Song Quotes
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'No Scrubs' is a mean song for a lot of reasons. If you're 18, 19-year-old guy, or even 17, your friend just got a license. You don't have a real job yet. It's like that song asks you to be an adult way faster than you should.
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It feels so satisfying to hear a song I wrote come out of the radio.
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For me, with the Blue Man Group, I got asked. It was for the Royal Variety Show, which was something I always wanted to be a part of. I'm really interested in things people don't necessarily expect. I did a pop song, but I did it in my own style.
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It's a powerful thing to be able to write a song. Even the least powerful feeling - like insecurity - that makes you feel weak when you experience it, when you write about it, you are powerful.
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I try to keep my eyes and ears open all the time for the bones of my next song: things people say, melodies I hear in my head, and little musical parts I may stumble across. I write them down or record them on my phone. Whatever I need to do to keep the idea for later when I have the time to sit down with it. So writing for me is a 24/7 pursuit.
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Each member does whatever they want with the song and it totally changes it from whatever idea I hear around it. It turns it into a Sonic Youth song and completely away from it being a solo song.
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His life, though none too long, Was never dull: Of woman, wine and song Bill had his full.
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I'll try not to let a day go by without making a song. I don't think I've created a lot of music.
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I tried to make a 'When Doves Cry' in a rap version. I used a lot of instruments and I broke it down like I thought Prince would do, and that's the song I sent to Big Boi.
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Sometimes I trip on how happy we could be And so I put this on my life Nobody or nothing will ever come between us And I promise I'll give my life
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I think it's always important to constantly keep the band on their toes and try new things that you hope will work. That's how 'Apologize' was born, and maybe down the line another little song will be born by that mentality. I've always really liked that song.
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I don't listen to music. I very rarely listen to music. I only listen for information. I listen when a friend sends me a song or a new record.
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Music is a total constant. That's why we have such a strong visceral connection to it, you know? Because a song can take you back instantly to a moment, or a place, or even a person. No matter what else has changed in your or the world, that one song says the same, just like that moment.
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I have a song called 'I Don't Even Know Your Name' which I think is going to be well liked across the board.
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A lot of my songs, they're like puzzle pieces, and there's just one way to put them together. You could, if you needed to, get the scissors out and cut up things to make them work. But I don't want to do that.
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A song has to become as much a part of you as a tailored suit.
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I get tired of the same albums, the same look and singing the same songs. When I get bored I paint, I plant trees and just do something different. I get far away from singing.
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I've tried every which way for writing lyrics - everything from using really bizarre imagery and metaphors, sort of obscuring the facts of what I'm singing about, all the way over to a song like 'Losing My Mind,' where you're just reading my thoughts as they're occurring.
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Doesn't anybody stay in one place any more?
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With every record, with each band, I just try to make a song good. I'm not so much focusing on my technique. There are a million better drummers than me. I try to adapt to the songwriter; I try to adapt to the situation and retain my sort of melodic power. My goal is for the band to be good.
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Sinatra was pretty astute - he used the best songwriters around, he used all the resources, he covered every song from the era basically.
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I don't think I approach my songs differently from other artists. You get a big picture of it, and you imagine the song and hear and feel it, and that big picture is like a snapshot, and it comes to you as fast as it takes to click a camera.
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I was deluding myself that the song was almost not important, but I think the real thing that was happening was almost like self-hypnosis or mediation. The guitar lick was the transcendental key that unlocked my brain. It freed me. And then it all became easy. It's funny now, because I've had times when it wasn't easy.
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I'd never written a song before 'The Blood'; I didn't know it was going to be a song.
