may never happen - and I want to give that to someone else.
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You couldn't keep me out of the school plays, the song and dance skits.
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Each member does whatever they want with the song and it totally changes it from whatever idea I hear around it. It turns it into a Sonic Youth song and completely away from it being a solo song.
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Each time I play a song it seems more real.
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I have lived pain, and my life can tell: I only deepen the wound of the world when I neglect to give thanks the heavy perfume of wild roses in early July and the song of crickets on summer humid nights and the rivers that run and the stars that rise and the rain that falls and all the good things that a good God gives.
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The song I came to sing remains unsung to this day. I have spent my days in stringing and in unstringing my instrument. The time has not come true, the words have not been rightly set; only there is the agony of wishing in my heart . . .
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If a song about blowing your shot becomes popular, that's really funny.
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Ever since I was 2 or 3, I loved to perform for people. I would walk up to another table in a restaurant and crack a joke, sing a song, do a dance, or something entertaining, and the 'audience' would almost always smile and laugh.
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Music is the language of the angels. You can hear just one or two chords, one or two notes of a song, and bam - you're right back there, you're right back in that moment, you're back in that day, you're back at that prom, you're back in the car.
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I will be very grateful that I get to go out and play a song and get well paid for it.
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I want to make something I would find joy in consuming. Personally, I enjoy those projects that are worth me investing time and energy and thought into, to find a work that has more to say than will fit in a 4 minute song.
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Everything I do is collaborative. It's just my way. I'm really very interested in how the other musicians perceive the song.
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Today, I'd like to talk to Bob Marley. I'd just like to ask him what was his method. Bob is one of the greatest songwriters ever. I don't know if people understand how powerful his songs are and the simplicity and genius behind them, from 'Redemption Song' to 'Is This Love?' and 'I Shot the Sheriff.'
